65 pages • 2 hours read
Katee RobertA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide discusses violence and threats of violence against women and graphic depictions of sex.
The work opens from Persephone Dimitriou’s point of view. Persephone is hiding with her younger sister, Psyche, from the crowds at an event in Dodona Tower, the building that belongs to the 13 rulers of their city state, Olympus. Their mother, Demeter, is in charge of food supply and logistics. The sisters are contemplating statues of the Thirteen leaders, whom Robert depicts as mortal oligarchs whose responsibilities echo those of the immortal gods of Greek myth. Persephone is fascinated by the statue of Hades—the title is a hereditary one that has died out. Persephone is intrigued by the fact that the lower half of the River Styx is still rarely crossed by upper-city dwellers, and that Hades’s title has never been renewed. She wonders aloud whether Hades was “different from the rest of them” (2).
Psyche cynically reminds her that all the rulers of Olympus are corrupt, as they know well due to their privileged, if dangerous, lives as the daughters of Demeter, who handles much of the city’s supply and logistics. The daughters have each found their own roles within the cutthroat atmosphere of city politics—Persephone has adopted a public role as a contented and devoted daughter, while Psyche opts for relative obscurity, and their sister, Callisto, is fiery and rebellious. The youngest, Eurydice, ignores politics for romance. Psyche and Persephone worry that the leader of the Thirteen, the cruel and capricious Zeus, may express sexual interest in one of them. Zeus’s wives and past partners have often died mysteriously, with no consequences for him and a similar lack of consequences for his rumored sexual assaults.
Their mother, Demeter, arrives and urges them back to the party, ignoring Persephone’s protests. Persephone privately reflects that her mother’s preference for earth tones and warm colors belies her ambition and ruthlessness. Persephone takes in the opulence of her surroundings, alienated by the cruel power beneath the displays of wealth. Zeus is an older man, steeped in the luxury of his inherited title. He is surrounded by a crowd and sits on an opulent throne. Persephone is chilled as she realizes that he looks at her as “something to be owned” (8). Persephone reluctantly comes close to Zeus and lets him kiss her hand, knowing that she cannot alienate him without risking social scandal. Persephone comforts herself with the knowledge that in three months, she can access her trust fund and make a life outside the city.
Her thoughts are interrupted by Zeus telling her they are gathered for a public statement that concerns her. He summons the attention of the room and announces that he and Persephone are engaged. Demeter clearly approves. Persephone, stunned and recalling the fate of Zeus’s past partners, realizes she runs a risk of “ending six feet under like the rest of the Heras. Frankly, I don’t like my odds” (12).
Persephone is relieved to see Psyche, who helps her escape from the party as her mind whirs with shock and fear. Psyche is furious at Demeter’s betrayal of all of them, and Persephone persuades her not to enlist Callisto in their predicament yet. Persephone tells herself, “I should marry him. It would ensure my sisters remain protected, or as near to it as possible in this pit of vipers” (17). She sends Psyche for her purse and rapidly walks away from the Tower, desperate for escape.
She soon realizes two men are tailing her to the River Styx, a boundary she is rumored to be unable to cross. The men identify themselves as part of Zeus’s entourage, making her run faster, hoping to find a bridge across. She arrives at one, seeing a strange man standing still on the other side. She rushes across the bridge, briefly overcome by whatever force is meant to block her. The man, who has dark hair and eyes, finally beckons her to approach. As she keeps running and successfully crosses, Persephone thinks, “I don’t know who this stranger is, but anyone is preferable to Zeus, no matter the price” (25).
The action continues from Hades’s point of view. The ruler of the lower city watches Persephone cross, surprised to see a woman eager enough to risk it. He recognizes her as she gets closer. He is Hstunned to see a daughter of one of the Thirteen so clearly bent on escape, realizing that “she must be truly desperate to make the crossing, to throw in her safety with a man like me” (27). Hades also recognizes the men, realizing that he is suddenly embroiled in one of Zeus’s power games. He can only urge her across verbally, as his agreement with Zeus means he cannot enter the upper city or engage with its citizens. He catches Persephone in his arms, realizing her feet are injured. He simulates holding her by the throat, to convince the men to give up. They threaten him, reminding him of Persephone’s importance to Zeus, but he reminds them that entering without his consent could cause civil war. Hades is quietly exultant, as Persephone’s arrival may be a chance for him to strike back at Zeus, whom he has always hated for murdering his parents when he was a young child.
Hades carries Persephone away, but Persephone protests, surprising him with her spirit. Hades reminds himself that “the woman over my shoulder will either be the tool I use to finally bring Zeus down, or she’ll be my ruin” (30). He meets up with his personal security, resigned to their presence because his maintenance of the lower city is key to the survival of its many citizens, especially while he has no children to inherit his title. Persephone argues with Hades, insisting she does not want to be forcibly abducted. When he reminds her that he saved her, she says, “I was being chased. You seemed the lesser of two evils” (33). Hades is struck by her pain when she admits that she is shocked by the night’s events.
He arrives in his kitchen to find two of the Thirteen, Hermes and Dionysus, drinking his best wine. As befits her mythical counterpart’s status as the god of thieves, Hermes frequently arrives in Hades’s home without permission and brings Dionysus with her, as his food and drink are a temptations to the god of hospitality. Hermes and Dionysus are shocked to see Persephone, and Persephone is overcome with shock when she hears her host’s name.
Bemused, Hermes and Dionysus inform Hades of the engagement party that Persephone escaped from, as he immediately grasps the political implications. He catches sight of Persephone attempting to run, terrified of him. He notices her feet are bleeding and tells her to stop trying to escape. He reminds her that any hospital would call her family, and he explains that he needs to examine her injuries.
The narrative shifts back to Persephone, who is reassessing her situation. She watches Hades work and decides that “the careful way he cleans [her] wounds doesn’t exactly support the idea that Hades is a monster” (39). She is struck by his dark eyes and handsome features. Persephone argues when Hades brings her blankets, but she eventually subsides. She expresses her shock that he exists, and that he knows other members of the Thirteen. She finds herself explaining the engagement party, including her mother engineering the entire event without her knowledge or consent. When Hades is unsympathetic, reminding her that such power games are common among Olympian elites, she slaps him. Persephone reminds herself that while the legend of Hades is frightening, she has much more evidence of Zeus’s treachery and harm to women.
Hades carries her to a guest room, insisting that if he puts her down, she will damage his floors and furniture because her open cuts are bleeding. This results in spirited banter as Persephone retorts, “[W]hat kind of a threat is that? You’re worried about your floors?”; he responds with, “[T]hey’re nice floors” (45).
Left alone, Persephone realizes that she has to risk a phone call, as her sisters do not deserve to worry about her safety just because her mother has betrayed her. Persephone gradually explains to them she is in the lower city, and that she is not fantasizing about Hades’s existence, as she is in his home and knows that he is alive. The sisters realize that Zeus has tried to erase knowledge of his adversary from public consciousness, likely as part of a broader power strategy. Persephone refuses to return, despite their protests, and tells them she will call them the next day.
Persephone is disillusioned and beleaguered, as she had hoped for an exit from Olympus that would endanger her sisters far less than her current circumstances. Persephone looks around, fearing for her safety after her night of terror and lifetime of danger. She realizes that the only nearby lock is in the bathroom, and she drags bedding in there to sleep in relative safety.
Robert’s opening chapters introduce the reader to Persephone, Hades, and the wider world of corruption and political intrigue that they inhabit. The traditional Greek myths depict rivalries and intrigue among the gods, which Robert modernizes as struggles for power and influence in a sophisticated media landscape. Unlike stories found in mythology, Hades is not drawn to Persephone’s beauty, nor does he reach her with help from Zeus. Instead, he recognizes her from her cultivated public image in the media—one the reader knows she has intentionally crafted as a survival strategy. At this stage, Hades does little to actively dissuade Persephone from finding him dangerous or alarming. Both characters grapple with the Tensions Between Public Personas and the Authentic Self. After meeting Hades, Persephone reveals little of her own thoughts or opinions, still caught up in a world where her projected confidence is key to her survival. Hades begins to suspect that Persephone has more personality and depth than her carefully curated image suggests, and while she remains anxious, Persephone finds herself admitting that Hades has been helpful and concerned for her, a striking contrast to the life where she is inconsequential to both Zeus and her mother.
Robert’s Olympus is a dangerous world for women: Demeter survives partly by using her daughters’ beauty, much to their expense. This Olympus, like its original counterpart, is a patriarchal world where women like Persephone and her sisters are uniquely vulnerable. While Hades makes note of Persephone’s courage and personality, at this stage in the narrative, he also sees her as a kind of political bargaining chip, useful for his longtime hopes for revenge. This sets up the theme of Power and Loyalty. Persephone has proximity to power but none of her own. She sees her mother as ruthless, even to the extent of embroiling her family in danger to promote her agenda.
Hades’s sudden appearance—and status as a real person, not a myth—show Persephone an alternate source of strength that she has not previously imagined. Additionally, Persephone desires to escape Olympus and its power games, not her family. She has strong bonds with her sisters and trusts them to support her even after her flight. Hades alludes to his family-driven feud with Zeus, underlining that he is eager for Persephone’s arrival because he might be able to avenge the family he lost.
Robert also sets up the attraction between Hades and Persephone, though at this point, it is tentative. This reminds the reader that the work belongs to the genre of fantasy romance, as the two characters will not only be political allies but also a romantic pair. Persephone is established as long drawn to the idea of Hades, a figure who is separate from the perilous world of the upper city. Her sisters even accuse her of engaging in fantasy by fleeing across the River Styx, and she assures them that Hades is a real man, not a myth. Hades emerges as a kind of reluctant protector, acknowledging Persephone’s beauty more as a political fact than a personal interest. Their bantering dialogue about his floors, and his unspoken refusal to let her neglect her health, points to deeper interest and chemistry between them. Robert makes clear, however, that the political obstacles they face will be fundamental to any negotiations of their relationship and future together.