56 pages • 1 hour read
Mary KubicaA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content warning: This section of the guide discusses sexual assault, graphic violence, and murder.
While only some characters justify putting their violent thoughts into action, all major characters consider violence at various points throughout the novel. In most instances, the justification for violence stems from self-preservation. However, certain characters demonstrate a lapse in morality when wanting to harm others out of spite or their selfish desires. The novel ultimately suggests that most violence is unwarranted regardless of the justification but presents self-defense as justifiable.
Lily violently hits Jake on the head with a rock twice to stop his attack and get away from him. Christian justifies that Lily “did so in self-defense” (90-91). Christian worries about how incriminating the altercation appears for Lily, highlighting the unfairness of the situation. Jake initiated the violence by sexually assaulting her. Even though Lily hurt Jake, the novel suggests through one of its moral mouthpieces, Christian, that she did so justifiably in self-defense.
However, Christian’s thoughts of violence develop as his moral compass deteriorates. Christian goes further than justifying Lily’s violent actions when he asserts: “I like to think he died slowly. That it was painful. That he suffered” (117). Christian’s dark thoughts surprise him, revealing his potential to consider brutality. More than once, Christian fantasizes about hurting or killing other characters. When he catches Nina with the bag of bloody clothing, he has “a sudden mental image of my hands coming down on Nina’s neck. [...] I can feel what it would be like to press down, to stop the airflow to the trachea, to strangle her before lowering Nina’s lifeless body to the floor” (144-45). Christian wants to protect his family, so Christian justifies his urge to kill Nina violently, yet the graphic nature of the description with details such as the “trachea” suggests that his urges go beyond justified defense. He never acts on these vicious thoughts, illustrating his respect for human life. Still, Christian is not entirely innocent in wishing harm on others.
Nina also demonstrates a capacity to harm others, though she realizes that violence comes in many forms. When Nina learns that her mother, not Lily, killed Jake, she considers letting Lily take the fall for the crime out of spite. She thinks, “[m]ore than anything, I want Lily to hurt like I hurt. I want Lily to suffer. I want Lily to sit alone in prison, separated from the people she loves” (344). Nina justifies her urge to be emotionally violent out of retribution for the harm that Lily caused Nina. Like Christian, Nina rises above these violent desires. Nina and Christian see merit in taking the moral high ground and restraining themselves from devolving into violence.
Conversely, Nina’s mother has no qualms about justifying murder with a warped version of protective maternal instincts. She tells Nina, “I only did what I did to Jake to protect you. […] He would have taken everything from you and left you with nothing’” (346). After an entire lifetime of an identity completely defined by motherhood, Nina’s mother will stop at nothing to ensure that her daughter lives a happy, comfortable life. The unfairness of her situation allows Nina’s mother to justify extreme violence when her daughter is threatened with the same cruel outcome, yet through her dismal ending, Kubica suggests that this is unjustified.
Kubica structures Just the Nicest Couple around diverse perspectives. An insider and outsider point of view examines both couples with dual narrators commenting on their respective marriages and the opposite couples’ relationships. Christian and Nina provide both husband and wife viewpoints, adding to commentary on gender roles and marriage. From this multifaceted perspective, appearance versus reality in marriage emerges as a central theme as Nina and Christian face the fact that they knew less about their spouses than they thought.
Lily and Christian enjoy being a part of a more traditional, quaint marriage, even though their union is built on a foundation of lies. Nina observes that “[p]eople say kind things about Christian and Lily all the time. Everyone thinks they’re just the nicest couple” (81). Lily and Christian’s relationship conforms to social norms placed on young heterosexual cisgender couples, highlighting the fact that society labels these appearances as “nice” while ignoring what is underneath. Christian fell in love with Lily in college, respectfully pursuing her until the couple eventually married. Christian focuses on his career to provide a comfortable life for Lily, while Lily often focuses on cooking and keeping house. The couple takes the expected next step of having children together. Outsiders appraise Christian and Lily as a nice couple. In reality, Lily takes Christian for granted and lies to him about her betrayal. Symbolized by the large windows in their home that leave Christian feeling vulnerable, Christian chooses to see Lily in a positive light only until he can no longer deny her disloyalty. Christian and Lily must confront the realities of Lily’s deceit for the couple to move forward. Through this couple, Kubica suggests the danger of leaving hetero-patriarchal appearances in marriage unscrutinized, as they obscure reality.
Nina also faces realities about her marriage after Jake’s disappearance. She realizes how little she knows about Jake’s life as a neurosurgeon when she visits his office, where she has never been before. However, in the absence of Jake’s controlling presence, Nina makes fewer exceptions and excuses for her husband’s behavior, consequently facing the realities of their relationship. Like that of Christian and Lily, Jake and Nina’s home symbolizes their marriage's divide in appearance and reality. The Hayes house exhibits extravagance and wealth, implying that a prosperous family inhabits the 5,000-square-foot home. In fact, Jake controls all major financial decisions for both him and Nina. With Jake gone, Nina finally has the space to make decisions and prioritize her wants and needs. Kubica hence portrays the positive results of looking beyond the appearances of one’s marriage.
All major characters must overcome life-changing hardships in Just the Nicest Couple. Kubica carefully illustrates the realities of dealing with loss, betrayal, and trauma, suggesting that dealing with them directly leaves hope for a happy ending.
Lily experiences symptoms resembling panic attacks while overcoming her trauma. She struggles to recover her sense of safety after being attacked by Jake. Christian observes that “she wakes up crying from nightmares […] gasping for air when she comes to” (113), highlighting the physicality and intrusiveness of her sense of trauma. The trauma that Lily experiences leaves her in emotional turmoil for weeks, causing her physical pain. Lily’s trauma response is made all the worse by lying to Christian, concealing essential details about the day of Jake’s attack. Only when Lily tells Christian the whole truth about her affair with Jake and the reason for his attack can she begin to move forward and face her trauma and betrayal.
Christian navigates his unplanned future as a single dad while working to forgive Lily and respectfully co-parent Bella. Christian closes the novel, considering Lily’s offer to cook dinner for him: “She offers a half smile. She nods. Maybe one of these days I’ll surprise her and say yes” (351). The reference to a “half” and the word “[m]aybe” suggest a complicated glimmer of hope and highlight the mixture of betrayal and trauma with attempts to overcome them. In addition to forgiving Lily for her infidelity, Christian works toward reconciling her deceptiveness and secretiveness with the benevolent and innocent woman he thought he married. Christian was also traumatized by Jake’s disappearance and murder, and he understands the importance of overcoming this trauma. He realizes that “emotional pain is far worse than any physical pain you can experience, which makes the relief from it all the more profound” (18). Christian finds the strength to move forward and overcome betrayal and trauma by providing a stable and loving home for his daughter. Kubica closes the novel by representing Christian feeding, cleaning, and dressing his daughter, preparing her diaper bag, and settling her into her car seat, demonstrating resilience in his home life.
Having lost her husband, mother, and best friend, Nina has much to overcome. Nina finds comfort in knowing the truth, even if that truth means losing someone she loves: “There is closure in knowing that Jake is dead. There is resolution, a finality to the events of the last few weeks” (320). As hard as reality can be, Nina realizes that she can overcome her hardships by facing the truth head-on and accepting things out of her control as part of her reality. Nina also finds the strength to make emotionally difficult decisions, like turning her mother in for Jake’s murder to absolve herself of guilt and move forward with a clear conscience. She takes ownership of her workplace, ensuring that Ryan resigns and Lily moves to another school. Nina ends her story free of a controlling husband and manipulative mother. She can prioritize her wants and needs as she sees fit.
By Mary Kubica