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30 pages 1 hour read

John Osborne

Look Back in Anger

Fiction | Play | Adult | Published in 1957

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Act IChapter Summaries & Analyses

Act I Summary

Alison Porter shares an attic flat with her husband, Jimmy Porter, and their friend Cliff Lewis in the Midlands of England. When the play begins, Alison is ironing clothes while both her husband and roommate sit in chairs reading. Alison is wearing one of Jimmy’s shirts. Jimmy and Cliff are reading the Sunday papers and bickering. Jimmy complains about a book review he is reading in a “posh” paper that is written in French. He then asks Alison if this fact upsets her, to which she replies that she is not listening. This upsets Jimmy, and he presses on with his rebuke, verbally attacking his wife. He next turns to Cliff and admonishes him for being ignorant and uneducated. He does not think Cliff understands the papers and their message. Cliff agrees with his friend, in a self-deprecating way. Jimmy then says that Alison herself has not had a thought or an original idea for quite some time. Alison, too, quickly agrees with Jimmy. As the scene unfolds, Cliff complains aloud about Jimmy’s pipe smoke. Alison, however, tells him that she has grown accustomed to the smoke. Jimmy turns on his wife again and explains to Cliff that Alison can get used to anything in a short span of time. 

Jimmy complains and argues throughout the entire scene, with both Alison and Cliff attempting to contradict or quiet him down at intervals. He leaps from Cliff and Alison not thinking or understanding things within the flat to England itself not thinking or believing or understanding. He complains about the lack of conviction he sees everywhere, something he likens to them living now in “the American Age.” The reader also finds out that Cliff and Jimmy operate a sweet stall, or candy stall, and that the mother of Jimmy’s old friend Hugh is responsible for having bought the stall for them.

Jimmy complains heatedly about the middle class, of which Alison is a part. Most of his anger seems to be toward the middle class. Jimmy makes fun of Alison’s brother, Nigel, who is a member of Parliament. Jimmy hates the fact that Nigel, and those like him, can succeed in life based solely on their social class. He thinks Nigel and his ilk are insensitive to others. Almost overcome by his own anger, he turns again to Alison and derides her, calling her pusillanimous. He nicknames her Lady Pusillanimous, though Cliff attempts to stop him from being so rude. Alison pretends not to care, though the play indicates that she is struggling not to get angry and give into Jimmy’s verbal attacks, which is exactly what he is hoping for.

When Jimmy attempts to listen to the radio, he again gets angry because he cannot hear the music. He accuses Alison of making too much noise ironing, and Cliff of making too much noise with the papers. He then again turns his ire to a larger, more general target, and goes from criticizing Alison to criticizing women in general. He even complains about their landlady, Mrs. Drury. Cliff takes offense to Jimmy’s barbs and the two men begin to wrestle on the floor. Their playful game eventually causes them to knock over Alison’s ironing board and she gets burned by the iron. She finally cracks and shouts at Jimmy to leave. He looks confused, almost shocked, but leaves quickly.

As Cliff bandages Alison’s arm, they are very affectionate toward one other. She tells Cliff that she is pregnant, which is why she was so angry about being knocked over. She does not want to tell Jimmy because he will probably accuse her of getting pregnant on purpose. They also do not have the money to support yet another mouth in their household. Cliff and Alison embrace, and are holding one another when Jimmy reenters. He notices their intimacy but says nothing. The mood is awkward at first, as Jimmy has clearly wronged Alison, but then the three joke and laugh until a temporary balance is restored, and Jimmy is once again his old self. Cliff leaves to get cigarettes. While Cliff is gone, Jimmy apologizes and admits that he knocked the ironing board over on purpose. He wanted to cause her suffering. She forgives him and the two play a game they often play where she is a squirrel and Jimmy is a bear. The game brings them closer, and Alison is about to tell Jimmy about the pregnancy when Cliff comes back into the room. Cliff tells Alison that someone named Helena Charles is on the phone for her. Jimmy looks visibly upset, and Alison hesitates, but leaves to take the call.

Helena is an actress, and a friend of Alison’s that Jimmy despises. When Alison returns, she informs them that Helena will be in town and will be staying with them for a while. This news sends Jimmy into another argument, this time one that is even harsher than any of the others. While raging at everything, he says to Alison that if she were to have a child, he would like to see the child die. If her child were to die, he declares, she might understand what it is like to suffer for once. Then she might understand where he is coming from. The rebuke is so harsh that Alison flees the room. Jimmy, still angry, tells Cliff that Alison will continue as she is until there is nothing left of him.

Act I Analysis

The first act introduces the main characters and what makes them tick in relation to one another and the larger world. Alison comes from a middle-class background, but is timid and apologetic about her past. She appears to want only to appease Jimmy, regardless of how bland it makes her appear. On the other hand, Jimmy is passionate about his beliefs and argues against the passivity of the middle class and what he calls the Establishment. He wants nothing more than for Alison to have original thoughts and beliefs, to feel as convinced as he is that people need to be human and active. Jimmy does not want to live in an England that mimics the lack of humanity he sees in 1950s America. He also does not want England to be stuck in a transition from the Edwardian values that shaped class struggle before WWII and a modern age of new beliefs. Jimmy wants change, but he feels like no one else wants this change. He resents Alison and Cliff for not wanting it. Cliff acts as the glue between Alison and Jimmy. He tries to appease Jimmy and Alison, and feels Jimmy’s wrath for his stance. He simply wants there to be peace, but Jimmy wants him to understand that peace comes from change, which involves shaking up the status quo.

Jimmy’s anger is often downright rude and crude. An example is when he purposely knocks over the ironing board. The resulting tumble injures Alison. Jimmy apologizes eventually, but it is evident that he wants Alison to feel something and to react to him, no matter the cost. In his dangerous and unhealthy way of desiring change, Jimmy is not above making others suffer to bring change about. In this sense, he operates just like the middle class that he derides. He attacks the middle class for being heartless and soulless, for not thinking about the plight of others. His rude comments toward Cliff for being uneducated and Welsh, and toward Alison for being born in the middle class, indicate that he is (ironically) both heartless and soulless when it comes to “enlightening” those he loves.

The foreshadowing that takes place near the end of the act indicates that Alison will indeed lose her child. Jimmy says that he wants her to be pregnant and lose her baby so that she might understand him. Again, this heartless “means to an end” casts Jimmy as a monster more than as a confused individual. This is highlighted later when Alison in fact loses the baby. Jimmy’s fight against the middle class and complacency in England takes no prisoners; as the act ends, it is clear that no one is safe from Jimmy’s rage, and that no one feels safe in the presence of his overarching character. Critics have noted the sexism inherent in Jimmy’s character, and this act provides ample examples of sexism in the way Jimmy talks to his wife and about women in general. He says all women are noisy, and that his wife will suck the life out of him. Jimmy essentially paints himself as the victim while attacking everyone around him for not understanding him or his victimhood.

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