57 pages • 1 hour read
Freida McFaddenA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The book’s primary theme, the prevalence of deceit and keeping up appearances, is introduced immediately with the book’s opening line: “Everybody lies” (5). Everyone presents some kind of image to the world, which the novel argues requires some level of lying. Most people want to project a certain persona to the world and will take steps to achieve that, from wearing certain clothes to pursuing specific activities. The most obvious example of a character keeping up appearances in the book is Adrienne. Adrienne’s desire to be seen as the intellectual, levelheaded psychiatrist makes the extortion tape EJ has of her slashing someone’s tires especially harmful; this is not in line with how Adrienne wants the world to see her.
Adrienne’s fierce need to present a polished image to the world is at odds with her violence, such as when she watches the man who stole her parking space walk in front of her car and thinks:
[A]ll I would have to do is switch my foot from the brake to the gas, and it would change his entire world. It would wipe that smirk off his face, that’s for sure. But I’m a civilized person. I will not mow down a pedestrian in the middle of a crowded parking lot (107).
Her inner monologue speaks to her violent tendencies, which are certainly not the hallmark of the “civilized person” she aspires to be. Adrienne’s character presents a paradox, as her civilized exterior hides her uncivilized interior.
Similarly, Tricia presents herself to the world as the sweet wife, following her husband’s lead—when in fact she is pulling his strings. The final shocking reminder of this comes in the book’s Epilogue. The reader might think that killing Luke together would inextricably bind Tricia and Ethan. To all external appearances, the couple seems strong. Tricia presents as the doting wife and loving mother; Ethan is the protective husband. However, Tricia still would consider murdering Ethan for self-preservation: “I’m prepared to take care of the situation. After all, my mother always said that the only way two people can keep a secret is if one of them is dead” (334). Even after revealing her most sordid secrets to her husband, Tricia is unable to drop the mask.
Moral slippage is a character flaw for all characters in the novel except Luke, who is also the only character to come under suspicion by the authorities. Because all the characters act with varying degrees of immorality and deceit, none could truly be called a “good” person. According to the book’s argument, it is impossible to ever live truly authentically and honestly, even opposite our dearest loved ones. Everybody is always hiding something in an attempt to cultivate a certain image.
The theme of deceit and keeping up appearances is intertwined with the thematic question of which is riskier—truth or lies. Many of the characters in the book lie, usually for self-preservation. The most serious examples are those of Adrienne and Tricia, who lie about the murders they have committed, concealing these heinous acts from the world (and thereby preserving the images of themselves they wish to present to the world). However, smaller examples of truth versus lies, and the risks either option carries, are seen throughout the work.
An early instance is seen in Tricia’s reluctance to reveal her pregnancy to Ethan. If Tricia does not tell Ethan, she must take steps to conceal her pregnancy—for example, secretly dumping the red wine he pours for her. If Tricia tells the truth, she seems worried Ethan will get angry. She even thinks Ethan may hurt her: “Tell him. Just tell him, you wuss. What’s he going to do—fly into a furious rage, murder you, and bury your body in the snow?” (115). Tricia here is right to worry Ethan may kill her, as homicide rates increase while women are pregnant, but she opts to tell him the truth, and their relationship is stronger for it.
Luke and Adrienne’s relationship is also plagued by secrets (which one might see as a type of lie—lying by omission). For example, Luke is initially very secretive about his ex-wife’s death, while Adrienne conceals the truth about EJ from Luke for months. The significant difference is that Ethan and Tricia are eventually honest with one another—Ethan tells Tricia about murdering his mom, and Tricia tells Ethan about murdering her former fiancé and friends. Meanwhile, after Adrienne reconciles with Luke, she plans to never tell him about EJ’s murder. The outcome of the couples is respectively opposite: The couple who told the truth was drawn together, while the couple who lied was torn apart.
The theme of stereotypical gender roles is explored through the two couples of the narrative, Adrienne and Luke versus Tricia and Ethan. In both cases, the women in the relationship are in control. For example, Adrienne manipulates Luke into breaking into EJ’s house. Tricia, meanwhile, has manipulated every detail of her relationship with Ethan, right down to their coffee shop meet-cute—an apparently “accidental” run-in that she orchestrated.
At the same time, both women recognize the stereotypical gender dynamics that society expects of them. They play into these roles when it serves their purposes. This becomes clear as Adrienne uses Luke, first thinking, “[M]aybe Luke could help me out with the EJ problem” (169). She subsequently acknowledges her manipulation of Luke. For example, when she asks him to break into EJ’s house, she tells him she loves him and thinks “[i]t’s a cheap trick” to profess her love in this moment (204). Later, Adrienne thinks of the Milgram Experiment when she is trying to manipulate Luke into killing EJ: “I believe that any human being is capable of terrible things if you push them hard enough. So is Luke” (212). When Luke declines, Adrienne’s damsel-in-distress mantle drops, and she handles the situation on her own—getting away with the murder. Adrienne never needed a “white knight,” as society might suggest she does.
Meanwhile, Tricia seems to relish putting her husband in the role of masculine “leader,” getting a thrill when she can see him as her rescuer, savior, or hero. This begins in the first chapters, when Ethan carries Tricia on his back through the snow—Tricia is delighted. Later, Tricia thinks: “That’s how Ethan is. He’s always so confident. I love that about him. So I follow my new husband to the kitchen” (28). The word choice, I follow my new husband, places Tricia as follower and Ethan as leader. This linguistic framing is repeated in the last chapter, when Tricia follows Ethan to kill Luke, saying: “Then I join my husband” (328).
By revealing to the reader how Adrienne and Tricia toy with the stereotypical gender roles expected of them in relationships, the book debunks these outdated norms. The polarities of male/female, leader/follower, and white-knight/damsel-in-distress are inverted and shown to be pure social constructs that can often be gamed for self-gain.
By Freida McFadden