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63 pages 2 hours read

Virginia Woolf

Mrs. Dalloway

Fiction | Novel | Adult | Published in 1925

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Pages 1-59Chapter Summaries & Analyses

Pages 1-25 Summary

On the morning of her party, Clarissa Dalloway decides to leave the house and “buy the flowers herself” (1). The atmosphere in her house and beyond, in Westminster, London, reminds her of her youth at Bourton, where she sometimes felt “that something awful was about to happen” (1), despite the freshness of the air and the calm.

As she walks through the city, Clarissa’s memories move on to Peter Walsh, who “would be back from India one of these days” (1). Clarissa isn’t exactly sure when because Peter’s letters are too boring for her to read with much care. On the morning of the day that the novel is set, “it was the middle of June” (2) in 1923, and Clarissa “thank[s] Heaven” (3) the Great War is over.

As Clarissa enters St. James’s Park, she encounters “her old friend Hugh” (3), and he greets her “rather extravagantly, for they had known each other as children” (3). Hugh Whitbread and his wife, Evelyn, will be attending Clarissa’s party later that day, though Clarissa’s husband, Richard, “was nearly driven mad by [Hugh]” (4). She remembers that Peter Walsh also disliked Hugh, which triggers memories of the past, when Clarissa turned down Peter’s proposal of marriage: “Never should she forget all that!” (6).

The painful memory leads Clarissa to ruminate on her age and eventual death, “that she must inevitably cease completely” (6). She wonders what life would be like “if she could have had her life over again” (8) before pausing to look in the shop window of the fishmonger’s and the glovemaker’s. Before arriving at the flower shop, Clarissa thinks of her daughter, Elizabeth, who cares most for her dog, Grizzle, and possibly her governess, Miss Kilman. Because “they were inseparable” (9) and because Miss Kilman wears a green mackintosh coat to emphasize “how poor she was; how rich you were” (9), Clarissa resents the governess. As Clarissa admires the flowers in the shop, a car backfires on the street, sounding like a gunshot, and startles her.

The same motor car draws the attention of a war veteran named Septimus Warren Smith, “aged about thirty, pale-faced, beak-nosed, wearing brown shoes and a shabby overcoat” (12). Time slows at this moment for Septimus, and “[t]he world wavered and quivered and threatened to burst into flames” (12). His young wife, “an Italian girl” (12), urges him onward, which makes him angry, and his wife recalls the time when he threatened to kill himself. She is alone in London, having left her family and her hometown in Italy to marry Septimus.

As the car passes by, Clarissa, “coming out of Mulberry’s with her flowers” (14), assumes it was the Queen because “she had seen something white, magical, circular, in the footman’s hand” (14). The car glides on through the city streets, capturing the attention of various Londoners on the sidewalk. Outside Buckingham Palace, onlookers wonder about the royal family, like a woman named Sarah with “her baby in her arms” (16), and Emily Coates, who “thought of the housemaids, the innumerable housemaids” (16).

In the sky, an airplane writes something with “white smoke from behind” (17) while “a flight of gulls crossed the sky” (17). Septimus and his wife, Rezia, also notice the airplane, and he believes “they are signalling to” him (18). The beauty of the moment overwhelms him as “[t]ears ran down his cheeks” (18). Rezia decides to “walk to the fountain and back” (19) after interrupting his trance, and she thinks about her husband’s changed mental state since the war. His state of mind has caused her great suffering and “she ha[s] grown so thin” (20) with worry and loneliness. Septimus talks to himself and ponders the existence of God and the “sparrow perched on the railing opposite” (21), jumping to attention when Rezia returns, determined to “get away from people” (21). Rezia tries to follow the advice of Dr. Holmes and encourages him to “make him notice real things” (22), but Septimus dismisses her attempts with “a wave of his hand” (22). Their interactions alarm observers in the park near them, until “out flew the aeroplane over Ludgate Circus” (25).

Pages 25-59 Summary

Upon her return home from her shopping excursion, Clarissa learns that her husband, Richard, will be “lunching out” (26) with Lady Millicent Bruton, “whose lunch parties were said to be extraordinarily amusing” (26). Clarissa was not invited, and being excluded from the event shocks her; she goes upstairs, “[l]ike a nun withdrawing, or a child exploring a tower” (27). In her attic room, she thinks about how she has failed Richard because she lacks “something warm which broke up surfaces and rippled the cold contact of man and woman” (28). Clarissa acknowledges to herself that “she could not resist sometimes yielding to the charm of a woman” (28), an experience that leads her to “undoubtedly then feel what men felt” (28). Her thoughts move to Sally Seton, a beautiful woman who spent a summer at Bourton with a much younger Clarissa, when she and Clarissa “sat up till all hours of the night talking” (29). Sally, whose “charm was overpowering” (30) and whose voice “made everything she said sound like a caress” (31), once kissed Clarissa “on the lips” (31) moments before Peter Walsh interrupted them.

As she remembered the horror of Peter’s intrusion, Clarissa wonders how he will find her when he sees her next, as many years have passed. She selects a green dress in need of mending from her collection to wear during the party, just as Lucy, the housekeeper, enters with silver and crystal knickknacks cleaned especially for the party. Lucy offers to repair the dress, but Clarissa does it herself, and “[q]uiet descended on her, calm, content, as her needle, drawing the silk smoothly to its gentle pause, collected the green folds together” (35). Suddenly, the doorbell sounds, and within moments, Peter Walsh appears at the attic room door. As Peter realizes that Clarissa has grown older, she observes that he is “[e]xactly the same” (36), playing with his pocket-knife and gesturing with it as he had always done.

As they banter, they both recall their time together at Bourton and Clarissa’s rejection of Peter, who becomes “overcome with his own grief” (38). Clarissa tries to change the subject, but grows tearful herself, while Peter sits among the trappings of Clarissa’s privileged married life and ruminates on his perception of himself as a failure. Clarissa engages in a battle with “the enemy” (40), fighting to assert herself as her own person and not just the wife of Richard Dalloway, and Peter responds by telling her he is “in love with a girl in India” (40), a younger woman who is married to a Major in the Indian Army. As Peter explains that he is in London to see about how to arrange a divorce for the woman he loves, he fiddles ceaselessly with his pen knife, which annoys Clarissa, only to “burst into tears[…]wept without the least shame, sitting on the sofa, the tears running down his cheeks” (42). Clarissa feels at ease with his emotion and reflects at this moment that “[i]f I had married him, this gaiety would have been mine all day” (42); after all, Richard is “[l]unching with Lady Bruton” (42) and “I am alone forever” (42). Elizabeth enters the room just as Peter asks Clarissa if she is happy, and Clarissa introduces her daughter “emotionally, histrionically, perhaps” (43). Peter leaves abruptly as Clarissa reminds him to come to her party that evening.

Peter hears Big Ben in the distance as he walks the streets of London, thinking about India and the fact that he “was now really for the first time in his life, in love” (44). He feels shame at his outburst, remembering that “Clarissa refused me” (45) and reflecting on his own age and the experiences of his youth. Near Whitehall, Peter observes “[b]oys in uniform, carrying guns” (46) and marching, and while crossing Trafalgar Square, Peter feels a sudden sense of intoxicating freedom: “I haven’t felt so young for years!” (48). He spies a woman he finds attractive, “young, but stately; merry, but discreet; black, but enchanting” (48) and soon, in his imagination, “she became the very woman he had always had in mind” (48). Peter follows her, imagining himself “a romantic buccaneer” (49) from India, until she lets herself into a building with a key, ending his fantasy. He walks on to Regent’s Park, sits on a bench with a lighted cigar, and falls asleep. As soon as Peter wakes up, he is struck by memories of Bourton, “when he was so passionately in love with Clarissa” (54). He remembers Sally Seton, who was daring and attractive, and then he remembers the details of the evening when Clarissa turned him down forever, when he “felt that he was grinding against something physically hard; she was unyielding” (59). That night, he realized Clarissa would marry Richard Dalloway, and after Peter went away, “[h]e never saw her again” (59). 

Pages 1-59 Analysis

In these early pages, Woolf’s stream-of-consciousness style gathers pace and sets the tone for the entirety of the novel. The inner lives of all characters, even minor ones, are depicted in vivid detail. This focus on thoughts and emotions, rather than physical details and dialogue, are a uniquely Modernist choice. To heighten the effect of the stream-of-consciousness technique, Woolf’s sentence structure imitates the skipping and erratic nature of thoughts and memories as she incorporates lists and random phrases into her sentences.

Characterization also begins to develop as protagonist Clarissa Dalloway starts her day. Readers meet her husband, Richard Dalloway, and her old friend and suitor, Peter Walsh, who know each other. This triangular relationship dynamic sets Clarissa’s desirability at the forefront, as well as her manner of interacting with each man, both historically and in the present day. Peter Walsh’s feelings for Clarissa are unclear and the reader is invited to ponder the question of his love for Clarissa: does he still feel as he did when they were young? Simultaneously, the reader wonders about Clarissa and her true sexuality; is there something about Richard that allows Clarissa to feel more comfortable in her own skin, or does she simply succumb to what is expected of her by society?

The character of Septimus Warren Smith and the life he shares with his wife Rezia is revealed to the reader, alongside the lives of Clarissa, Richard, and Peter. The working-class existence of Septimus and Rezia, his foreign wife, contrasts with the privileged lifestyle of the Dalloways.

The setting of Mrs. Dalloway is post-World War I London, and various details remind the reader of the atmosphere of the city at this time in history. For example, the sound of the car backfiring outside the florist is particularly alarming, because five years earlier, it might have been a common occurrence to hear gunshots outside of shop windows. As well, the sight of the airplane over Ludgate Circus may also trigger unpleasant memories for Londoners who lived through the war in the city.

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