54 pages • 1 hour read
Clare PooleyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
19:15 New Malden to Hampton Court
Sanjay scans a noticeboard at the hospital and finds a notice for a clinician’s support group. At his apartment, he finds a takeout bag full of biryani, left by his mother, who invites him to share with a friend. Sanjay takes the food to Iona’s. Martha is there, and Iona has been teaching her the cancan. She gives Sanjay a skirt and entices him to join. Emmie enters with her suitcase and begins to cry.
08:13 Surbiton to Waterloo
Piers reviews ads for apartments and praises Martha for the progress she is making in math. He has been invited to teach classes and doesn’t know how to manage a classroom. Martha encourages him to think in terms of a David Attenborough documentary: regard the teenagers as wildlife and behave like the big gorilla. Martha goes to sit with the boy playing Romeo, who is handsome and popular and appears to like Martha.
08:05 Hampton Court to Waterloo
Emmie misses the Toby she thought she knew, the one she believed adored and protected her. Iona has been doing her best to keep Emmie distracted. Emmie meets Sanjay on the train and thinks again how attractive he is. David joins them just as Emmie blocks a message from Toby, who has been trying to contact her. When an unknown number then rings her phone, Emmie has a panic attack. Sanjay encourages her to recite the elements of the periodic table. David answers Emmie’s phone, saying he is Emmie’s lawyer and will bring a restraining order against Toby if he doesn’t stay away from Emmie.
12:05 Hampton Court to Waterloo and return
Emmie surprises Iona with balloons and breakfast in bed for her birthday. She hands Iona train tickets, where there is a surprise party waiting for her in Carriage 3. They have drinks and snacks and presents. David gives Iona an out-of-court settlement from her editor. Piers suggests a way she can invest the money to provide income for Bea’s care. Emmie suggests revitalizing “Ask Iona” as video interviews. Iona appreciates their faith but doesn’t feel anyone would “waste their time staring at saggy old, baggy old me” (290). Martha gives Iona tickets to the opening night of her play.
Martha is nervous about the play. She sees Iona and all her friends from the train in the front row. Even Fizz is there, causing a sensation. Martha calls Iona, who tells her every actor is nervous before a performance. Martha steps onto stage and feels she is no longer scared, lonely Martha, or even Other Martha, but Juliet.
The audience gives the actors a standing ovation, and Romeo kisses Juliet. Full of the moment, Sanjay tells Emmie he likes her. Emmie replies that she is so glad they are friends. As the crowd mills around for refreshments, a rude girl asks Martha if she’s shown Romeo the nude picture. Martha punches the girl in the face. Piers escorts Martha out. Jake, the trainer, says he’s proud. Someone calls for a doctor for the bleeding girl, and Sanjay steps forward. As they leave, Emmie reminds Iona she is a therapist, but Iona still refuses to do a show.
Piers sits in the sound-proofed room watching Emmie tape Iona and reflecting on his life. He likes his two-bedroom flat and enjoyed shopping with the kids for furniture for their room. He doesn’t miss his wife or their mansion. He’s begun a teaching training program and hopes he might, in some small way, be able to change somebody’s future. Iona’s guest asks her about menopause, and Piers is embarrassed. Iona tells her guest to think of post-menopause as payback time, a “triumphant second act” (310).
Sanjay finds ease in his clinician’s support group, realizing he’s not alone in his anxiety. Julie Harrison completes her cancer treatments and rings the finish bell. Julie reminds Sanjay not to live in fear. When Sanjay sees Julie’s husband embrace her, he decides to act.
08:13 Surbiton to Waterloo
Martha joins Sanjay and Iona, who are reading Iona’s mail. One question is from someone in Sanjay’s situation. Iona says that building a friendship is the hardest but most important part of a relationship, and if you can add sexual attraction to that, you have the whole damn cake. Iona tells Sanjay he needs a grand gesture, like in the movies, and describes how she sang Cole Porter’s “Let’s Do It” to Bea. She says life is meaningless without love.
08:05 Hampton Court to Waterloo
Emmie finally feels she is getting back to herself and has resolved not to date for a while. Iona is riding the train to be interviewed by a journalist who wants to talk to her about the success of her video advice channel, especially at her age. Iona receives a message from Ed, her former editor, asking if she’d like to partner with him. Iona sends a rude reply.
At Sanjay’s stop, Emmie looks out the window to see Sanjay’s roommates on the platform holding up a sign with her name. At the next stop, Jake holds up a sign saying “will you.” At Wimbledon, David and his wife hold up signs saying “go on.” At Earlsfield, Martha and her boyfriend display the words “a date.” At the next stop, Sanjay holds up his sign: “with me?” Iona hands Emmie two cards, one saying “yes” and one “no.” Emmie holds up the “yes.”
Martha reflects on the change in Piers since she met him. He seems relaxed, more confident, and possibly involved with the art teacher. Her drama teacher gives Martha a letter from a theater director at the Young Vic encouraging Martha to audition.
Sanjay helps Emmie settle in to her new flat. Jake stood guard as they retrieved Emmie’s things from Toby’s house. Sanjay invites Emmie to meet his family. She kisses him. Sanjay realizes that whereas before he had been in love with the idea of Emmie, now he’s in love with a real woman. He is happy in the present moment.
Iona visits Bea. She plays “Let’s Do It” and invites Bea to dance with her. Bea recognizes Iona and says, “I love you,” reminding Iona, “We’re the whole damn cake” (332).
In these concluding chapters, each character works through their final conflicts, repairs or rebuilds, and finds a satisfactory resolution. Not all of the reconciliations are dramatic, like Sanjay publicly asking Emmie on a date. Piers has made the most dramatic change, but his resolution is fairly quiet; he’s come to feel at peace with his circumstances, and other characters sense this. His resolution has been about learning about The Complexities of Pursuing One’s Passions and coming to terms with what he has, choosing to focus on things that have real value to him rather than what he thinks he should be doing.
All of the characters, in some way, learn to escape expectations about what they should be doing and instead come to terms with what they value and what they want. Martha also undergoes a dramatic change of circumstances, from being bullied to shining as the star of the school play, having a boyfriend, and receiving further acting opportunities. She doesn’t have to be defined by her mistakes, and when someone bullies her, she responds on her own terms. Sanjay has also learned a lesson about being honest about who he is. He admits to Emmie that he cares for her and wants to date her. He reaches out for help and support in handling the overwhelming feelings that come with his job, both the painful moments and the moments of success, like when Julie successfully completes her treatments. The need for authenticity and the courage to embrace Endings and New Beginnings is a lesson all the characters experience in their own way.
Iona, for all her verve, has also internalized the judgments and expectations of others, especially what her culture—and men like Ed—say about women of a certain age. She has to battle this belief by getting in touch with her younger, braver self, as facilitated by Bea. While Iona’s revitalized column makes her something of a sensation, with much attention again being paid to her age, she also feels happy using her skills and talents in another “second act.”
Emmie realizes she was responding to manipulation from Toby, who was telling her who she needed to be to please him. She feels liberated and relieved when she is free of him and able to follow her own interests. Emmie also realizes she needs connection to other people, as offered by her train friends. Emmie’s arc also sounds the theme of reconnecting with one’s passion when she decides to use her advertising skills to give Iona a show where she can share advice. As the whole train gang has learned, sharing problems, talking and listening to one another, and giving and getting advice are one of the foundations for nurturing relationships, with The Importance of Making Connections one of life’s primary joys.
The white roses Piers buys for Candida and which are then regifted to Iona are a symbol of the connections being forged between the characters as they help one another. Clare Pooley keeps her prose style light, using humor to help leaven the deeper sentiments of pain, grief, aging, and loss. Ending with the image of the cake—the symbol for Iona and Bea’s happy relationship—ends the novel on a note of optimism and renewal.
By Clare Pooley
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