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63 pages 2 hours read

Julie Berry

Lovely War

Fiction | Novel | YA | Published in 2019

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Act V, Chapters 113-124Chapter Summaries & Analyses

Entr’acte, Chapter 113 Summary: “Seaside—June 15, 1918”

Aphrodite: James and Hazel leave Adelaide’s house. James suggests that they go to the beach rather than going immediately to the train station. At the beach, they take off their shoes, socks, and stockings; James is overwhelmed at the sight of Hazel’s feet and legs as she paddles.

Hades: James imagines Frank Mason beside him and has a conversation with him. Frank encourages James to pursue Hazel, to accept her love.

Aphrodite: James goes to Hazel and takes her face in his hands. He tells her that he will never again be the boy he was, but Hazel insists that he still is. They embrace.

Act V, Chapter 114 Summary: “Aphrodite: The Battle of Henry Johnson—June 5, 1918”

Colette reads an article about the heroics of the 369th American regiment, composed of Black American soldiers, and wonders whether this regiment could be what was previously Aubrey’s 15th New York National Guard division. She decides to send a letter to find out.

Act V, Chapter 115 Summary: “Aphrodite: Medical Review Board—July 1, 1918”

James receives orders from the Medical Review Board to report for retraining on July 15. The tide of the war seems to be turning in favor of Britain and its allies. James and Hazel desperately hope that James will return alive from his next tour in the trenches.

Act V, Chapter 116 Summary: “Aphrodite: Mail Delivery—June 29, 1918”

Colette is shocked when Aubrey arrives at Tante Solange’s home; she shrieks in surprise. She is furious with him for not letting her know earlier that he was alive. He hands her a letter that explains everything. They walk the streets of Paris. Colette comforts Aubrey about Joey’s death; he still struggles with a sense of culpability and guilt. Aubrey suggests that Colette should return to New York with him.

Act V, Chapter 117 Summary: “December 1942—A Possible Ending”

Hephaestus frees Aphrodite when she says that her tale has ended. Hephaestus tells Aphrodite that he understands the importance of her work: “You’re good at what you do. […] I envy your mortals” (406). Aphrodite blinks in surprise. She tries to tell him that the affair with Ares is “not what you think,” but Hephaestus does not want to hear her explanation. He angrily leaves Ares entrapped in the net. Ares tells the gathered gods that Aphrodite’s story is not finished.

Act V, Chapter 118 Summary: “The Rest of the Story—July 15-August 17, 1918”

Ares: Germany is defeated at the Battle of the Marne. Both James and Aubrey are involved in brutal battles in their respective positions on the Western Front. Aubrey’s division becomes renowned for their bravery, unity, and expertise; many are awarded medals by the French.

Aphrodite: Hazel and Colette return to the concentration camp at Compiègne. They are near where James is stationed, at Soissons. They arrange to meet when James next has a half day of rest, the following Saturday. Colette and Hazel—disguised in their old YMCA uniforms—will travel to Soissons for Saturday and then to Verdun, where Aubrey is stationed and has the following Monday off. James waits for Hazel at the train station at Soissons.

Ares: Suddenly, the train is bombed by German shells. There is chaos and explosions.

Hades: Hazel throws her body over her friend’s to protect her. Colette is unharmed, but Hazel is bleeding profusely. James arrives and puts pressure on Hazel’s bleeding injuries and summons a medic.

Act V, Chapter 119 Summary: “Hades: The Royal Albert Hall”

Hazel, disoriented and confused, arrives at The Royal Albert Hall. She reaches a beautiful grand piano. She sits down and plays. She asks Hades, in the form of her piano teacher, Monsieur Guillaume, whether she is dead. She sees a distant crowd of the people she loves, including her parents, Colette, James, and others, watching her from a balcony.

Hazel begs Hades to let her live. Aphrodite arrives and requests the same, imploring Hades that “hers is a love I’d only barely begun” (414). Hades agrees but warns Aphrodite that of Hazel’s “Passion, Love, and Beauty,” “she can no longer have them all” (415).

Act V, Chapter 120 Summary: “Aphrodite: Lazybones—August 20, 1918”

Hazel wakes up, disoriented, in a hospital. Colette is at her side. Hazel has been asleep for three days. She asks why she can’t see out of her right eye. Colette explains that it’s unharmed but covered with bandages as her cheek and forehead were badly cut with broken glass in the train crash. James appears in the doorway and greets Hazel: “Hello, Miss Windicott […] I’ve been missing you” (419).

Act V, Chapter 121 Summary: “Aphrodite: Scars—August 21-September 1, 1918”

James and Colette decide not to tell Hazel that she saved Colette’s life, believing that “heroism is much too heavy a burden to carry” (420). The bandages are removed. Hazel observes that “I look quite horrible” and worries for James’s sake that he might not find her attractive and may feel yoked to her (421). Aubrey visits Hazel; she is excited to see him. Hazel tries to end things with James, saying that she “can’t let you promise your forever to this out of pity or noble duty” (424). James insists that he loves her and that the scars don’t bother him. He produces a ring.

Act V, Chapter 122 Summary: “December 1942—Handkerchiefs”

Hades produces handkerchiefs for the group of gods, all of whom are moved by the story (apart from Ares). Ares is shocked that the beautiful Aphrodite would trade places with a scarred mortal.

Act V, Chapter 123 Summary: “Aphrodite: Elevens—1918 and Beyond”

The war ends at 11:11 on November 11, 1918; the Kaiser abdicates, and German delegates sign the armistice. Aubrey visits Émile, who lost an arm in the final week of fighting, in hospital. Nurses produce a piano, and Aubrey plays, attracting patients from surrounding wards. Émile and a nurse leave the hospital together when Émile is discharged.

James invites Hazel and her family to his family’s Christmas celebration at Chelmsford. He suggests that they could get married at that time as well. Hazel is shocked and thrilled and agrees. They invite Aubrey and Colette.

Hazel and James get married and move into a flat in London. Hazel teaches piano, eventually securing a position in the Royal Academy of Music in London, and James works in an engineering firm, eventually training as an architect. They buy a poodle and have two children, Rose and Robert.

Act V, Chapter 124 Summary: “Harlem Bound—1919 and Beyond”

Ares: The survivors of the Harlem Hellfighters, as Aubrey’s division became known, are celebrated with a parade in New York.

Aphrodite: Aubrey’s family is waiting for him. He joyously returns home with them. Six days later, he brings Colette for Sunday dinner. Colette auditions for backup singer parts at nightclubs, and Aubrey continues to play for the 15th New York Army Band. They spend their other time together practicing pieces.

Apollo: Lieutenant Europe becomes a famed music producer, as well as famous for his exploits in the war leading the Harlem Hellfighters. He takes the 15th New York Army Band on a national tour.

Hades: A drummer in the band, angry that Europe seems to be favoring another drummer, stabs Europe in the neck with a penknife before a concert in Boston. Europe dies in a hospital later that night. He is the first Black person to receive a public funeral. Aubrey feels lost and devastated by his death.

Apollo: Aubrey and Colette audition at clubs and restaurants around New York, but most owners say that “their customers didn’t want Negro music, even if a white gal was singing it” (437). Aubrey is frequently told threateningly to “keep his hands off” Colette and is offered work as a busboy or dishwasher “if he wanted to do an honest day’s work” (438). Finally, they manage to get work at a café, and then a club when they lose this job. Their band eventually goes on a Northeastern, Midwestern, and East Coast tours. The East Coast tour includes parts of the South, which presents challenges as club owners often refuse to allow a band with a mix of Black and white musicians.

Back in New York, Aubrey and Colette record their music in a studio and land their first radio gig. They are beginning to become well known. Aubrey and Colette arrange to be married.

Act V, Chapters 113-124 Analysis

In Chapter 113, Hazel and James’s reunion is confirmed in the act of their embrace. James tells Hazel that “what I’ve done, and what I’ve seen, will always be with me” (391). Her ardent plea to “let me, too, always be with you” symbolizes an acceptance of James’s ongoing struggle with his shell shock and trauma (391). Their embrace symbolizes their renewed commitment to be together.

Berry creates suspense in revealing the details of the train explosion. Hades is characterized as powerful and ominous, and his sections of the story pertain to characters’ deaths. At the section in Chapter 118 when Hades resumes the telling of the story begun by Aphrodite, the intimation is that Hazel has died. Colette rocks Hazel, bleeding profusely, “as though she’d only gone to sleep […] as though she could be persuaded to wake up” (411). Similarly, James is “searching everywhere for the one who would not be found” (411). These phrases suggest to the reader that Hazel has died, a suspicion confirmed in Chapter 119 when she plays in the dark Royal Albert Hall created by Hades surrounded by her loved ones.

The gods’ enormous power to influence the events of the human world is once again presented; Hades grants Aphrodite’s request to return Hazel—already evidently dead—to the land of the living. Hades agrees but with the ominous warning that “she can no longer have them all”—“Passion, Love, and Beauty”  (415). Hazel’s story illustrates Aphrodite’s belief that passion and love far outweigh physical beauty. She readily accepts this trade-off to keep Hazel alive, knowing that James’s love for Hazel is sincere and unwavering. For this reason, Aphrodite envies Hazel; in spite of Aphrodite’s legendary beauty, she does not have a sincere love as Hazel does.

James accepts and loves Hazel in spite of her scarred face; in the same way, Hazel agreed to love and care for James in spite of his trauma and subsequent mental health struggles. James asks Hazel, when justifying his decision to stay with her, “Why didn’t you run away from the lad touched in the head?” (426). Kissing her scarred cheek, he reminds her that he, too, “will never be the same” (425). Both James and Hazel are scarred from their wartime experiences; James bears metaphorical scars on his psyche, while Hazel is literally scarred from the explosion on the train. The love between two scarred and imperfect individuals is presented as redemptive; Aphrodite celebrates this love and uses it to illustrate her envy of mortals, perfect because of their imperfection. She will use this story to instigate a reconciliation with Hephaestus, by proving to him that he has a loving heart and by illustrating her earnest desire to love and be loved.

The reconciliation is implied in Hephaestus’s kind and supportive response to Aphrodite’s story and his determination to understand her. He tells her that “I envy your mortals,” and that “you’re good at what you do” (406). Furthermore, he tells Aphrodite that “I think I understand what you mean” in relation to James and Hazel’s redemptive love story, and the enviable imperfection of mortal love that causes Aphrodite to feel so lacking and lonely (406). His patient and thoughtful responses are contrasted with Ares’s “sneer”; readers may infer that Hephaestus and Aphrodite’s connection is more genuine, sincere, and respectful than Ares and Aphrodite’s (407). Aphrodite “blinks in surprise” at Hephaestus’s kindness about her work as the goddess of love, beauty, and passion.

James and Hazel fulfill the life they dreamed of in their early, besotted wartime correspondence. Elements they discussed early in their relationship, such as Hazel’s desire to own a poodle, are acted on. After almost being separated numerous times through war, distance, miscommunication, and traumatic injuries, James and Hazel are married and live a life consistent with their earlier dreams: Hazel manages to enter the prestigious Royal Academy of Music, and James becomes an architect. Poetic justice is achieved when Hazel and James are rewarded for their loyalty and love for each other through numerous trials and tribulations. Readers are positioned to feel immense satisfaction at James and Hazel’s contented life together, which they both worked so ardently to achieve.

The presence of racial prejudice in the interwar years in America is made evident in the discrimination faced by Aubrey and Colette. Aubrey’s being offered work as a busboy or dishwasher “if he wanted to do an honest day’s work” reveals condescending attitudes of white employers who believed that Black people were inherently better suited to menial work (438). This is especially insulting and problematic given Aubrey’s enormous creative talent and his courageous actions during the Great War. Furthermore, comments that he should “keep his hands off” Colette illustrate the perpetuation of racism stemming from a false idea of white purity threatened by interracial sex (438). This is similar to the racism faced by Aubrey in France by the white marines who accused Black servicemen of enlisting in order to fraternize with white women.

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