54 pages • 1 hour read
Clare PooleyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
08:05 Hampton Court to Waterloo
Emmie sits next to Iona on the train and Iona shares mail. She has “discovered that everyone was fascinated by other people’s problems” (64). One letter is from a worried mother who found her teenaged son watching porn. Iona says she will write back about parental controls and online security. Emmie replies that every child knows how to get around parental controls and the mother could see this as an opportunity to talk with her son about how pornography isn’t real and actual sex, and actual girls, are much different.
Iona agrees, giving a short speech about pubic hair, and Emmie reminds her that everyone is listening. Iona says, “They’re all too busy with their newspapers and iPhones and stuff to listen in to our little conversation” (66). Iona reveals that she lives in East Molesey, and Emmie says she has never been to the hedge maze at Hampton Court Palace. Iona invites her to visit it that Sunday with her. Emmie shows Iona a picture of a TikTok sensation, Fizz, reading Iona’s magazine in the bath. Fizz is a friend and Emmie offers to put Iona in touch with her. As Iona exits, a man crudely tells her that he likes pubic hair. Iona thinks that one benefit of aging should be not having to deal with this sort of thing. She asks the man if he “likes the ladies” and then says she does, too.
Martha is being harassed at school about the nude picture she sent to Freddie. He said everyone sent such photos when they liked someone, and Martha is trying very hard to fit in. Freddie shared the picture with a friend, who also shared it, and now that picture is everywhere Martha goes. She berates herself for her stupidity.
18:17 Waterloo to Surbiton
Piers avoids Iona on the homebound train and sits elsewhere. He looks at the numbers tracking his investment and is worried to see his losses. Iona finds him and asks if it was nearly dying that made him realize he hates his career. Piers admits he at first loved his job because he loved numbers. Math helped him escape a chaotic childhood with a father who gambled and a mother who drank. He recalls the teacher who helped him and realizes he’d like to be a teacher, too, but he’d never make any money.
Piers tucks his daughter, Minty, into bed, then has dinner with his wife. Candida ridicules the thought of him being a poorly paid teacher. Though he tells her he’s miserable, she suggests he keep his salary until their young kids are done with school, and then he can do what he wants.
08:36 New Malden to Waterloo
Sanjay is feeling sluggish from nightmares and missed his usual train. Iona is at his station, looking for him. They board carriage 3, Iona’s usual, and she goes to the table where she usually sits, compelling a businessman to give up his seat. Iona invites Sanjay to join her and Emmie at the Hampton Court maze.
Iona spots David and speaks to him. David is worried about speaking in a public place, but Iona assures him no one is listening. David says his marriage has become empty in the years after their daughter grew up and moved out. Iona instructs David to put romance and passion back into his marriage. A man beside them tells David he’s been trying to get divorced for years. Sanjay’s mother texts him, trying to set him up on a date with her friend’s daughter.
Iona is attending a brainstorming session at work, which she finds painful, especially since the seating is beanbags. A colleague tells Iona a video of her speech about pubic hair was shared all over Twitter. Ed says the magazine’s readership is getting older and they need to pull in younger readers using influencers. He shares the picture of Fizz reading their magazine. Ed expects Iona not to know who Fizz is. Iona replies that she can get in touch with Fizz through a friend and suggests they meet at the Savoy Grill.
18:17 Waterloo to Surbiton
Piers has learned Iona and Bea were famous “It Girls” of the 80s and 90s, socialites who were photographed everywhere. Iona’s nickname was “Iona Yacht.” Iona admits part of the appeal was that she and Bea were openly gay; people called them “lipstick lesbians” (96). Piers notes that, where other commuters used to avoid Iona, now the seats around her are always occupied. Iona reflects that she still feels 27, but in their youth-obsessed culture, she’s a “dinosaur.” Iona asks Piers if he’s looking into a career change.
Iona is disappointed to hear that Emmie has been with her boyfriend for two years. They have coffee and Iona fishes for their answers to questions she is getting for her advice column. Toby calls, and Emmie steps away to speak with him. When Sanjay is disappointed, Iona describes how she stole Bea away at the altar when she was about to marry an older man. She remembers driving to the coast with Bea and her luggage, laughing and carefree. She tells Sanjay, “sometimes fate just shows you the way to go and you have no option but to follow” (109).
Emmie has been fascinated with Iona for a year now, as long as she’s been taking the train. She liked that Iona stands out and does not care what others think of her. After the grape incident, when she discovered Iona’s name and profession, she told her friend Fizz, who says she admires Iona, who was an influencer before there were influencers. Fizz begs for an introduction.
Toby has called to say he made them a meal, even though he knew Emmie was meeting friends. He’s not pleased to hear Sanjay joined them. Emmie has been feeling a bit claustrophobic after moving in with Toby, and suspects he is right to be jealous, as Sanjay is very good-looking and also clever, kind, and good at his job. Emmie recalls how, two years ago, she lost her wallet on the Tube, and Toby loaned her money. She decides to go home to Toby, reflecting on how lucky she is.
08:19 New Malden to Waterloo
Sanjay is thinking about Julie Harrison’s first chemo treatment when he notices school-age girls bullying a girl beside him they call Martha. He thinks of the unspoken rule of not interfering while on a train. Then he asks himself what Iona would do, and decides to be more like her. He tells Martha he was bullied, too. People told him to go back to where he came from, because his parents are from India, though he was born in Wembley. He asks Martha if she knows Iona. Martha does: She calls her “Magic Handbag Lady.” Sanjay advises Martha to ask Iona what to do.
Iona and Ed approach the maître d’ of the Savoy, with Ed scolding Iona that she won’t be allowed to bring in Lulu. Ed introduces himself with great self-importance. The maître d’ ignores him and greets Iona with a kiss on both cheeks. He says he will break the rule about dogs for her and will oust the Chancellor of the Exchequer to give Iona the best table. He knew Iona back in her heyday, and she used to give him and his girlfriend free theater tickets.
Iona is nervous about meeting Fizz. She doesn’t understand how young people are able to publicly share every detail of their lives. Ed panders, but Fizz informs him she’s a fan of Iona. Iona is hopeful, “beginning to feel, just a little bit, like the woman Fizz thought she was. The woman she used to be” (124).
18:17 Waterloo to Hampton Court
Iona is elated: Fizz has agreed to write a column for the magazine. Iona recalls a day, 10 years ago, when Bea put on a suit and rode the train, and she and Iona pretended to be strangers who just met and began kissing. The guard threw them off the train for lewd behavior. Bea always encouraged Iona to stand out. Iona thinks about how she has found support in her “train gang” (127), who keep her from brooding while it feels her life is unraveling.
To celebrate with Piers, Iona pulls two gin and tonics, along with nuts and napkins, from her handbag. She shares the Fifth Rule of Commuting: always come prepared (128). A young girl named Martha approaches. Martha begins to cry as she explains to Iona how she has no one to talk to and doesn’t fit in. Iona asks why she wants to fit in. She suggests Martha must divert attention and get people to think of her as something else besides Naked Girl. She asks Martha what her “thing,” or passion, is. Piers’s thing, Iona says, is numbers. Iona’s is helping people. Martha says she likes acting. Iona says she used to be on the stage; that’s how she met Bea. She encourages Martha to audition for the school’s play, Romeo and Juliet. Martha says she will have to get her math grade up. Iona gives Piers a hard stare until he offers to tutor Martha.
08:08 Thames Ditton to Waterloo
Toby proposes to Emmie at a fancy Italian restaurant, and she accepts. She enthuses over the diamond, though she secretly always dreamed of an emerald engagement ring. On the train, she hides her ring until Sanjay can be there for the reveal. She suppresses a flicker of attraction to him and shows off her ring. Everyone approves, and Emmie asks the others about their engagements. Iona reveals that after gay marriage was legalized in Britain in July 2013, she and Bea were one of the first couples to be married. David recalls how he proposed to Olivia after they saw an Oscar Wilde play, and Iona tells him to take Olivia back there for their 40th anniversary, which will be soon. At work, Emmie’s “friend” emails her saying she doesn’t deserve a man like Toby.
19:00 Waterloo to New Malden
Sanjay is dispirited at news of Emmie’s engagement. He would have chosen an emerald, he thinks, to match her eyes. Sanjay’s mother texts him during the train home, pushing him to meet her friend’s daughter. Emmie sits beside him and they converse about Sanjay’s work as a nurse. As he stops in a coffee shop on his way home, Sanjay sees Piers at his laptop. He envies Piers his wealth. Piers looks guilty when Sanjay recognizes him, and Sanjay wonders if Piers is having an affair.
In terms of dramatic structure, these chapters offer the rising action, where conflicts intensify. That is true for all of the point-of-view characters in the story. Martha struggles with feeling she doesn’t know what to do to fit in, as she has been ostracized over the nude photo Freddie shared without her consent. David’s marital difficulties continue. Piers realizes what career he would like to pursue but is completely unsupported by his wife, who prefers their materialistic lifestyle. Sanjay takes on the fear and struggles of his patients, while longing for a relationship, and Iona struggles for any sense of credibility and recognition from her condescending editor.
The theme of The Complexities of Pursuing One’s Passions continues to be explored. Sanjay’s compassion makes him an empathetic and dedicated nurse, though he fears his panic attacks mean he is not equipped for his job. Piers got into his profession because of his skill at math, but his real desire is for teaching, which he longs to pursue instead. Iona loves her job as an advice columnist because she enjoys hearing stories about people and trying to solve their problems, but the pressure she is under means that she has to reinvent herself, as she does in pursuing the new connection with Fizz. Emmie feels a mismatch between her advertising work and the work she wishes she were doing. Iona suggests to Martha that great satisfaction in life comes from discovering, and pursuing, a core passion, but the conflicts and obstacles the characters face reveal that doing so is not always easy or straightforward.
This section also continues to consider the separation of public and private spheres, which can itself be a fictional construct. Martha’s photo, which she shared privately, has brought her a public notoriety she never wished for—the dark side of the exposure that Fizz, as a social media influencer, purposefully orchestrates. Iona reflects on how these spheres used to be separate for her; she could control where, when, and how she was seen, but could choose to keep personal information private, like where she lived. As a lesbian, Iona has always been aware of how her actions are judged, as demonstrated in her memory of when she and Bea were kicked off a train for kissing in public. Bea wanted to be noticed, and this is the philosophy that Iona shares with Martha, advising her not to try to fit in but, rather, to choose to stand out.
The novel also ironically plays with divisions between public and private in Iona’s belief that because no one pays attention to anyone else on trains, the “gang” and their problems are anonymous. As Iona’s viral video on Twitter and Martha’s nude picture illustrate, in an online world, privacy is an illusion. Furthermore, the fact that other commuters actually are listening in and reveling in the lives of others—in much the same way that Iona makes her living listening to other people’s problems—reinforces the idea that nothing in public can remain private for long. The curiosity of the other passengers also reflects a strong need to connect with others and find common ground through shared dilemmas, reflecting The Importance of Making Connections.
Aging and its obstacles are examined in this section as well, especially in relation to Endings and New Beginnings. Ed maintains a conventional stereotype regarding youth as dynamic and interesting and age as having less value, believing that Iona could not possibly bring anything fresh and new to the magazine. His assumptions are challenged once he realizes Fizz knows of Iona and is more eager to see her than him. Piers’s wife thinks his re-examination of his life is merely a mid-life crisis, though he is only 38. Piers, however, is starting to realize that his career frustrations could offer the possibility of a wider change.
Piers perceives Iona differently once he learns she was admired in the past; her history challenges his previous assumptions, and he soon grows more open with her and accepting of her advice and encouragement. Emmie, by contrast, admires Iona, recognizing qualities of independence and confidence that she wants to cultivate for herself. For the younger woman, age is not a limitation but an achievement to respect. In connecting with one another across these generational divides, the characters offer one another opportunities for self-reinvention and new ways forward.
By Clare Pooley
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