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George EliotA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Dorothea Brooke is the protagonist of Middlemarch. She stands out from the other characters due to her sincere good intentions. As an intelligent, religious, and forward-thinking young woman, her main desire in life is to help other people. When the novel begins, she is satisfying this desire by trying to redesign many of the local cottages. These cottages are rented by the working-class people who live on the large estates owned by her uncle and his middle-class peers. Improving these cottages has no direct benefit to Dorothea but she pursues the project nevertheless. Later, she funds Lydgate's hospital and searches for local charitable causes which would benefit from the money which she does not want or need. This philanthropy stands in stark contrast to most of the characters in Middlemarch. While most other characters have an ulterior motive for their good deeds, Dorothea is genuine in her desire to help people. Her actions speak to her sincerity, as does her modesty and refusal to boast about her good deeds.
For all her good qualities, however, Dorothea is not without her flaws. Her desire to change the world brings about the biggest mistake in her life, one which compounds further and further until it leaves her in a miserable state: her marriage to Casaubon. Even though her sister Celia considers Casaubon to be old and unattractive, Dorothea sees something else in him. She convinces herself that Casaubon is a genius. By marrying him and helping him with his research, she believes that she can contribute to his project and—in a vicarious fashion—can achieve something by working alongside him.
Dorothea's desire to find fulfillment through her husband’s work is a tacit acknowledgment that she lives in a patriarchal society. Whether attempting to renovate local cottages or work on some great philosophical text, Dorothea recognizes that she will only be able to do this by convincing men to do it on her behalf. The same society which does not give Dorothea the right to vote or to attend university deliberately limits her prospects and dictates the way in which she can achieve her lofty ambitions. Her doomed marriage to Casaubon is a desperate, idealistic attempt to achieve something great. Dorothea does not marry for love. She barely even knows the real Casaubon, having idealized him in her mind and turned him into an academic genius that bears no resemblance to reality. After the marriage, Dorothea comes to realize that Casaubon and his work will not change the world. Furthermore, he does not respect her as a wife or an intellect. The marriage is a failure, built on Dorothea's desperation to prove herself to a world which has kept her on the margins for so long.
Casaubon dies and his will tries to prevent Dorothea from marrying Will. Dorothea and Will have the passionate bond that Dorothea never felt toward Casaubon. Unlike Casaubon, Will is a man of limited means. He is not a vehicle for Dorothea to achieve anything. Instead, Dorothea loves him for who he actually is. She embraces her true self, as an independent and strong young woman who seeks to take what she wants. Dorothea rejects the inheritance from her dead husband so that she can marry for love. Her rejection is an expression of her refusal to conform to social expectations. She defies etiquette and all sensible advice from those around her, embracing poverty in the name of love. For a woman like Dorothea in a town like Middlemarch, this is a radical act.
Will Ladislaw is the love of Dorothea's life, even if they are forced to spend most of the novel apart. The distance between them is artificial, an imposition left behind by Casaubon. In his will, Casaubon dictated that Dorothea would lose her entire inheritance if she married Will. As a result, Will is afflicted with a terrible sense of injustice. Casaubon was not just jealous of any potential relationship between his wife and his cousin, but of the man Will had become. Will is idealistic and caring, a man whose friendly disposition and keen insight is juxtaposed against Casaubon's cold indifference and muted academic potential. Whereas Will is recruited as the editor for a local newspaper and advocates for political interests, Casaubon can barely bring himself to gather together the notes for a book of his own. Will is a writer, a romantic, a personable figure, and someone who is well-liked—Casaubon envied and resented all these traits in his cousin.
The reason that Casaubon was so heavily involved in Will's upbringing was due to the dark nature of Will's family history. For the previous two generations, Will's female forebears have been embroiled in scandal. Julia, his grandmother on his mother's side, ran away with a Polish man and was disowned by her family. In a similar fashion, Will's mother Sarah ran away from home when she discovered that her family made their money from working as pawnbrokers. Since this profession was considered dishonorable, Sarah did not want to be associated with her parents' business in any way. Sarah failed to make much money as an actress, so Will was forced to depend on Casaubon's charity. With such a scandalous past, Will is determined to make something of himself. He refuses to entertain even the slightest hint of a scandal, promising to leave town when Casaubon's will frames him as a potential adulterer. Furthermore, he refuses Bulstrode's offer of money. Bulstrode married Will's grandmother after the death of her first husband and now believes that a large portion of the money he inherited rightly belongs to Will. As Will associates this money with the pawnbrokers, he refuses. Will also worries about his reputation when Dorothea sees him in an intimate position with Rosamond. He fears that he will never be able to explain the innocent nature of the situation and, given his feelings for Dorothea, he is confronted with the reality of his poor reputation costing him dearly. He strives to escape his disreputable family past and loathes himself when he comes close to ruining his own reputation.
In spite of his principles, Will cannot bring himself to leave Dorothea behind. Though they take some time to make their feelings clear toward one another, when they finally do so, they are forced to make sacrifices. Dorothea is forced to give up her fortune because she will be in breach of Casaubon's will if she marries Will. She does this willingly. For Will, the issue is more complicated. Marrying Dorothea validates Casaubon's suspicion and threatens to undermine his reputation with the people of Middlemarch: He may be following in his family's scandalous footsteps by finally marrying the woman of his dreams. Will takes the risk and marries Dorothea and they make a loving (if unremarkable) life together, their love acting as a defiant rebuke of Will's past and Casaubon's jealousy.
Tertius Lydgate is an ambitious young doctor whose idealism is undermined by his desires. When he first arrives in Middlemarch, Lydgate is notable as a non-conformist. At the time, medicine was not considered a particularly profitable or prestigious trade. For a man from a well-bred family like Lydgate to take up the profession was considered remarkable among the middle-class members of Middlemarch society. Furthermore, Lydgate continues to defy the expectations of his social class by professing progressive views. He not only believes in new and innovative treatment methods, but also believes in providing these treatments to as many people as possible, whether they are rich or poor. The innovative nature of his treatments and his reluctance to charge high prices make Lydgate a pariah in the local medical community while endearing him to Dorothea, who recognizes Lydgate as a similarly-sincere and progressive person who wants to help the poor in the community. Like Dorothea, however, Lydgate's ability to achieve his ambitions is undone by his inability to judge character.
On arriving in Middlemarch, Lydgate mentions that he does not plan to marry for some time. He wants to focus on his work and then marry later in life. This plan is undone when he meets Rosamond Vincy. Rosamond is considered one of the most beautiful women in Middlemarch. She has rejected many proposals because she is looking for a potential husband who can raise her social standing in the community, or perhaps take her somewhere else entirely. Lydgate, with his prestigious family history, seems the ideal candidate for her. Lydgate is unable to recognize the cynical nature of Rosamond's love for him. He abandons his own carefully-laid plans to nurture his career because he immediately falls in love. As Dorothea's ability to do good or achieve happiness is undermined by her decision to marry Casaubon, Lydgate is undermined by his decision to marry Rosamond. In this sense, Lydgate and Dorothea have a great deal in common and, over the course of the novel, they become close friends.
However, the marriage to Rosamond proves to be Lydgate's undoing. Rosamond refuses to acknowledge their actual social status. She refuses to curb her spending, even after her husband warns her not to overspend on their lifestyle or home. Lydgate is not without fault in the accumulation of debts: As a man from a privileged, entitled background, he does not realize how much money he is spending until he suddenly has nothing. He has never had to reckon with the reality of income and his naivety in financial matters is an extension of his naivety in romantic matters. He makes poor decisions and, when faced with the consequences of these poor decisions, refuses to take action.
Lydgate's downfall comes due to his financial desperation. He accepts a loan from Bulstrode and, when Bulstrode's reputation is ruined, Lydgate is ruined by association. The finale of the novel explains that Lydgate was able to leave town and set up a profitable practice in London. He and Rosamond had four children and lived a reasonably luxurious lifestyle but Lydgate always considered himself a failure. He was unable to conduct the research he hoped might help people, he was forced to work only with rich patients, and he was constantly made to look into his wife's eyes and recognize in her his own failure. Lydgate manages to achieve tragedy in success. He ends the novel in a more prestigious, financially-secure position than when he began, surrounded by his family. Yet he considers himself a failure because his own actions have scuttled his ambitions and forced him to confront his own innate limitations.
John Raffles is a minor character in Middlemarch but he plays a vital role. He functions as a repository for secrets, possessing the knowledge which links together the seemingly disparate lives of men like Bulstrode and Will while also masking their dark past. In a sense, Raffles is less a character than the physical embodiment of secrets and guilt.
In his earlier life, Bulstrode worked for a pawnbroker. At the time Middlemarch is set, pawnbroking was considered to be a nefarious business. The goods bought and sold by pawnbrokers were often stolen; Bulstrode did not care where the goods came from, only that they made him rich. As such, no respectable man could be associated with such a business and Bulstrode has sought to hide this part of his past. As Raffles knows, however, Bulstrode did not just work in a reprehensible business. After the death of the pawnbroker, Bulstrode married the man's wife. The pawnbroker's daughter ran away many years before and the pawnbroker's elderly wife asked Bulstrode to track her down on her behalf. Bulstrode employs Raffles to find the woman (who now has a son, Will Ladislaw). However, he does not tell the pawnbroker's widow.
When she dies, Bulstrode inherits everything. He is guilty of passively hiding information which could have diminished his fortune, so he pays Raffles to go to America to keep his secret hidden. Raffles returns years later. He knows the reality of Bulstrode's past and uses this knowledge to blackmail the wealthy banker for a large sum of money. As Raffles acknowledges, however, the thrill of torturing the rich man is almost as thrilling as the ill-gotten money. In this sense, Raffles is Bulstrode's nemesis. Bulstrode claims to be an upstanding Christian man, yet he is haunted by the presence of Raffles in his life. He cannot simply kill Raffles; Bulstrode knows his actions were wrong. Raffles is the embodiment of Bulstrode's guilty past, haunting his present to remind him that he cannot leave his past behind.
This secret knowledge takes a heavy physical toll on Raffles. He is an alcoholic and he drinks himself nearly to death, to the point where he needs help from the very man he is exploiting. Bulstrode nurses him back to health but ultimately passively allows Raffles to die due to complications from alcohol poisoning and a misunderstanding with a housekeeper. The death of Raffles does not protect Bulstrode from the reality of his past. Instead, the floodgates open. Rather than freeing Bulstrode from his own murky actions, the town comes alive with gossip. People insinuate that Bulstrode deliberately killed Raffles with the help of Dr. Lydgate. The insinuation of murder is a far heavier accusation than the previous gossip. In trying to free himself of Raffles, Bulstrode commits a greater sin and so, by trying to hide his past, he only serves to ensure that everyone in Middlemarch knows exactly what he did. Raffles is the interior, private guilt of Bulstrode turned into a physical form. This guilt is heavy and corrosive, eventually destroying both men when it can no longer be contained.
By George Eliot
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