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83 pages 2 hours read

Jules Verne

Journey To The Center Of The Earth

Fiction | Novel | Adult | Published in 1864

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Symbols & Motifs

Light and Darkness

Light, whether natural or artificial, is a recurring motif. Natural light—such as the long days in Iceland, the sun, and the stars—symbolizes the conscious, rational world. Artificial light, such as the lanterns, is a stand-in for human knowledge and science and serves to create a fantastical, fairy-like atmosphere in the tunnels as it illuminates sights that are unknown and inaccessible to most people. When human knowledge first encounters new information, it seems magical until properly explained and categorized.

The absence of light beneath the ground symbolizes the irrational. Axel, for example, loses his ability to think logically when left alone in the dark. Such an interpretation highlights that the journey to the center of the Earth is also the attempt of the rational mind to explore and understand the subconscious.

A third type of light in the book serves to connect the artificial and natural—the light in the huge cavern created by the electricity in the air. It is closer in nature to the lantern light, but it is described as an “aurora borealis,” implying a natural phenomenon. Given the other dichotomies present in the novel, exploring the subterranean world can be seen as an attempt to reconcile the conscious and subconscious and the rational and irrational. 

Attitudes Towards the Natural World

The idea of bravery is important throughout the novel as a measure of masculinity. Additionally, traditional heroes in epics and romances tend to be depicted as both brave and honorable. In Verne’s world, however, bravery can only be tested and demonstrated in confronting Nature. The well-ordered and prosperous Western middle class would not normally have need of bravery on a daily basis. Thus, the natural world becomes the locus of physical strife without the need to invent human enemies.

Verne uses his protagonists’ attitudes towards Nature to highlight and flesh out their personalities. Axel, who is expected to be brave and honorable, is, in fact, fallible and indecisive. He is not particularly concerned with fame, so his fiancée’s urgings are necessary to motivate him to undertake the journey. The young man is also doubtful of the endeavor’s viability, based on common sense, which makes him very relatable. Finally, he quickly succumbs to physical difficulties and is afraid of dying. As a result, the moments when Axel is awed by the surrounding world or undertakes dangerous acts, such as lighting the gunpowder, are particularly notable.

In contrast, Otto behaves as a typical hero figure, disregarding danger and attempting to control his surroundings. Unlike Axel, he does not express awe or admiration for the unusual sights he comes across and only cares about the surrounding world in as much as it helps him achieve his goals.

Food, Water, and Physical Comfort

The strenuous journey undertaken by Otto and Axel highlights the fragility of human bodies and the importance of meeting physical needs. While Otto ignores the body in favor of the mind, Axel is very much grounded in the physical. The Professor is described as tireless and superhumanly determined, while the younger man often experiences exhaustion, hunger, debilitating thirst, and painful injuries.

Water and food are the two main preoccupations for the travelers as without them their journey would be doomed. Water, in particular, becomes an ambivalent motif. It is essential for survival, so finding the subterranean stream is the group’s salvation. However, the underground sea and the storm highlight that water can also be lethal.

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