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48 pages 1 hour read

Jerry Spinelli

Love, Stargirl

Fiction | Novel | YA | Published in 2007

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Symbols & Motifs

Donuts

Margie’s donuts represent community connection and love. Everyone in town enjoys Margie’s donuts, and they play a role in the lives and imaginations of many characters.

Stargirl meets Alvina at the donut shop and writes a poem about donuts and Alvina’s battle with the boys, capturing the emotional issues Alvina struggles with. Stargirl leaves donuts for Charlie as a way of letting him know someone in the living world is thinking about him. Donuts also connect Betty Lou to the world outside her door: Alvina delivers them, and Dootsie and Stargirl bring them inside. Donuts illustrate the girls’ compassion and help their friendships with Betty Lou and each other develop. Margie gives Stargirl a dozen donuts after the fire to “speed up [her] recovery” (217) showing how much she cares about Stargirl. Perry’s theft of the donuts reveals the bad-boy facet of his character, and, ultimately, his impoverished situation. By giving Neva a job at the donut shop, Margie reveals how the community cares for its members.

Margie’s donuts appear at every town festival, and Betty Lou even gives quarters of them out at Halloween. Donuts unite and represent the community. After the Solstice, Margie’s act of giving sunburst pins to everyone who buys a dozen donuts shows the same impulse: sharing love and togetherness.

Mockingbird

The mockingbird, Archie suggests in Stargirl, sings songs that may have been passed down from ancient birds. As such, the mockingbird represents the continuance of nature across time. In Love, Stargirl, the mockingbird reflects both Stargirl’s moods and the uplifting power of nature.

Stargirl’s description of the mockingbird’s song varies depending on her feelings when she is writing. She remembers Archie’s comment when she is unhappy and thinking of bittersweet memories. When a mockingbird moves into the neighborhood, its song lifts her spirits, saying, “It is impossible to be unhappy when listening to a mockingbird” (124). Stargirl’s excitement and confusion about Perry make her feel that the mockingbird’s song is a chaotic mix. After learning about Perry’s harem, Stargirl appreciates that the mockingbird, unlike Leo or Perry, does not reject her or demand things from her; rather it gives unconditionally. The mockingbird mirrors Stargirl’s feelings.

The bird also illustrates Stargirl’s altruism. Despite enjoying its song, Stargirl lures the mockingbird away from her neighborhood to Betty Lou’s house. She gives the bird, and the joy it brings, to Betty Lou. The mockingbird’s song connects Betty Lou to the natural world in a way she lost to her agoraphobia and makes her happy.

Nature

The ability of nature to bring, joy, peace, and connection is a powerful motif in Love, Stargirl, informing themes of identity and community. Stargirl has a deep appreciation for nature. Through her meditation, her “mind wash,” she loses her sense of self and becomes one with everything, “I am tree. Wind. Earth” (4). Her connection to nature is one way she lives in the present, and an important part of her identity. Her solar, Stonehenge-like calendar is another way Stargirl connects to nature across time.

Stargirl values all life, and even as a gardener, tries “not to hear the tiny, anguished cry” when she pulls a weed from the earth (137). Like the poet Mary Oliver whose writing she reads, Stargirl finds hope and awe in the natural world. Stargirl intuitively understands that the wonder of nature wants, and requires, to be shared. After Dootsie’s awestruck response to the Summer Solstice, Stargirl believes that same wonder is “haunting the hill, hungry for more eyes” (78). When she wakes Betty Lou to see the cereus bloom, the shared experience deepens their relationship and nature helps them to connect on a deeper level.

Archie helps Stargirl realize that nature does not need human assistance to be magnificent. Regarding the Solstice celebration, Stargirl decides, “I would let nature speak for itself” (268), and nature proves to be a powerful communicator, affecting everyone at the gathering. Archie, and especially Stargirl, are sensitive to the difference between natural time, and human-made time. Both consider the solar clock, nature’s time, to be “real time” in which people live in “kinship” with the sun. Human-created constructs like “minutes and schedules and calendars” (168) are divisive and limiting. Natural time allows people to live closer to nature and each other.

Solstice

Stargirl’s Winter Solstice observance represents new beginnings and community. Stargirl knows that the solstice “was how prehistoric people located themselves in time, in the eternal cycle of the seasons” (230). Historically, the Winter Solstice celebrates the symbolic death and rebirth of the sun, the shortest day of the year after which the sun returns more and more as the days lengthen. In Love, Stargirl, the Winter Solstice marks not only the rebirth of the sun, but Stargirl and Leo’s new commitment to each other. She writes to Leo, “Your answer has been a new sunrise for me, my own personal Solstice…” (274). Stargirl experiences an emotional renaissance and is eager to live her life to the fullest, in the moment, with hope for the future.

The Solstice marks other new beginnings. Perry holds his baby sister in the golden Solstice sunbeam, celebrating her birth. Betty Lou gains the confidence to battle her agoraphobia. The town is united in its connection to past civilizations, time, and the natural world. Stargirl notes, “Suddenly the simple phrase ‘another day’ had new meaning” (269).

Writing

Stargirl’s act of writing informs the theme of identity. Her writing is self-reflexive in that it joins her personal experiences with her observations. Stargirl is conscious of the act of writing and even experiments with different formats within her letter to Leo: including an actual letter to Archie, code, free verse, dialogue, and newspaper ads.

Stargirl’s narrative contains elements of metafiction. Stargirl, as the speaker in her poem “Field Trip: Stomping at Margie’s,” has a silent dialogue with her characters, writing “I’m the poet. / I’m writing this. You’re / living it” (27). She is aware that she is a part of the poem. Stargirl refers to herself as auditioning, and not knowing her lines, feeling like a character in her own life. She has the urge to tell the kids teasing Arnold that, “It’s okay! You’re just being kids! He’s just being Arnold! It’s all part of the play!” (105). Life is a performance in which everyone has an authentic role.

Mary Lou tells Stargirl she should be a writer—but Stargirl knows that she already is. Writing is a part of Stargirl’s identity, and through the writing process she works through her emotions and regains her sense of self.

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