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In the years since she has last seen the Chairman, Sayuri has read about his attempts to keep his company afloat. She also reminds herself that Nobu did not promise to bring the Chairman to the teahouse, and that she can only hope to see him. When she next visits the teahouse, the Chairman is present and she feels renewed desperation. He starts talking about adversity and how the only way to bear hardship is by imagining one’s dreams coming true. However, the conversation is interrupted when Mameha and Pumpkin enter the room. Nobu and Minister Sato join them shortly afterwards, and they start playing games.
During this part of the evening, Sayuri begins telling a story about her childhood. She refers to a time when she was upset and cried beside the bank of a stream, and, as she says this, she looks at the Chairman. She hopes that this story will touch upon a unique connection between them, but he does not seem to be paying attention. She therefore abandons this story.
As a result of their drinking games, Pumpkin has become extremely inebriated and has to be helped home. Minister Sato, meanwhile, mutters that the evening has been very enjoyable.
Sayuri continues to entertain the Minister, and, as a result, sees the Chairman more frequently than ever. Observing him, she finds his frown captivating, as it indicates that he thinks about things deeply. She is delighted when she has the opportunity to dance for him at the teahouse, and she seeks to add feeling to the dance by imagining the saddest thing she can think of; namely, that she is dancing for Nobu. She also thinks about Satsu, and, by the end, she is almost overwhelmed by grief. She is surprised to see that the Chairman’s eyes appear heavy with tears, and the Chairman subsequently excuses himself, saying that he feels unwell.
Sayuri is aware that someone with common sense would probably give up on dreams of the Chairman. Still, in the aftermath of the war, many people believe that Japan can rise from its bed of crushed hopes. Sayuri thus reasons that, if such a thing is possible for an entire country, it should be possible for her.
In June, Sayuri’s presence is again requested at the teahouse, where she meets Nobu and Sato. Sayuri notices that the atmosphere seems strained, and, once the Minister has departed, she asks what is going on. Nobu explains that the Minister has inquired about becoming her danna and that he himself had no choice but to support the bid, given all that Sato had done for Iwamura Electric. The Minister ultimately could not afford to pursue his aim, but he had inquired whether he could at least spend a night with Sayuri. This had made Nobu angry, and he said that he would ask Sayuri no such thing.
Nobu is still in a bad temper and asks what Sayuri would say were he to make a proposal on the Minister’s behalf. She replies that she could not turn this down lightly given all that Nobu has done for her. Nobu is annoyed and says that, if she is the kind of woman who would do such a thing, she should leave immediately. Perceiving the intensity of his anger, she affirms that she would never consent.
Nobu now tells Sayuri that it is time to bring out the piece of rubble that he had given her. When she does so, he says that he does not have enough money to replace it with a jewel but that “things are possible now that weren't possible before” (447). In short, he intends to announce himself as her danna.
Sayuri tries to stop thinking about the Chairman during the following weeks, but this is no easy task. She is poised for Nobu to make his announcement, and, at the end of June, she sees a newspaper article titled “Iwamura Electric Secures Financing from Mitsubishi Bank.” With the company’s fortunes having turned around, the announcement seems imminent and Mother is pleased. Mother also says that she has received a telephone call from Iwamura Electric, requesting the presence of Sayuri—along with Mameha and Pumpkin—during a trip to the island of Amami.
On the plane journey to Amami, Sayuri is nervous about the prospect of a future with Nobu, and she feels that he does not understand her as well as he imagines. She also wonders how he would have acted if he had been the one who had found her crying when she was a child. She believes that he would have walked past her, and she speculates that her life would have been easier as a result. Instead, she yearns for the Chairman.
As she looks out of the window, she sees the propeller decorated with the symbols found on American warplanes. It seems peculiar to her that Japan and America had fought a brutal war not so long ago but had now reconciled. She has likewise managed to give up her past, yet she cannot bring herself to give up on her future.
Unable to accept a future with Nobu, Sayuri starts thinking about the one thing she can do to put him off: give herself to the Minister. She does not like the idea of hurting Nobu, and, ordinarily, she would not consider such schemes. In this case, however, she is desperate. She consequently starts formulating the details of her plan, which involves Nobu catching her in a rendezvous with the Minister.
After arriving at the island, the guests bathe in the hot-springs of the inn where they are saying. Sayuri remarks that it may seem surprising that men and women bathe together; likewise, that they sleep in the same room. However, she says that geisha often do this kind of thing with their best customers and it is not seen as inappropriate in itself, though, of course, people can sometimes engage in inappropriate behavior.
When Sayuri sees the extent of Nobu’s scarring, she feels guilty about what she is planning. As she is aware, he will think that she has acted in this way purely because of his appearance.
The following afternoon, Sayuri sees a wooden building in the street, and, when she enters it, she visualizes putting her plan into effect. Later, as they are walking together, Sayuri’s sense that Nobu does not understand her is confirmed. For instance, he says that this is the farthest that she has ever been from home, which he refers to as Kyoto, failing to understand that she still does not regard Kyoto as her real home; that is, the place where she had been raised. She decides to go ahead with her plan.
Sayuri enlists Pumpkin’s help to make sure that Nobu catches her with the Minister at the right time and place. She does not reveal the details, but she gives Pumpkin instructions and impresses upon her the importance of carrying them out correctly. Pumpkin responds, “So it's time for a favor from Pumpkin again, is it?” (460), but she walks away without explaining the full meaning behind this statement.
Sayuri subsequently leads the Minister to the wooden building and tells him that, though he cannot be her danna, there is no reason why they cannot enjoy a one-off tryst. As he lies upon her, she is reminded of her mizuage and her instinct is to push him away. Still, imagining Nobu as her danna helps her to fight this instinct.
Sayuri then hears a noise from outside and turns to see Pumpkin—and the Chairman.
Sayuri is dazed by what has happened, and, the next thing she knows, she is back at the inn. It is only later that she learns that she returned to the inn claiming to feel unwell, and the proprietor had gone to fetch Mameha, who seemed to accept this story.
Sayuri sees Pumpkin and half-expects her to be apologetic; in fact, she appears venomous. She reveals that she has felt deep resentment towards Sayuri since Mother adopted Sayuri rather than herself. She was fully aware of Sayuri’s feelings for the Chairman, and her deviation from the plan was a deliberate act of betrayal.
That evening, Sayuri wanders out onto the nearby cliffs in a state of emotional torment. She contemplates letting the Chairman’s handkerchief be whisked away by the wind, but she cannot bring herself to abandon it. Even if she can never be with the Chairman, she regards the handkerchief as a memento.
After three days back in Gion, Sayuri receives word that Iwamura Electric has requested her presence at the Ichiriki teahouse. She anticipates that Nobu will announce himself as her danna, and she thinks back to Mameha’s statement that one becomes a geisha out of necessity, rather than choice. She also wonders what would have happened had her mother lived: would she herself be a wife and mother, living in Yoroido and regarding Kyoto as a faraway place?
At the teahouse, Sayuri is surprised when the Chairman touches her shoulder and says that Nobu will not be joining them. He then takes out a scroll featuring scenes of the Imperial court, pointing to the figure of a woman with blue-gray eyes. This woman, he reveals, is why he bought the scroll.
The Chairman says that he is not looking for an apology, and he begins telling her about a young girl he once met on his way to the theater. Sayuri subsequently reveals the handkerchief she has kept ever since then, saying that she has spent years wondering if he had recognized her. He is shocked, as he likewise wondered if she recognized him.
The Chairman goes on to reveal that he asked Mameha to take Sayuri under her wing, and Sayuri now realizes that Mameha had not been driven solely by her vendetta against Hatsumomo. Sayuri tells the Chairman that she wishes he had told her these things earlier, but he says that he felt a strong sense of loyalty to Nobu and was conscious that he had suffered considerably throughout his life. Nobu had also done a great deal for Iwamura Electric. Upon observing the affection that Nobu felt for Sayuri, the Chairman resolved to conceal his own feelings though his concern for Sayuri’s welfare remained undiminished.
After the incident with the Minister on Amami, the Chairman had asked Pumpkin what was going on, and she admitted that Sayuri had intended the spectacle for Nobu. The Chairman consequently asks Sayuri why she formulated this plan, and she admits that her actions were motivated by her feelings for him.
The Chairman then kisses her, and she finds this kiss—the first real kiss she has experienced—more intimate than anything she has ever known. She is surprised, however, as he had been speaking of his loyalty to Nobu. He replies that he had seen a desperate look in her eyes the day when he found her with the Minister, and this was the same look that had struck him when they first met. He therefore felt that he had to rescue her. He had told Nobu about what he had seen, and Nobu gave her up. The Chairman concludes that “if he couldn't forgive you for what you'd done, it was clear to me he was never truly your destiny” (480).
It is now forty years later, and Sayuri looks back on that evening with the Chairman as the point at which her life began anew. In her innocence, she had imagined that life would be perfect as his mistress, but other men were envious of the Chairman’s position as her danna: his choice was to hide her away or damage his friendships. It was therefore deemed unwise for Sayuri to remain in Gion, and the Chairman worked out a financial arrangement with Mother enabling Sayuri to end her career as a geisha. Sayuri continued to meet up with Mameha in subsequent years, but she gradually abandoned any hope of being forgiven by Nobu.
As she had only become a geisha to gain the Chairman’s affections, one might suppose that she would have been glad to leave that life behind. Still, she built up many strong friendships during those years, and she still feels a pang of envy when she remembers the sense of promise and excitement associated with being a geisha. She remarks, however, that the number of geisha in Gion is now much lower that it was when she first arrived there, and that her former okiya was torn down when Mother died a few years ago.
When Sayuri accompanied the Chairman on a trip to the United States, she saw true prosperity for the first time. This gave her the sense that anything is possible, and, with the Chairman spending more and more time in this country, she made her home in New York with their son (whose existence had to be kept secret) and set up a teahouse.
As a younger woman, Sayuri believed that passion would fade with age, yet this never proved true of her relationship with the Chairman. She feared that she would fall apart when he died, yet, when it happened, she realized that he was leaving her “at the end of his long life just as naturally as the leaves fall from the trees” (492).
Having narrated her story, Sayuri feels as though she has lived her life over again. She felt displaced when Mr. Tanaka first tore her away from her family, but, since then, she has come to realize that life is impermanent and that all struggles and triumphs ultimately become a blur. She has no conclusion about what guides human beings in life; all she knows is that she “fell toward the Chairman just as a stone must fall toward the earth” (492).
Sayuri is overwhelmed to see the Chairman again, though she cannot read his feelings. She thinks that he is not paying any attention when she tries to allude to a connection between them, yet, prior to this, he makes a telling statement about pursuing one’s dreams in the face of hardship. He also has an emotional reaction when Sayuri dances for him, but he attributes this to feeling unwell. Neither he nor Sayuri will make any outright comments about their first meeting or their feelings for each other. Rather, they dance around the topic and neither of them knows what the other is thinking.
Given that so many years have passed without any progress in their relationship, Sayuri knows that it would make sense to give up. However, she draws an analogy with post-war Japan, remarking on people’s irrepressible spirit. If it is possible for a country to rise from the ashes, she concludes that her own hopes are not utterly implausible. She also compares the relationship between Japan and America to her own situation. It seems strange that these two countries had been at war, given that life has resumed without the anticipated drama. Similarly, Sayuri has managed to turn her back on the past. When it comes to her future, however, she cannot bring herself to give up.
Nobu is persistent in his desire to become Sayuri’s danna, though his temper flares up when he feels that she is not meeting his expectations; specifically, when she suggests that she could not turn down Minister Sato’s sexual proposition outright. Nobu reiterates his belief in autonomy, stating that he does not want Sayuri to merely follow orders, but to assert control over her life. Still, by expressing his disgust at the idea of her having sex with the Minister, he unwittingly reveals a way she can dampen his affection. Sayuri takes no pleasure in plotting against him, as he has been kind and helped her a great deal. By this point, though, she is desperate for any means of escape.
While Sayuri musters up the courage to seduce the Minister, her plan is upset as a result of Pumpkin’s betrayal. This proves a shock that leaves her in a stupor, but, in hindsight, we can see that Pumpkin has been seething with resentment; her life suffered a major setback when Mother reneged on her adoption. She is riled by Sayuri’s self-absorption and resents being treated as an underling whose task is to secure Sayuri’s future. Sayuri has underestimated her, portraying her to the reader as clumsy but loveable—an image that she seems well aware of and finds condescending.
It was inevitable that Pumpkin would be crestfallen upon learning that she would not be adopted, and her resentment has evidently festered. It would seem that her time spent with Hatsumomo has also had an influence on her behavior, as she appears similarly conniving and venomous here. Now, both Sayuri and the reader can see that this is one friendship that is beyond repair. The fact that Sayuri expects Pumpkin to be apologetic testifies to how much she has misjudged the situation.
Sayuri feels that she has ruined her chances with the Chairman, and she now regards his handkerchief as a memento, rather than a symbol of hope. She is also resigned to the fact that Nobu is going to become her danna. However, when she next sees the Chairman, it becomes apparent that her actions—and Pumpkin’s betrayal—have worked in her favor.
Neither the Chairman nor Sayuri want to hurt Nobu; this is the main reason why the Chairman has been hiding his feelings while trying to ensure Sayuri’s welfare. On this note, both Sayuri and the reader finally learn that the Chairman was behind Mameha’s actions, and that Mameha was not merely motivated by the desire to defeat Hatsumomo. Sayuri had hitherto been puzzled about Mameha’s intentions, but she now realizes that Mameha is a loyal, empathetic individual who has been looking out for her interests.
By formulating and carrying out her plan, Sayuri has in fact followed Nobu’s own advice to take control of her life. This has not worked out in the way that Nobu planned, but one could suggest that the one-sidedness of his affection was never the best foundation for a relationship. Of course, this is often the case between a geisha and her male associates: the difference is that, while some women—such as Mameha—accept this dynamic, Sayuri longs for a mutual connection. She finally attains this when the Chairman kisses her; the intimacy of this moment stands in stark contrast to her experiences with the other men in her life.
The book’s final chapter takes place primarily in Sayuri’s later years, as she summarizes how life panned out after the Chairman became her danna. She acknowledges that she had been idealistic, as she had not anticipated the envy and bitterness that the relationship would arouse in the Chairman’s rivals. Also, while his wife is barely mentioned, the fact that the Chairman is already married with grown-up children means that Sayuri is his mistress and that their son is stigmatized.
Despite this brief reference to the revelation that the Chairman is married is significant. So much attention has been paid to Sayuri’s “destiny” with the Chairman, that one loses sight of his other life. On the one hand, having a danna is a common practice among geisha; on the other hand, the furtiveness of Sayuri’s relationship with the Chairman indicates that it is not something to be shouted about in polite society.
Neither Sayuri nor the Chairman make any allusion to the ethics of their relationship or refer to the Chairman’s status as a fundamental barrier to it—the Chairman seems more concerned about his loyalty to Nobu than his feelings for Sayuri. Sayuri focuses on the purity of their love, but one might wonder whether this is another example of her idealism or naiveté. In Sayuri’s view, the relationship is one based on love that transcends any social boundaries, and these would seem to include the Chairman’s family. Still, the book suggests that this is common practice in the culture depicted, which would explain why Sayuri does not seem fazed: that the Chairman is married is something that is taken for granted.
Sayuri consequently retreats from her life as a geisha, which one would imagine to be a relief. However, she highlights that there were positive aspects of this life, and that it did not entail only oppression and misery. Her friendship with Mameha, in particular, has proved to be enduring, though, as with Pumpkin, she has not been able to rebuild her friendship with Nobu. We sense that Nobu is not open to any such attempt, and Sayuri is saddened by this.
Despite the obstacles and secrecy of their relationship, Sayuri feels that she has achieved her goal and lives out the rest of her days in blissful happiness. Not only does she set up her home and business in New York—thereby gaining a degree of independence that was unfeasible as a geisha—the passion that she and the Chairman feel for each other does not diminish. Even after he has died, she feels content with her life, as though she has been blessed.
Sayuri appears to have become philosophical with age, recognizing that life is transitory and that its hardships become subsumed within the greater scheme of the universe. She is now more accepting of experiences that seemed calamitous when she was younger, recognizing them as part of the fabric of her life. She does not claim to speak for other people, but she is of the firm opinion that the Chairman was her destiny. By the novel’s conclusion, then, Sayuri seems to have attained a sense of inner peace.
In the same way that Sayuri’s diary provided her with an outlet for her thoughts and feelings, she has relived her life through the act of narration. Here, as throughout the novel, it must be remembered that we are seeing everything through Sayuri’s eyes. Were the novel to be been narrated by another character, it would be an entirely different story and Sayuri herself would most likely be portrayed differently. Each event and character is filtered through Sayuri’s own perspective, and Sayuri likewise has control over how she is presented.
Ultimately, readers may have their own ideas about themes such as destiny and self-determination, as well as the relationship between Sayuri and the Chairman. Sayuri’s own stance, however, is that she attained the happy ending that she envisaged on the day that she met the Chairman. The trope of “love conquers all” is therefore prominent in the novel’s closing chapter.