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Lisa GraffA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The impact of guilt and the path to self-forgiveness are two heavily linked concepts throughout the novel as Trent struggles against his overwhelming guilt about Jared Richards’s death. Trent understands that it was an accident but also thinks, “[A]ccident or not, Jared Richards died, and I was the reason, so what was the difference? Either way I killed him” (17). Trent feels that he is responsible for Jared’s death, regardless of his intentions, and he cannot move past this fact. This is demonstrated by how he fills his Book of Thoughts with pictures of Jared dying in unrelated accidents or doing “the stuff Jared might be doing that very second if [he] hadn’t hit him with that hockey puck” (40). Trent’s guilt occupies his thoughts almost all of the time, making it difficult for him to focus on other aspects of his life.
Trent explains his mindset to Fallon in Chapter 10 when she tries to assure him that he is not responsible for the accident. Trent doesn’t believe that it matters and explains, “Whether it was on purpose or not, I did something bad. Somebody died. And if I just…stop thinking about it, if I don’t even feel bad, then what? If you do something bad, you’re supposed to feel awful” (130). Ideas about right and wrong usually require that someone is punished when they do something wrong—since no one is responsible for Jared’s death, there are no consequences or punishments to be meted out. While Trent does not deserve to be punished, the absence of any kind of resolution leaves him mired in guilt, and he transforms these negative emotions into his punishment. Trent believes that he deserves to suffer because of the bad thing he’s done and worries about what moving on might look like when he feels he deserves guilt and misery. His mindset regarding how he’s supposed to feel about Jared’s death shows how his guilt stands in the way of his self-forgiveness.
Fallon gives Trent advice about his changing perspective. She suggests that Trent “can’t go on forever, thinking and worrying and feeling bad about something that just happened” and tells him to “[l]et it be over” (131). However, Trent struggles to apply this advice as his grief clouds his ability to see himself as others see him. In Chapter 9, Trent’s mom tells him that he’s being mean on purpose to give people “a reason to hate [him]” (110), an extension of his self-punishment. His mom wants him to show everyone how “good and kind and sweet” he is (110), but he no longer believes that he is that good person. Trent’s perspective shows how he has internalized what happened and decided that he’s now bad forever. Stuck in this self-loathing, he ends up in a vicious cycle, behaving in a way that reinforces his negative self-perception rather than taking steps toward healing.
By the end of the novel, Trent manages to push his guilt aside and push through the trauma that has held him back. Part of this occurs when others refuse to see him as bad—Ms. Emerson’s determination to like him more and Noah joining him in PE force Trent to see himself in a more positive light. He also moves through his guilt by acknowledging others’ innocence. In Chapter 21, Doug confesses that he feels guilty for suggesting that Trent play hockey that day. Trent advises Doug, “You couldn’t have known […] You didn’t do anything wrong” (239), advice he’s received before and ignored. By passing on the advice that others have given him, Trent shows that he’s willing to accept that the accident was completely out of control and let go of some of his guilt. Trent has grown to forgive himself, and in Chapter 25, he finally acknowledges that “[his] story [isn’t] over” (284). This shows that he has forgiven himself and no longer thinks that the accident defines him as a bad person forever. Trent’s journey develops the idea that guilt can negatively impact self-esteem and cloud one’s ability to grow and forgive oneself.
Trent’s friendship with Fallon Little is a central plot point, and the impact her friendship has on Trent develops the idea that friendship can be a source of healing. When the two meet at the beginning of the novel, Trent is struggling with guilt and low self-esteem stemming from his part in Jared Richards’s death. Fallon rescues Trent from an escalating situation with Jeremiah and asks him to draw a picture of her in return. While he blows her off, Fallon is persistent, showing up at his job and finding him at lunch. Trent doesn’t understand why anyone would want to be his friend considering what he’s done, and he doesn’t think that he’s nice or funny enough to have friends. However, he eventually agrees to hang out with Fallon and watch movies. Despite feeling anxious about how others perceive him, he admits that he “like[s] when Fallon laugh[s]” (71). While Trent has been isolated up until this point, befriending Fallon offers him the first moments of comfort and happiness in the novel. These positive moments set his healing journey into motion.
The first time they watch movies, Fallon introduces Trent to the concept of continuity errors and helps Trent spot some of his own. Trent says that Fallon “look[s] like she [i]s real proud of [him]” and admits, “I was a little proud of me too” (75). Although it’s small, Fallon helps Trent boost his self-esteem by giving him a challenge and watching him succeed. She helps him in other ways the more they hang out. In Chapter 10, she invites him to her birthday party at a theme park, where their discussion over lunch gets heavy. Fallon encourages him to join intramural baseball, saying, “If you want to do it, just do it” (127). However, she understands that his uncertainty comes from the accident. She assures him that “bad things just happen, and it’s not anyone’s fault” (131). Although Trent struggles to embrace her words at the time, they make an impact. His thoughts gradually shift from being occupied with Jared to being occupied with Fallon, especially after he hurts her feelings by fighting with Jeremiah.
The healing between Fallon and Trent goes both ways. In Chapter 15, after Trent’s fight with Jeremiah, Fallon reveals that she has recurring nightmares in which “[t]here’s usually someone chasing [her], or breaking down the door to [her] bedroom” (185), and “[she] can’t scream […] [she] always open[s] [her] mouth to scream and nothing comes out” (186). Trent takes her confession seriously and uses it to make amends with her in Chapter 24. He presents her with drawings of her from all their memories together, fulfilling Fallon’s request when they first met. He also takes her to a secluded place to practice screaming because she is worried that she isn’t able to anymore. These actions create the opportunity for catharsis and healing—Fallon can resolve some of her trauma, and they can both release their negative emotions in a healthy way. Fallon asks Trent to scream with her, and Trent reflects on the positive impact of doing so: “We screamed, the two of us together, alone on that island. Because we could. Because no one could hear us. Because it was perfect, to be alone on an island, with your best friend, screaming at the top of your lungs” (273). The screaming signifies the release of their traumatic burdens. Fallon proves to herself that she can scream when she needs to, and Trent proves to himself that he’s capable of being a good friend. The novel ends with Fallon taking Trent to a private location to tell him the true story of how she got her scar, signifying a new stage in her healing journey. Thanks to their friendship, both children end the novel more confident and capable of letting go of their traumatic pasts.
The concept that everyone has their own trauma, struggles, fears, and worries is developed in the latter half of the novel as Trent begins to escape the cyclical thought patterns of guilt and self-loathing related to his trauma. The first time Trent shows awareness of another person’s struggles is in Chapter 9; immediately after suggesting that Fallon strive to be an actress instead of a script supervisor, Trent makes an insensitive joke about her being typecast due to her scar. When Fallon is quiet, he realizes that “[s]he probably want[s] to be an actress, more than anything else in her life” and that having a facial scar has taken a lot away from Fallon (115). Trent showing awareness about how his comment could hurt Fallon’s feelings shows that he’s beginning to consider other people’s struggles besides his own.
In the second half of the novel, this theme emerges through Trent’s growing understanding about Fallon’s past trauma and his interactions with his brothers. In Chapter 15, Fallon reveals that she has nightmares related to her past, in which she cannot scream. Seeing the fearful expression on her face, Trent begins to realize that Fallon has a dark past that impacts her every day. This affects how he interacts with her going forward, and he actively seeks out ways to help her overcome her fear. In Chapter 20, Trent learns that Aaron’s secret girlfriend is actually his trigonometry tutor. Throughout the novel, Trent and Doug give Aaron a hard time about Clarisse, but despite Aaron’s insistence that Clarisse isn’t his girlfriend, he never sets the record straight. This results in Trent discovering on his own that Aaron is struggling in trigonometry. When Trent asks why Aaron hasn’t told their mom, Aaron explains, “Mom has enough to worry about,” adding, “You don’t see it because you’re always so busy thinking about your own stuff, but Mom worries all the time” (233). Aaron’s struggle with trigonometry and his efforts to hide it so that others don’t worry about him develop the idea that many people deal with their conflicts internally so that they don’t burden those around them. Compared to Trent, whose internal conflicts have bled out into all of his interpersonal relationships, Aaron deals with his struggles privately because he doesn’t want people worrying. Learning about his brothers’ and mom’s struggles gives Trent a sense of perspective, and he begins to consider how his actions are affecting his loved ones.
Trent also speaks to Doug in the final chapters of the book and learns that the two share some of the same emotional struggles. When Trent asks why Doug didn’t go to their dad’s that weekend, Doug retorts, “You aren’t the only person who’s allowed to hate going there” (238), implying that Doug has his own conflicts with their dad that Trent isn’t aware of. Doug also reveals that he’s friends with Annie because he also feels guilty over Jared’s death. Because the brothers weren’t emotionally open with each other, they didn’t realize how much in common they had. Trent “c[a]n’t believe all this time, while [he]’d been feeling so guilty about Jared and that hockey puck, [Doug had] been feeling the exact same way” (239). Armed with their common ground, the brothers become closer than ever and help each other feel seen. Through Trent’s growing perspective on others’ internal lives, the novel develops the idea that everyone deserves grace and understanding because one might not be aware of what others are going through.
By Lisa Graff