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51 pages 1 hour read

Marie Lu

Legend

Fiction | Novel | YA | Published in 2011

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Themes

The Power of Propaganda

Like any good dystopian world, Lu’s fictional Republic utilizes many aspects of controlled media. The easiest way to sway an entire population to give wholehearted obedience is to control what they see and hear and make sure there is no room to question the reality presented to them. Lu uses Legend to explore the power of propaganda and how truth may be obscured in the interest of the “greater good” of humanity.

To June, no land is greater than the Republic, and those who oppose it—the Colonies to the east and the Patriot rebels—are jealous of the prosperity of the Republic. June scoffs at how “The Colonies want [them] to think that letting them take over is a good thing. Like they’re annexing [the Republic] or doing [them] some kind of favor” (93). June has always been taught that the Republic is the better country and that the poor, stupid souls in the Colonies are the ones who have less. She is outraged when the captured Colonies spy mocks them for their sham of a country, especially when he claims that the Republic “kill[s] [its] own people and torture[s] those who used to be [its] brothers” (93). June dismisses his claims without thought because she has been indoctrinated since birth by the Republic, and its darker crimes against its own people have been carefully covered up and kept out of the media.

Still, June begins questioning the Republic’s methods and its version of truth. When she meets the Elector Primo, she is surprised to see how different he looks in person. June has spent her entire life seeing images of the Elector broadcast on the city’s Jumbo-Trons, “where his skin has a much warmer color and no wrinkles” (179), which maintains his attractive, youthful appearance. The Republic understands the importance of their leader looking a certain way, and the citizens are likelier to trust someone handsome, distinguished, and godlike. Chian instructs a young day to refer to the Elector Primo as “our father” during his Trial interview, which again points to a cult-like mindset about the ruler and his superhuman wisdom and benevolence.

The Republic isn’t just concerned with concealing the dark truths of the present: it also wants to erase details about the past. Day’s father unearthed a coin during his mysterious travels east, and on the coin, there is “a bird on one side, a man’s profile on the other. UNITED STATES OF AMERICA, IN GOD WE TRUST, QUARTER DOLLAR embossed on one side, and LIBERTY and 1990 on the other” (233). A modern American reader will recognize this description as that of a quarter, a common piece of currency. However, Day’s father is in awe of this seemingly everyday coin. He shows the coin to his wife, saying, “See the name? United States. It was real” (233). Day’s father’s awe is an example of how thoroughly the Republic has managed to scrub out the story of the United States. The questions linger: Why would the Republic want to deny the existence of a civilization like modern America? And what happens when they can no longer control the narrative among their citizens?

Class Inequality and Poverty

In most dystopian stories, there is a gross power imbalance between the Haves and the Have Nots. Those with power come from a world of plenty, where they want for nothing and enjoy a wide range of privileges. Those without power, however, suffer as a result of this system. Lu constructs a world of inequality to demonstrate the idea that the prosperity of one group is often built upon the suffering of others.

June and Metias live a life of luxury. Their parents were wealthy, Metias and June both earned high scores on their Trial, and Metias’s military title also earned them social standing. They live in the Ruby sector in a high-rise apartment and are far removed from the reality of living on the streets. June, in particular, demonstrates her privilege and contempt for the impoverished people of Los Angeles. She complains about the poor and wonders, “Can’t these street beggars stay a little farther from our jeep?” (20) when she is driven home at the novel's beginning. When she goes undercover and has to live on the streets, she “wonder[s] if [she] can catch the plague from these people, even though [she’s] vaccinated,” because after all, “who knows where they’ve been” (97)?

Day’s family, however, hasn’t had any of the luxuries that June’s family has had. While June wears an extravagant, expensive dress for Metias’s funeral and again at the celebration gala, Day’s mother has to rip up her own clothes to make washcloths for her children. When Day feigns being sick and has to pay to enter the hospital, he remarks that “If [he] was a goddy rich sector boy, [he’d] be admitted without charge. Or they’d send a doctor for free straight up to where [he] live[d]” (26). While people like Day have to pay for medical treatment and plague cures, vaccinations, food, clothing, and medicine are readily available and cater to people like June.

June is so far removed from the reality of living on the streets that she dares to ask Day why he cares so much about getting money. Day replies, “Don’t we all want more money? Can you ever have enough?” (136). He goes on to explain that “money is the most important thing in the world” because “money can buy you happiness [...] relief, status, friends, safety” (136), and in Day’s case, it will buy his brother’s life. June has never wanted for anything, and she doesn’t understand the importance of stability and security because she has never missed them in her own life.

Children and Standardized Testing

The education system in many countries has come under fire for placing too much importance on standardized testing as a measuring stick of student success. Studies estimate that school-age children in America spend one-third of their school year preparing for some form of standardized testing. Lu uses the Trial and the scores that follow to explore the dangers of placing too much importance on standardized testing and the idea of assigning a numeric value to human life.

June prides herself on her exceptional Trial score. She claims that she has good genes, which is why she did so well, and according to her professors, “better genes make for better soldiers make for better chance of victory against the Colonies” (13). The Republic claims to want to lift up and celebrate the best and the brightest among them, but Day’s story seems to hint at the opposite. Day got the same score as June, but because he is from the poor sector, he is seen as a biological freak that must be dissected and studied. After all, poor children don’t get good Trial scores. The Republic never saw Day as a real human being worthy of protection, and his high score doesn’t protect him in the end but puts a target on his back. Day was too rebellious, and regardless of his score, he doesn’t fit the mold that the Republic has created. June even comments that the Republic must have thought that “it’d be riskier to educate him than to sacrifice his possible contributions to society” (202).

Lu also explores the correlation between scores and a child’s future: a concept closely linked to real-world tests like the SAT and ACT. Higher scores, according to society, correlate to higher chances of success. With a decent score on the Trial, a child will “get to continue on to high school, and then [they’re] assigned to a college” (7), whereas a child with a very low passing score will be forbidden from continuing their education. Instead, they will “join the poor, like [Day’s] family. [They’ll] probably either drown while working the water turbines or get steamed to death in the power plant” (7). Poor Trial scores mean failure, and even though the Trial doesn’t change for children who need accommodations, the test is unfair from the beginning.

Family, Love, and Revenge

At its core, Legend is a story about family and the lengths that people will go to show their love for their family members. Day is motivated by a need to provide for his family and keep them safe, whereas an all-consuming need for revenge drives June. Lu uses these intertwining storylines from opposite worlds to showcase how love for one’s family can look different for many people and to show the power of family ties.

When Metias is killed, June vows to pursue his killer with everything she has. She promises that she will “hunt [them] down,” “scour the streets of Los Angeles for [them]” (45), and make sure their life comes to an end. June isn’t just looking for justice: She wants revenge. But when Day is finally captured and his mother is executed in cold blood, June feels no relief or satisfaction. She looks at Day’s dead mother and says that “Some small part of [her] wants to smile at the sight, to feel the joy of avenging [her] brother’s death [...] but the feeling doesn’t come” (160). Slowly, June begins to realize that Metias isn’t coming back, and her love for him has driven her to an unhealthy rage that leaves her feeling empty inside.

Day harbored so much anger after the Republic killed his father that he tried to get revenge by sabotaging Republic buildings and systems. However, as he grew older, his energy and focus shifted to taking care of the family that he still had. Day’s allegiance to his mother and his brothers is so strong that he puts himself in harm’s way time and time again, breaking into the hospital, coming to warn them about the plague patrol’s sweep, and even staying in Los Angeles when it would be much safer for him to get out of the city. He comments that “if it were up to [him], [he’d] cross the whole country alone and escape into the Colonies [...]. But there are a dozen reasons [he] can’t go” (58). Day stays in Los Angeles to make sure his family doesn’t starve, even though it means that he can be captured more easily. For Day, family is worthy of intense personal sacrifice, no matter the cost.

Because Day lost his father and sought revenge, he can understand why June did what she did. He realizes that “June was not the one who shot my mother. She was not the one who brought the plague into my home. She was a girl who’d lost her brother [...] and in anguish she had tracked me down” (230). Day is willing to forgive June for everything she did because he holds similar values and loves his family, just like June loved Metias. June and Day may come from different worlds, but they are brought together by a mutual love for their families and a desire to honor them.

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