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54 pages 1 hour read

Clare Pooley

Iona Iverson's Rules for Commuting

Fiction | Novel | Adult | Published in 2022

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Character Analysis

Iona Iverson

Iona Iverson is the protagonist of the novel. Her point of view introduces and concludes the novel, and several chapters are told from her perspective.

At the novel’s opening, Iona is 57. She has been employed at the same women’s magazine for 30 years, but her role has changed dramatically. In her youth, Iona was a dancer at the Folies Bergère, a famous cabaret in Paris. She met and fell in love with Bea, a fellow dancer, and persuaded Bea to return with her to London. They bought a house in East Mosely, Hampton Court, and for several years in the 1980s and ’90s were “It Girls,” famous for being beautiful and admired. Iona had a busy social calendar and wrote columns, articles, and reviews. Part of their appeal was that she and Bea were openly gay, referred to as “lipstick lesbians.” Iona was once badly beaten in an alley behind a club during an anti-gay hate crime.

Iona thinks of the ’80s/’90s as her glory days, but she maintains an insouciant façade that can seem intimidating or ridiculous to others. She wears colorful and dramatic clothing, carries a handbag full of an array of items—sometimes including alcoholic beverages—and brings her French bulldog, Lulu, with her wherever she goes. In truth, Iona’s attitude masks her vulnerabilities about aging and loss. Bea’s progressing Alzheimer’s has forced Iona to place her in a care home, and their relationship has been impacted by Bea’s illness. Iona often feels lonely and, given her editor’s persistent attitude that she is out-of-touch, she worries about her relevance.

However, Iona’s gift, talent, and passion is for giving advice, usually quite sensible and often intuitive. She loves hearing about people’s problems and is frank and open in her replies. Iona is an advocate for equal treatment and for living unapologetically, and she encourages others to express themselves. In the course of the novel, Iona—reminded by Bea of her fearless, exhibitionist younger self who stood up against discrimination—will rediscover her passion for advising others and embark on what she calls a “second act.”

Above all, she is the catalyst for forming the “train gang” on the London Underground, and will help various characters overcome their own challenges, as when she encourages Piers to follow his dreams, reassures Sanjay about his panic attacks, and gives Emmie a safe refuge when she leaves her abusive relationship. When she is fired from her job and retreats to her home, ashamed and isolated, her train friends return the favor by finding her and helping her to start anew. By the end of the novel, Iona has a wide circle of friends and a new chapter in her career, embodying The Importance of Making Connections for both personal and professional satisfaction.

Piers Sanders

Piers is one of the point-of-view characters in the novel. His choking on a grape is the inciting incident that sets the plot in motion, and over the course of the novel he goes from being an antagonist to protagonist.

Piers is a 38-year-old man who lives in a mansion in Surbiton with his wife, Candida, and two children, Theo and Minty. Piers, whose real name is Kevin, had an unstable childhood with a mother with an alcohol dependency and a frequently absent father who gambled. A teacher helped Piers discover his love of numbers, and he used his skill at math to begin a career as a futures trader. He was very successful investing other people’s money, earning the nickname “Midas” from his peers, after the mythological king who turned everything he touched into gold.

Piers feels pressure to keep up his lifestyle. After he is dismissed from his job, he is too embarrassed to tell his family what happened. He tries to hide the truth by commuting every day, projecting a prosperous façade to others, and hopes to provide financial security for his family by day trading. As he steadily loses money, the revelation of the truth comes as a relief to Piers. When he confesses to Iona that he hates his job, this moment of truth leads him to become more honest in all areas of his life.

Though he has a tendency to judge others based on their appearance, Piers learns to curb this reflex as he makes friends with others on the train. He becomes less self-conscious and more self-aware. He realizes he didn’t actually need or enjoy the trappings of his wealthy lifestyle and is content with less. Most of all, he finds satisfaction in using his skill in mathematics to teach students at Martha’s school. While he is concerned about discipline and maintaining authority, he also hopes for the chance to have a positive influence on a young person’s life. Piers learns the value of being honest with himself and open with others.

Sanjay

Sanjay is a protagonist and point-of-view character in the novel. He is a young man in his 20s who works as a nurse in a London hospital. Sanjay’s parents are originally from India and he is close with his mother, Meera, who sends him food and inquires about his romantic life, trying to set him up with people she knows.

Sanjay is sensitive and empathetic. This makes him a successful nurse, but it also amplifies his job stress, triggering insomnia and panic attacks over his fear of poor outcomes for his patients. Like some of the other characters, Sanjay has experienced bullying in his life, mainly due to his Indian heritage, which leads him to intervene and stand up to Martha’s bullies when he notices her in distress on the train.

Sanjay is tender-hearted about people and develops a crush on Emmie. After he intervenes and saves Piers from choking, Sanjay takes the opportunity to get to know Emmie better. Though he is disappointed that she is dating someone else, Sanjay continues to be a friend to Emmie, showing that he is loyal and kind. He is wary about taking risks and being embarrassed or exposed, but he, too, is encouraged by his train friends to take action. He joins a clinician’s support group at work that helps him feel less alone in his struggles with his job, and he makes a bold gesture in asking Emmie on a date.

Emmie

Emmie is another protagonist and point-of-view character in the novel. She is a young, attractive woman in her 20s, with red hair and a slight gap between her teeth. She enjoys reading and often has a book on the train. Emmie was known in her youth for her activism. Though she works in an advertising firm, she doesn’t support ad campaigns that are designed to lower people’s self-esteem, as demonstrated when she speaks up against targeting young women with a new diet pill.

Emmie is romantic and imaginative. She thinks Toby, her boyfriend, is nearly ideal, since he shows such concern and care for her. Emmie lost her mother at a young age and has grown distant from her father, and it may be this lack of close parental influence that makes her question her own confidence and abilities. Emmie is hurt and bewildered by the anonymous “friend” who sends demeaning messages, but she is afraid to tell anyone about them. She is also reluctant to admit to herself that she is attracted to Sanjay.

With the help of her train friends, including Sanjay’s advice, Emmie finds the courage to question Toby’s controlling attitude toward her and leave him when she sees signs of manipulation and abuse. She finds solace by helping Iona refashion her career. Over the course of the story, she reclaims what she feels to be her old self, and she too takes a risk in accepting Sanjay’s invitation to go on a date. Like the others, she finds the courage to go after what she truly wants.

Martha

Martha is a protagonist and the fifth point-of-view character in the novel. She is the youngest of the train gang, in year 10 at a London high school. Martha’s parents are divorced and inattentive, and she dislikes her mother’s boyfriend. Martha feels she doesn’t fit in at school and doesn’t understand the complicated negotiations of social hierarchy and status. She thinks she is conforming to what’s expected when she sends her classmate, Freddie, a naked picture of her, and is thoroughly humiliated when the picture circulates.

However, Martha is resilient. She continues to go to school, enduring the bullying, and asks Iona for advice. Iona encourages Martha to pursue acting, and following this passion becomes Martha’s character arc through the novel. She learns from the adults around her and makes a success of her school play, finding confidence both in her academic studies and in her performance. She makes new friends, acquires a boyfriend, and matures beyond needing to please others. The mantra of “be more Iona” works well for Martha, who also learns to unapologetically be— and stand up for—herself.

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