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59 pages 1 hour read

Ana Huang

King of Sloth

Fiction | Novel | Adult | Published in 2024

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Chapters 13-24Chapter Summaries & Analyses

Chapter 13 Summary: “Sloane”

Xavier’s father lives through the night, leaving the family hovering and anxious during the following days. Sloane brings Xavier food to ensure that he is eating, subtly showing her concern. As they watch soccer together, Xavier reminisces about his childhood dreams of becoming a professional soccer player, but he admits that he lacked the discipline to make it a reality. Sloane believes that while Xavier is not her rudest or most entitled client, he has the greatest wasted potential.

When Xavier turns the conversation to her, Sloane admits that she played sports as a child, though soccer wasn’t her preference. She slips up by mentioning her sister Pen, who loves soccer. Xavier is surprised to hear that Sloane has another sister, as he only knew about her older sister, Georgia. In another slip-up, Sloane reveals that she has seen Pen recently. Xavier thus becomes one of only a handful of people who knows that she is in contact with another Kensington despite her estrangement from the family five years ago. They are interrupted by Eduardo, who comes to notify Xavier that his father, Alberto, has awoken.

Alone with his father, Xavier faces disapproval. His father admonishes him and insists that he act like the Castillo heir, even though Xavier wants nothing to do with the company. His father also reveals that Xavier’s late mother, Patricia, wrote a letter that she intended to give him on his 21st birthday. It was discovered in a safe when the lawyer was tying up Alberto’s affairs. Now, he tells Xavier that the letter is in the top drawer of his desk in his study. Xavier leaves the room to search for the letter.

Chapter 14 Summary: “Sloane”

The following day, Alberto falls into a coma. Sloane becomes concerned about Xavier when she doesn’t see him for a few days. She worries that he is drowning himself in alcohol or worse. She finds him in his room, drawing blueprints for a bar. Their moment is cut short by Eduardo, who announces that it is time for Xavier to join the family at Alberto’s bedside. Before leaving, Xavier thanks Sloane for checking on him and admits that she is the only one who has done so.

Chapter 15 Summary: “Xavier”

Alberto dies without regaining consciousness, leaving Xavier unable to say goodbye. In the aftermath, Xavier asks Sloane if she thinks he is a monster for failing to cry. Sloane admits that she struggles with crying herself, revealing that she has never shed tears over sadness, only physical pain. A mention of her past engagement confirms the rumors that Xavier had once heard, but he chooses not to press her for details.

Later, the family gathers for the reading of the will. Tía Lupe and Tío Esteban receive their respective shares, along with other family members, but Xavier inherits the majority of his father’s estate: $7.9 billion in fixed and liquid assets. However, the inheritance is conditional; Xavier must assume the role of CEO by his 30th birthday (which is in six months). He must also serve as CEO for at least five consecutive years, during which time the company must remain profitable. A committee will evaluate his performance every six months to determine whether or not he fulfills the role to the required standard. Failure to meet these terms will result in the entire inheritance going to charity. The stipulations spark outrage among the family. Xavier sees his father’s terms as another attempt to force him into a role that he doesn’t want.

In the chaos, Xavier’s mind drifts to the letter from his mother, in which Patricia expresses pride in him regardless of the path he chooses. She encourages him to follow his passions and embrace change, urging him to take another road if the one he’s on does not bring him happiness. She hopes that he embraces his full potential and instructs him to go to the beach if he ever doesn’t know where to go next in life. She states that it is never too late for him to change his path in life. She also leaves him a pocket watch that has been handed down in the family for generations. Engraved on the watch are the words, “The greatest gift we have is time. Use it wisely” (130).

Now, the lawyer states that the committee members who will be judging Xavier’s performance every six months are Eduardo Aguilar, Martin Herrera (Tía Lupe’s husband), Mariana Acevedo (the chairwoman of the Castillo Group’s board), Dante Russo, and Sloane.

Chapter 16 Summary: “Sloane”

To distract Xavier from the weight of his father’s will, Sloane persuades him to join her in exploring Bogotá. While they are out, Sloane suddenly realizes that the wording of Alberto’s will only specifies that Xavier must be a CEO—it doesn’t explicitly state which company he must be involved in. This loophole could potentially give Xavier the freedom to fulfill the terms of the will without taking control of the Castillo Group.

Chapter 17 Summary: “Xavier”

Xavier finds the vagueness of the will’s wording suspicious, especially coming from his meticulous father. Xavier and Sloane convene the inheritance committee to outline their interpretation of the clause. Dante Russo, the only absent member, is looped in via email by Eduardo. The committee agrees that Xavier has six months to comply with the terms in a way that meets their criteria. In the interim, Eduardo remains CEO while the Castillo Group searches for a long-term replacement.

A week after returning to New York, Xavier visits the elite Valhalla Club, where the world’s wealthiest and most powerful often meet. He crosses paths with Kai Young (the CEO of the world’s largest media conglomerate and a friend of Dante Russo)—who happens to also be the husband of Sloane’s friend Vivian. Kai reveals that Sloane has spoken to him about Xavier’s predicament. Offering his assistance, Kai provides a list of influential names—key contacts who can help Xavier launch a business that fulfills the will’s requirements.

Chapter 18 Summary: “Sloane”

Sloane enjoys an evening of homemade cocktails, takeout, and a new rom-com at her apartment, spending time with her friends: Alessandra, Vivian, and Isabella. The women ask questions about Sloane’s time in Spain with Xavier, but Sloane offers no details. Sloane acts uninterested in him, but the other women insist that he is interested in her.

Midway through the evening, Sloane receives a text from Xavier, who asks her to meet him at Valhalla. After the movie, she heads to the club. When she arrives, Xavier shares his plan to open a nightclub, which she thinks is a brilliant idea. Xavier then shows her the list of contacts that Kai gave him, and she is impressed. He thanks Sloane for speaking to Kai on his behalf, and she is happy to see him so excited and motivated by this new venture. In the ensuing conversation, they become intimate and kiss passionately. When they break apart, Sloane flees the room.

Chapter 19 Summary: “Xavier”

The kiss with Sloane lingers in Xavier’s thoughts, becoming a distraction that persists throughout the week. When he and Sloane meet to discuss public relations strategy for his nightclub’s grand opening, he suggests taking a break to grab lunch together. Though Sloane initially resists, she eventually agrees.

At lunch, he encourages her to go on a date with him. She is extremely reluctant and cites the need to maintain professional boundaries. She also expresses concern for her reputation. Their conversation is interrupted when a muscular man arrives and introduces himself as Sloane’s boyfriend.

Chapter 20 Summary: “Sloane”

Sloane is quick to clarify that the man, Mark, is not her boyfriend—just a former fling who has not accepted that their arrangement has come to an end. Xavier sternly warns Mark to leave, and he does. Afterward, Xavier resumes his pursuit of Sloane, expressing a genuine desire to explore their chemistry. Reluctantly, she agrees—but only under strict terms. Their relationship will operate on a trial basis for two months, with a decision on its future to be made by the end of December.

Chapter 21 Summary: “Sloane”

When Sloane shares her agreement with Xavier with her friends, they are smug. Xavier takes Sloane on their first date, which is held at his house. He leads her to a rooftop setup that has been meticulously designed for a movie night and features potted plants, soft rugs, candles, and twinkling lights, as well as a mattress layered with pillows and blankets. Though Sloane believes that the romantic setup feels like it was lifted straight out of a rom-com, she is touched by the effort that Xavier is making. They watch a rom-com together, and for the first time in years, Sloane finds herself enjoying the movie without reviewing it.

Chapter 22 Summary: “Xavier”

The success of his date with Sloane leaves Xavier elated. A few days later, Xavier meets Vuk Markovic, the intimidating chairman of Valhalla Club’s management committee, who is also a potential partner for Xavier’s nightclub venture. Xavier proposes a collaboration, suggesting that the club would prominently feature Vuk’s liquor empire. Vuk doesn’t immediately agree; instead, he sets a condition and stipulates that Xavier must secure a location for the nightclub before he will consider backing the project. To accomplish this, Xavier must meet with the second name on his contact list.

Meanwhile, Sloane begins plotting the downfall of the notorious gossip blogger Perry Wilson. Just as Xavier checks in with Sloane after his meeting with Vuk, Sloane receives a call from Rhea informing her that her sister Pen has been hospitalized.

Chapter 23 Summary: “Sloane”

Xavier drives Sloane to the hospital. Rhea’s brief call revealed that Pen collapsed in the street; she was being accompanied by another nanny on Rhea’s day off. During the ride, Sloane finds comfort in holding Xavier’s hand despite her general dislike of displays of affection.

At the hospital, Sloane sneaks into Pen’s room while her family is distracted. Pen is relieved to see her, explaining that she fainted during a walk and hit her head on the sidewalk. Annie, the nanny accompanying her, was fired immediately after the incident. When Sloane exits the room, she is confronted by her family—George, Caroline, and Georgia—along with Georgia’s fiancé, Bentley, who also happens to be Sloane’s ex-fiancé.

Chapter 24 Summary: “Sloane”

Sloane’s family is hostile and expresses anger at the realization that Sloane was allowed to see Pen even though they no longer consider her to be part of the family. To protect Rhea from losing her job, Sloane lies, claiming that Annie informed her of Pen’s condition. The confrontation with her family reveals the details of their estrangement. Years ago, Sloane discovered Bentley, who was then her fiancé, in bed with her sister Georgia. This betrayal was compounded when their father sided with Georgia, forcing Sloane to either reconcile or leave the family entirely. She chose to leave.

Now, Georgia’s condescending remarks about Sloane’s lack of a boyfriend or pregnancy fuel the tension. However, Xavier arrives and plays the role of a devoted boyfriend, and because his wealth and status far outshine Bentley’s, this display puts Georgia off-balance.

After her family leaves, Xavier asks Sloane about Bentley, sensing the history between them. Sloane shares the story of her broken engagement, describing Bentley’s insecurities about her ambition and explaining the lack of remorse that he and Georgia showed after their betrayal. They both accused Sloane of being so cold and emotionless that she drove Bentley to seek Georgia’s affections in the first place. Xavier reassures Sloane, insisting that she is neither cold nor at fault for the fallout.

Chapters 13-24 Analysis

In this section, Huang begins developing the deepening connection between Xavier and Sloane while also exploring the internal conflicts that will challenge them both personally and in their relationship. However, at this early stage, Xavier’s deeper reasons for his lack of ambition remain largely undisclosed, hidden behind his offhand tone as he tells Sloane about his discarded childhood dreams of pursuing professional soccer. In a more serious moment, he does admit that he didn’t have the discipline to make his dream a reality: a habit that has persisted well into adulthood. Sloane’s perspective further highlights Xavier’s personal and professional stasis when she privately reflects that out of all her clients, Xavier is the one with the greatest wasted potential.

This particular exchange also highlights the “slow-burn” dynamic between the protagonists, which mirrors that of many contemporary romances. While Sloane and Xavier already know each other fairly well, the new intensity of their romantic attraction remains somewhat hindered by many factors, such as their existing professional relationship. Because neither one wishes to sabotage this connection, which provides benefits for both of them, Sloane and Xavier’s evolving romance is therefore marked by subtle gestures of care and cautious affection, as when Sloane brings Xavier food and checks on his well-being when his father’s health takes a turn for the worse. This dynamic sets the stage for a slow buildup of romantic interest, avoiding the headlong rush into intimacy that characterizes some romances.

The building romantic tension crests in Chapter 18 with a climactic kiss between Sloane and Xavier. However, rather than allowing the tension to ebb, Huang introduces a new element of narrative uncertainty when Sloane flees the room afterward. Her unspoken turmoil highlights the fact that their spontaneous kiss has shattered a number of self-imposed barriers between them, and by withdrawing herself from the situation, Sloane signals her ambivalence with this new development. Huang also seasons this issue with further tension as a past fling of Sloane’s appears and then leaves just as quickly, leaving Xavier more fully dedicated to winning her affections. The awkward encounter pushes Xavier to convince Sloane that he at least deserves a “trial period” in which they casually date before considering whether to pursue a more serious relationship. Ironically, this arrangement mirrors the standards that Alberto has set for Xavier’s professional life and inheritance, and in both cases, Sloane sits on the “committee” and holds a deciding vote. Additionally, Sloane’s agreement to a trial period for their relationship is a manifestation of her need to work on Overcoming the Fear of Failure. While Xavier’s fear of failure leans more toward the professional realm, Sloane fears failing once again at her personal relationships, given that she has already suffered defeats in numerous contexts—familial, platonic, and romantic. The terms of the trial period therefore allow her to maintain some semblance of control over the situation, giving her the illusion of safety.

Throughout the novel, Huang draws many parallels to the conventions of the typical romantic comedy, as in addition to Sloane’s disillusionment about love, the novel includes many offhanded comments or moments of reflection in which Xavier and Sloane compare and contrast their lives to movie plots. For example, when Xavier’s father is on his deathbed, Xavier thinks, 

If this were a movie, we’d have some dramatic heart-to-heart or big confrontation before he died. […] We would have a cathartic fight or make up. Either way, we’d have closure. But this wasn’t a movie. It was real life, and sometimes, that meant loose ends didn’t get tied up (123). 

In this way, Huang undermines some of the established tropes of the genre, for unlike most romance movies, in which the characters neatly address all of their issues in pivotal moments, Xavier never gets the chance to resolve his differences with his father. They never reconcile before Alberto’s death, and Xavier doesn’t even get to say a proper goodbye to his father. However, the serendipitous letter left by his mother and the conveniently loose wording in the will indicate that the desire for reconciliation was present, even if it was never fully realized during Alberto’s life. Left with his mother’s instructions to find happiness and his father’s implicit urge to make something of his life, Xavier is now faced with a crucial choice. As he realizes that it is never too late to embrace change, Xavier’s newfound ambition and Sloane’s need for a reckoning with her own family will fuel the momentum of the novel’s climactic second half.

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