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Elena FerranteA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Reading Check and Short Answer Questions on key points are designed for guided reading assignments, in-class review, formative assessment, quizzes, and more.
PROLOGUE
Reading Check
1. Why does Rino phone Elena (the narrator)?
2. What special nickname does only Elena call Rino’s mother?
3. What does Rino find when he looks inside his mother’s closet?
4. How does Elena feel about Rino’s mother’s attempts to disappear?
Short Answer
Answer each question in at least 1 complete sentence. Incorporate details from the text to support your response.
1. How is Rino characterized in the prologue?
2. What does Rino’s mother mean when she says that she wants to disappear without a trace, according to Elena?
3. Based on the details in the prologue, how is the relationship between Elena and Rino’s mother characterized?
4. Why does Elena write the text of the novel?
PART 1, CHAPTERS 1-18
Reading Check
1. Who taught six-year-old Lila how to read?
2. What does Elena say to Lila after throwing Nu, Lila’s doll, into Don Achille’s cellar?
3. What does Lila purchase with the money given to her and Elena by Don Achille?
4. What shocking event occurs at the end of Part 1?
Short Answer
Answer each question in at least 1 complete sentence. Incorporate details from the text to support your response.
1. How does the confrontation with Don Achille transform Elena and Lila’s friendship?
2. Why does Maestra Oliviero treat Lila so coldly after her parents bar her from taking the middle school admissions exam?
3. Why does Lila take Elena to the sea but return so abruptly?
4. How do Lila’s and Elena’s reactions to the arrest of Alfredo Peluso differ?
Paired Resource
“Life for Women in Italy: From World War I to Today”
“Alcott: ‘Not the Little Woman You Thought She Was’”
PART 2, CHAPTERS 1-22
Reading Check
1. What does Elena call the peculiar episodes Lila has in which “the outlines of people and things suddenly dissolved, disappeared?” (Part 2, Chapter 1)
2. To what political party do Pasquale and his father belong?
3. Which new language does Elena study at high school that Lila feels obligated to surpass her in?
4. What do the Solaras shoot off during the fireworks competition once they run out of fireworks?
Short Answer
Answer each question in at least 1 complete sentence. Incorporate details from the text to support your response.
1. How does Elena feel that she has distinguished herself from other girls like Carmela and Gigliola when it comes to friendship with Lila?
2. How does Elena’s perception of Lila’s character change after Lila embarrasses Elena publicly with her knowledge of the gramophone?
3. Why is Lila so interested in the “before” time, as she calls the period of time before she and Elena were born?
4. How does Lila react to the fireworks standoff between the Solaras and Stefano and Rino’s group?
Paired Resource
How Bespoke Italian Leather Shoes Are Made
Why Should You Read Virgil’s Aeneid?
“How a Right-Wing Party of Neo-Fascist Roots Became Poised to Lead Italy”
PART 2, CHAPTERS 23-43
Reading Check
1. What does Rino leave for his father from “la Befana”?
2. From which surprising boy does Lila receive a love confession that to Elena seems like a “promotion”?
3. What luxurious piece of new technology does Lila’s suitor gift to the Cerullo family?
4. To whom does Lila become engaged?
Short Answer
Answer each question in at least 1 complete sentence. Incorporate details from the text to support your response.
1. How does Lila change following the fireworks incident and her father’s discovery of her and Rino’s secret project?
2. Why does Elena feel that she has become listless in her studies without Lila’s influence?
3. How do Elena’s and Lila’s ideas about wealth change over the first half of Part 2?
4. What “pattern” does Elena begin to see in her relationship with Lila that, according to Elena, binds their fates together?
Paired Resource
“A Power of Our Own” by Elena Ferrante (translated from Italian by Ann Goldstein)
PART 2, CHAPTERS 44-62
Reading Check
1. Why does Lila say that she doesn’t want to read anything else that Elena writes?
2. Which two “sorrows” does Lila experience that deeply wound her before her wedding?
3. Who is the titular “my brilliant friend”? (Part 2, Chapter 57)
4. Which shocking item of clothing does Marcello wear to Lila’s wedding?
Short Answer
Answer each question in at least 1 complete sentence. Incorporate details from the text to support your response.
1. How does Lila change as a result of her engagement to Stefano?
2. Why is Elena so surprised by the way that Lila and Stefano choose to react to the rumors that Marcello Solara spreads about Lila?
3. What is the likely reason why Nino does not publish Elena’s article?
4. Who does Elena conclude are the “plebs”?
Recommended Next Reads
The Story of a New Name by Elena Ferrante
Ponti by Sharlene Teo
PROLOGUE
Reading Check
1. Rino phones Elena to tell her that his mother has been missing for two weeks. (Prologue, Chapter 1)
2. Lila (Prologue, Chapter 2)
3. Absolutely nothing (Prologue, Chapter 3)
4. Angry (Prologue, Chapter 3)
Short Answer
1. Rino is immature and dependent on others; when he calls, Elena initially thinks that he is doing so to ask for money. (Prologue, Chapter 1) He expects Elena to fix the problem and begs to stay with her to alleviate his emotional distress. (Prologue, Chapter 3) Rino “had no brain, and in his heart he had only himself,” characterizing him as selfish and unintelligent. (Prologue, Chapter 1)
2. Elena claims that only she truly understands what Lila meant by her desire to disappear. She was not thinking of suicide or self-reinvention, according to Elena, but the literal act of vanishing. (Prologue, Chapter 2)
3. Although explicit details of the relationship between Elena and Lila are scant at this point, the reader learns that they have a friendship of at least sixty years. (Prologue, Chapter 2) There is a warmth between them, as Elena would have welcomed Lila gladly had she chosen to visit her. (Prologue, Chapter 1) They share a unique intimacy and understanding of one another, evident through Elena’s special insight into Lila’s mind and motivations for disappearing that defies others’ understanding of her. (Prologue, Chapter 2) However, there is also a tension to their relationship, demonstrated by the fact that Elena has apparently discarded anything that reminded her of Lila through the years and is angry instead of sad at Lila’s disappearance. (Prologue, Chapter 3) The competitive spirit of their friendship is evident as Elena thinks “we’ll see who wins this time” to herself as she sets out to thwart her friend’s attempts to vanish. (Prologue, Chapter 3)
4. Elena feels resentment and anger toward Lila after she achieves her goal of disappearing without a trace. Locked in a never-ending competition with her old friend, Elena resolves to record all the details of their decades-long friendship in an attempt to undermine Lila’s attempts to erase herself from the lives of everyone. She views the situation as yet another battle to be won in their rivalry. (Prologue, Chapter 3)
PART 1, CHAPTERS 1-18
Reading Check
1. Lila taught herself to read. (Part 1, Chapter 6)
2. Elena tells Lila she will copy Lila’s actions: “What you do, I do.” (Part 1, Chapter 10)
3. A copy of Little Women (Part 1, Chapter 15)
4. Don Achille’s murder (Part 1, Chapter 18)
Short Answer
1. The confrontation with Don Achille is the first time that Elena feels she and Lila truly rely on one another. (Part 1, Chapter 14) It sets the pattern of their relationship—each catalyzing the others’ courage/growth, relying on the other to challenge the established systems of power in their environment, as they “[go] to expose ourselves to fear and interrogate it,” representing their continued determination to understand the underpinnings of their world and challenge them. (Part 1, Chapter 2)
2. Maestra Oliviero treats Lila coldly out of the contempt she has for her family for impeding Lila’s education. According to Maestra Oliviero, families like Lila’s are the “plebs,” those who remain ignorant and impoverished by their own decisions. She feels that Lila has given up trying to better herself, and as a result, she deserves “nothing.” (Part 1, Chapter 15)
3. Elena theorizes that Lila wanted to sabotage Elena’s chances of taking the middle school admissions exam by getting her into trouble; Lila had hoped that as a punishment, Elena’s parents would no longer permit her to take the exam. Elena believes, however, that Lila aborted her plan abruptly out of guilt and hoped that by returning Elena, Elena might escape punishment. In narration, Elena wonders if Lila had perhaps simultaneously desired to help and hurt her. (Part 1, Chapter 16)
4. While Elena is frightened and weeps along with Signor Peluso’s family, Lila simply stares. Elena is rocked by the terrible thing, but Lila insists that Signor Peluso is innocent and is adamant that even if he did kill Don Achille, it was a good thing to do. (Part 1, Chapter 18)
PART 2, CHAPTERS 1-22
Reading Check
1. “Dissolving margins” (Part 2, Chapter 1)
2. The Communist Party (Part 2, Chapter 9)
3. Greek (Part 2, Chapter 18)
4. Guns (Part 2, Chapter 22)
Short Answer
1. Elena feels that she alone can keep up with Lila and engage her intellectually in a way the other girls can’t. She feels that she has the capacity to verbally spar with Lila and contribute meaningful feedback and additions to Lila’s dramatizations of their lives, in a way that the other girls can’t understand. (Part 2, Chapter 11)
2. After the incident with the gramophone, Elena begins to think of Lila as “evil” in the fabled sense. She realizes that Lila will not hesitate to mercilessly wound others with her words. She begins to perceive Lila not only as defiant and capricious, but as dangerous and malicious. (Part 2, Chapter 16)
3. Lila feels that her parents have turned a blind eye to the cycles of abuse, oppression, and violence, such as the power dynamic between the Solaras and the Carraccis, who have governed the neighborhood since before she was born. She uses her investigations into the “before” times to construct an understanding of the complex political and social forces that enforce these cycles. (Part 2, Chapter 17)
4. Lila reacts with horror and disgust as she experiences a “dissolving margins” episode at the chaos of the fireworks debacle. She feels that the violent underside of her brother and friends has been irrevocably unveiled to her, and she is frightened and repulsed by it. (Part 2, Chapter 22)
PART 2, CHAPTERS 23-43
Reading Check
1. The shoes that he and Lila have made (Part 2, Chapter 23)
2. Marcello Solara (Part 2, Chapter 24)
3. A television set (Part 2, Chapter 34)
4. Stefano Carracci (Part 2, Chapter 39)
Short Answer
1. After the fireworks incident and Fernando’s volatile reaction to the shoes, Lila appears to suddenly lose interest in her former ambitions. She resigns herself without complaint to the domestic sphere, ceasing her work in the shoe shop and instead helping her mother with the housework. Her relationship with Rino is also changed: Although she doesn’t harbor any anger toward him, she no longer sees him as the kind, helpful older brother that she did before. Now, she fears him and feels that he needs managing in order to restrain the violent beast that she glimpsed for the first time during the fireworks demonstration. (Part 2, Chapter 23) Lila also loses her interest in learning and no longer takes books out from the library. (Part 2, Chapter 25)
2. Elena fears that her passion and wit evolved directly out of Lila’s influence alone, and that without Lila she has no true genius of her own. Absent competition with Lila to excite her passion and stimulate her intellect, Elena feels that her own studying is merely a product of discipline rather than genuine enthusiasm for the subjects. (Part 2, Chapter 25)
3. Elena and Lila realize wealth in a more concrete rather than romantic sense. When they were little girls, they idealized it as they saw it depicted in stories, as sudden riches to be unearthed that would lead to “splendor and glory.” Now, as Lila faces engagement to the wealthy Carracci family, she and Elena conceptualize wealth as something that can provide for material comfort, offering a concrete means of power in everyday concerns and facts. (Part 2, Chapter 39)
4. Coping with the adjustment to her dynamic with Lila that Lila’s engagement to Stefano will bring and with a sense of inadequacy as she watches Lila outpace her in the game of maturity, Elena feels that her own fortunes have abruptly declined. From this idea emerges her revelation that her fortune and Lila’s share an inverse relationship; while one of them does well, the other suffers, and vice versa. (Part 2, Chapter 42)
PART 2, CHAPTERS 44-62
Reading Check
1. Lila says Elena’s writing hurts her. (Part 2, Chapter 53)
2. Maestra Oliviero’s rejection; the appointment of Silvio Solara as speech master (Part 2, Chapter 56)
3. Elena (Part 2, Chapter 57)
4. The shoes made by Lila and Rino (Part 2, Chapter 62)
Short Answer
1. Thanks to her sudden access to money via Stefano’s wealth, Lila dresses in the latest fashions and spends money freely. She develops a taste for the sophisticated, fashionable life, imitating models and celebrities. Elena feels that Lila’s formerly aggressive nature has been annihilated by this new celebrity-esque Lila. Lila uses her newfound means to elevate her status and that of her family, protecting them from the surrounding darkness of the neighborhood’s violence. (Part 2, Chapter 44)
2. Lila and Stefano’s reaction to Marcello’s rumors is surprising because, according to Elena, it defies the logic of the neighborhood. The couple chooses to ignore the rumors rather than confront Marcello directly. By going against social expectations, Lila and Stefano demonstrate that they aim to challenge existing power structures. (Part 2, Chapter 46)
3. Although Nino claims that the magazine didn’t have enough space to publish Elena’s article, earlier details in Chapter 54 when Nino comments “with sudden, unexpected sadness” on Elena’s writing skills suggest that he feels threatened by her ability. His awkwardness in informing Elena that her article will not be published suggests that he played a hand in its rejection, likely to protect his own ego. (Part 2, Chapter 61)
4. Lost in her disillusionment over her article not being published, Elena equates the “plebs” with the violence and desperate greed of the neighborhood. She fears that, due to her status as a woman, her education will never be enough to escape the socioeconomic impacts of her childhood. (Part 2, Chapter 62)
By Elena Ferrante