61 pages • 2 hours read
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Bernard, later referred to by the name “Beamer” in adulthood, is one of the novel’s four protagonists. He is the middle child of Carl and Ruth Fletcher. He works as a screenwriter and lives in Los Angeles with his wife, Noelle, and his children, Liesl and Wolfie.
Late in the novel, Beamer explains to Noelle that he uses drugs and hires sex workers on a regular basis so that he can function normally the rest of the week. His relies on drugs and BDSM to avoid engaging with his trauma in a meaningful way. This supports the novel’s larger exploration of Trauma and Familial Repression.
Beamer works as a movie screenwriter, having broken into Hollywood with The Santiago Trilogy, a moderately successful series of action films. Beamer’s friend and former writing partner, Charlie Messinger, suggests to Beamer that his trauma is holding him back from progressing in his career. Beamer is obsessed with adding elements of kidnapping to every screenplay he writes, but when Charlie suggests writing something about his family’s dynamic with the factory, Beamer finds the idea boring. He changes his mind when Charlie uses the idea to produce Family Business, a highly successful television show. Beamer is frustrated by the fact that he did not conceive of the show himself, considering that he was closer to the source material than Charlie was. This pushes him to prove that he is a strong writer outside of his collaboration with Charlie, but he ends up falling back on the idea of a Santiago reboot to revive his career. When Charlie questions his motivations for writing the reboot, Beamer decides to write a straightforward depiction of Carl’s kidnapping from his perspective. Because Beamer is under the influence of drugs, however, the script enters surreal territory, and he becomes convinced that he must pitch the story to Mandy Patinkin and his agent before he finishes the screenplay.
Through his inherited trauma, Beamer accidentally replicates the parental absence he experienced in his own family. He fails to pick up Noelle for Liesl’s flute recital, causing Noelle to miss the performance. Noelle later reveals that Liesl broke down once she realized that her parents were absent from the audience, repeating the cycle of inherited trauma. Although Beamer goes through therapy and mends his relationship with Noelle, it is ambiguous whether he has resolved the emotional issues that underlie the addictions he experiences.
While she is one of the novel’s four protagonists, Jenny is the only member of the Fletcher family who does not experience Carl’s kidnapping, as she is born after Carl is released from his ordeal. Jenny thus inherits trauma, though her internal conflict is not directly tied to the events of the kidnapping.
Jenny’s internal conflict is defined by her relationship to the family’s wealth. Jenny’s privilege enables her to pursue various academic opportunities from an early age, but once she graduates from high school, she finds herself driven to determine an identity that isn’t tied to her wealth. This is influenced by her relationship with Dr. Richard Messinger, who informally mentors her to look at the world through a critical social lens. Jenny starts to see how her family perpetuates the structures of inequality that prevent positive change from occurring. This also explains why her reaction to the possible loss of the family wealth is a positive one. She thinks that without the safety net of her wealth, she can finally grow as a person, stressing Wealth as a Barrier to Personal Development.
During her studies at Brown, Jenny selects a double concentration in art history and economics to appeal to her interests and her desire to break away from her family. As she progresses through her studies, she starts to see her choices as futile academic exercises, which is why she repeatedly switches concentrations. This leads to a pivotal conversation with a career development officer at Brown, who advises her to use her expertise in art history to affect definitive change in the industry. Jenny fails to live up to the officer’s suggestion, however, because she cannot see what change looks like outside of activism. This results in her becoming a labor organizer at Yale, a job she falls into after accidentally subverting the student union’s strike action.
Jenny’s conflict manifests as nostalgia for Middle Rock, which feels at odds with her life at the Yale union. Jenny initially resents her high school friends for settling for lives of domestic comfort, but as she gets older, her resentment turns into a quiet longing for the warmth of their company. This is disrupted by her interactions with Ike’s son, Max, who is initially presented as a romantic interest but becomes combative with her when she returns to the factory shortly before its closure. Max calls her out for patronizing him and Ike without recognizing the ways that her family has failed to share their wealth with the Bessers. By the end of the novel, she returns to her high school boyfriend, Brett, whom she had initially seen as being too sincere about his attachment to Middle Rock for her taste. Their relationship implies that her sentiments have aligned with his as well.
Nathan is the eldest child of Carl and Ruth. As one of the novel’s four protagonists, his personal conflict illustrates The Illusory Promise of Certainty. Nathan is characterized by his anxiety and tendency to avoid difficult situations—traits that he has displayed since childhood. Carl’s kidnapping exacerbates Nathan’s anxiety since it shows Nathan that nothing can insulate him and his family from danger. He only finds calm at the onset of the kidnapping because he can register the panic of everyone around him. For once, he feels that his anxiety has been normalized. When Nathan is a child, his anxiety functions as a manifestation of love for others. After he prays the Shema to spare Beamer from being hit by a truck, he says the prayer nightly to spare his family members from further harm. As an adult, Nathan’s anxiety causes him to develop an addiction to buying insurance. Though this does not prevent harm from coming to him, it gives him the reassurance that liability can be compensated by money.
Nathan quickly gives in to pressure, which is displayed in his relationships with his childhood friend and bully, Mickey, and his wife, Alyssa. Mickey strongarms Nathan into investing with him, despite the many signs that show that Mickey may be running a fraudulent investment practice. Similarly, Nathan chooses not to address the topic of home renovation in discussion despite the many signs that Alyssa is already pushing a renovation forward behind his back. She later uses emotional appeals to justify the need for a renovation. This puts pressure on Nathan to withhold the truth about their financial situation.
Nathan is also characterized by his empty ambitions. As the first Fletcher to graduate from college, he pursues law to work at his uncle Arthur Lindenblatt’s firm. He ends up engaging in the low-profile area of land use law, a field that allows him to spend his time doing research rather than facing clients and attending hearings. Nathan only aspires to ascend the ranks of his law firm when he learns that his junior colleague, Dominic Romano, has been promoted to partner. When Nathan tries to argue his value to the firm to Arthur, Arthur hints that Dominic has reached his position through consistent work, contributing significantly to the firm’s reputation. Dominic nevertheless tries to help Nathan by giving him an opportunity to justify a promotion. The promotion is ultimately revealed to be symbolic and nominal in nature, existing only to satisfy Nathan. Nathan ultimately reveals his disposition toward the profession of law when he decides to offer bribes to Lewis Squib as a bargaining tool. Rather than assert himself, he communicates his misconception that law is ultimately a deceptive profession.
Ruth is Carl’s wife and the mother of Nathan, Jenny, and Beamer. She kicks off the narrative by taking an active role in the rescue of Carl after he is kidnapped. While her actions impact each of her children, thus shaping their narratives, she also goes through her own personal conflict and takes an active role in bringing the novel to its resolution.
Ruth chooses to marry Carl over her previous boyfriend, Dale, because Carl’s work as a factory owner makes him more likely to be a good provider. She later reassesses this decision, wondering if her children’s affluent lives have damaged their personalities. Ruth’s marriage to Carl is marked by her need to placate the symptoms of his trauma, which makes her less of a partner and more of a caretaker to him. Ruth prioritizes Carl’s care so much that when Carl has a trauma-related breakdown, Ruth chooses to look after him over attending Nathan’s bar mitzvah. Whenever Carl’s mental health is at risk, Ruth fears losing control of her wealth, which explains her panic when she tries to deliver the ransom to Carl’s kidnappers.
The fear of losing control is also what motivates Ruth to convince Marjorie to trigger a sale of the Middle Rock estate. She holds a secret contempt for Middle Rock and thus can’t risk losing the family brownstone in Greenwich Village, which provides her with a needed fantasy of escape. When Arthur returns from his sabbatical and reveals the existence of Zelig’s diamonds and Phyllis’s Israel bonds, she quickly takes leadership over investing and distributing the wealth to ensure her family’s security. She soon realizes that the cost of this is that her children will never get to suffer and grow, cementing The Impact of Wealth on Personal Development as a theme.