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54 pages 1 hour read

Clare Pooley

Iona Iverson's Rules for Commuting

Fiction | Novel | Adult | Published in 2022

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Chapters 1-12Chapter Summaries & Analyses

Chapter 1 Summary: “Iona”

Content Warning: This section of the guide describes the novel’s treatment of ageism, suicidal ideation, abuse in romantic relationships, nonconsensual pornography, and anti-LGBTQ bias and discrimination.

 

08:05 Hampton Court to Waterloo

Iona, a 57-year-old advice columnist, takes the train into London for work, as she does every day. She is wearing her favorite red suit, has her French bulldog, Lulu, with her, and calls goodbye to Bea before she leaves the house. Iona’s editor has tried to convince her to work from home, but she resists. Iona likes to have the same seat in the same carriage every day, and resists novelty in general. Iona works undisturbed, as everyone obeys the Second Rule of Commuting: “you never, ever talk” (4).

The man sitting across from her, whom she usually sees on her evening commute and has privately nicknamed the “Smart-But Sexist-Manspreader,” begins choking. The girl next to him pats him on the back helplessly. Iona attempts the Heimlich maneuver, but that fails to work.

Chapter 2 Summary: “Piers”

08:13 Surbiton to Waterloo

Piers doesn’t usually take this train, but his schedule is off as his wife, Candida, fired the au pair and Piers had to help the children get ready for school. The only seat he can find is next to Crazy Dog Woman, whom he usually tries to avoid. However, there is also an attractive young woman with red hair wearing a pink pencil skirt. Piers thinks of the two of them as “attractive and successful commuters […] stranded in a sea of mediocre humanity” (7). He’s been losing money in the markets and fears he will lose more. When he begins choking on a grape from his fruit salad, the woman in the red suit stands up and shouts, asking if there is a doctor on the train. Someone responds that he is a nurse and performs the Heimlich maneuver.

Chapter 3 Summary: “Sanjay”

08:19 New Malden to Waterloo

Sanjay boarded the train at New Malden determined that today he would talk to The Girl on the Train. He’d noted the book she was reading last time, Rebecca, and has begun reading a copy. He spots the girl sitting next to Rainbow Lady, whom Sanjay both admires and is terrified of, and a plump, prosperous, but arrogant-looking man.

When he hears someone call for a nurse, Sanjay responds efficiently and saves the choking man. Everyone in the carriage applauds. Piers introduces himself and thanks Sanjay. When the station to Waterloo is announced, Sanjay desperately asks the girl what she thinks of Mrs. Danvers, then notices she is reading Michelle Obama’s autobiography.

Chapter 4 Summary: “Emmie”

Emmie stops at a coffee shop and talks with the barista about how she saw a man almost die on the train. She’s upset to think that after all her big ambitions as a teenager about saving the world, she now works in advertising. She thinks of the competent nurse, whom she finds very good-looking. At work, she gets an email from a strange address telling her that she looks like “a tart” in her pink skirt. She is embarrassed and wonders who sent the message.

Chapter 5 Summary: “Iona”

18:17 Waterloo to Hampton Court

Iona meets with her editor and Brenda from HR for an appraisal that does not go well. She holds her head high, as in her stage days. Ed says her “Ask Iona” column is old-fashioned and the magazine needs to pull in a younger demographic. He wants Iona to put in more “sizzle.” Iona cries in the bathroom and reflects on the days when she owned the social columns. She overhears two women referring to her as “a dinosaur.”

On the train, the only open seat is across from Grape Guy, Piers. Iona takes a flask of gin and tonic out of her handbag, along with lemon. Instead of acknowledging her for helping save his life, Piers loudly makes a call asking his wife to chill champagne. Lulu growls, and when Piers reacts, Iona tells him Lulu can sense toxic masculinity.

Chapter 6 Summary: “Sanjay”

Sanjay is now working in oncology. He likes the chance to build relationships with patients, but also finds that he gets entangled in their lives. As he tends to Julie Harrison after her biopsy, he tries to reassure her, even though Sanjay could tell the sonographer reacted to the picture of Julie’s tumor. After she leaves, Sanjay hides in the family visiting room while he has a panic attack.

Chapter 7 Summary: “Martha”

08:13 Surbiton to Waterloo

Martha leaves her apartment, hearing her mother with her boyfriend, and boards the train thinking about the texts she exchanged the night before with Freddie, who is clever and funny. She compares herself to David Attenborough narrating a nature documentary as she tries to navigate teenage cliques. Just as she is about to take a seat, a middle-aged businessman flings himself into it and opens his laptop. Martha’s phone buzzes, and when she sees what her year 10 group is chatting about, she throws up over Seat Stealer’s computer. Magic Handbag Lady stands up for Martha, scolding Seat Stealer when he yells.

Chapter 8 Summary: “Iona”

08:05 Hampton Court to Waterloo

Iona sips her tea and smiles at Sanjay as he sits near her. The train stops, and there is an announcement of a delay. Iona converses with him and learns he has been avoiding the girl Iona calls Impossibly-Pretty-Bookworm. As Sanjay lists the things he admires about the girl, Iona declares she will help him: She is a magazine therapist. She also hopes that being near the two younger people will help her write her column.

Chapter 9 Summary: “Piers”

18:17 Waterloo to Surbiton

Piers used to be called “Midas”; every stock he touched turned to gold. Now he feels that his life is becoming complicated. The only open seat on the train is next to Crazy Dog Woman. He doesn’t like feeling like he owes her, or the way she is glaring at him, so he tries to soften her. He asks her name and suggests she has misjudged him. Piers confesses that he hates his job as a futures trader. He thinks of it as a lifestyle that is killing him. He asks Iona if she likes her job, and Iona says she loves it as much as Bea, whom she has been with for 35 years. Piers reflects that his wife, Candida, feels more like a trophy or status symbol.

Chapter 10 Summary: “Iona”

Iona plays an album, and she and Bea dance and reminisce. Iona shows Bea the Dictaphone that she used to record the details of parties as their driver took them home. Iona called it “the Dictator.” She plays a tape of her and Bea discussing a party they attended. Iona confides that she thinks the magazine is going to fire her, and she cries.

Chapter 11 Summary: “Sanjay”

08:19 New Malden to Waterloo

As Sanjay boards, Iona whistles to him. The Girl on the Train is sitting nearby, reading a book. Iona introduces her as Emmie and says she is in advertising. Iona’s attention is caught by the man beside Sanjay. He is very bland-looking and blends into the background, but appears to be in distress. He opened his lunchbox to find a note from his wife saying “I can’t do this anymore” (54). Iona asks his name, saying she’s never seen him before, and David says he’s been taking this train for decades and has seen her many times. David describes his married life, which is very routine. Iona tells him that women of a certain age want to be seen and reassured that they matter.

During the rest of his day, Sanjay is embarrassed by what little he said to Emmie. He sees Julie Harrison in the waiting room, looking frightened. He has a panic attack in the supply cupboard and recites the elements of the periodic table to calm himself down.

Chapter 12 Summary: “Emmie”

Emmie meets with her boss and a team discussing how to advertise a new diet pill. Emmie balks at encouraging young women to feel bad about their bodies and is assigned to a toothpaste client. A stranger sends her a text saying, “You think you’re so clever, but we all know you’re a fake” (62). When she asks who the sender is, the reply is, “A friend” (63). She is worried.

Chapters 1-12 Analysis

This section introduces the structure of alternating viewpoints and the conceit of the train schedule that will run throughout the novel. Each chapter is told from the viewpoint of a different character, using the third-person limited point of view, which gives insight into their thoughts and reactions. For scenes that take place on the commuter train, a subheading announces the time and segment of the line running from Hampton Court to Waterloo. Iona boards at Hampton Court, the terminus for that train. Emmie boards at Thames Ditton, the next stop after Hampton Court, and Piers and Martha board at Surbiton, the stop after that. Sanjay boards at New Malden, where he lives.

The unwritten rules of commuting on the London Underground, especially the rule of not talking (See: Background), get broken early in the novel, introducing the theme of The Importance of Making Connections. The interaction between the characters as they meet one another, hold conversations, and get acquainted breaks the convention that passengers rarely acknowledge one another and do not talk. This rule is first broken by the inciting incident of Piers choking on a grape. This brings together the initial four—Iona, Piers, Sanjay, and Emmie—while Martha and David are brought into the emerging group by their own personal distress.

As strangers, they all have preconceived notions by which they judge one another, and these notions are often derogatory or reductive, as when Iona labels Piers as “Smart-But Sexist-Manspreader” while he dubs her “Crazy Dog Woman.” They make unflattering assumptions about one another, but as the novel will reveal repeatedly, these assumptions are often inaccurate and unfair. It is only through getting to know one another and forming genuine connections that the commuters will learn the truth about one another, exposing both the unfairness of their original judgements and the opportunities for friendship that opening up to one another can give them.

The novel also explores the idea of appearances versus reality when it comes to the characters’ self-image. Iona tries to exude an air of authority and confidence, which others find challenging or interesting, but she is secretly feeling precarious and upset about her job. Iona thought her favorite red suit is very stylish, while Piers thinks it looks like upholstery fabric, suggesting that Iona may no longer be keeping up with fashions the way she did in her socialite youth. Similarly, Piers projects the image of a successful businessman but is hiding fear and a sense of failure. Sanjay hides that he has panic attacks out of concern for his patients, and Emmie hides that she is being threatened by an anonymous “friend.” All of the characters thus cultivate a façade they present to the world that is not in keeping with their true selves and situations.

Piers is the first to breach this other unwritten rule of self-presentation. He feels the need to be seen by Iona—not for the image he projects, but in a more authentic sense. He confides to her what he has barely admitted to himself: how much he hates his job. Sanjay also shares about himself, revealing to Iona that he is interested in Emmie, and David, in a moment of shock, lets down his guard completely and shares that his marriage is in trouble. Iona uses this moment to speak to the importance of being seen; she is referencing women her age, but this is a concern for all the characters, both in terms of what they are hiding and what they long to have understood about them.

These moments of confession, vulnerability, and support through moments of distress draw the characters together, underscoring The Importance of Making Connections as they form a group. Iona’s job as an advice columnist facilitates the irony that, while people hold themselves apart on the train and project images they want others to see, they are intensely interested in the real lives of other people, which will be hinted at as fellow passengers overtly eavesdrop on the conversations among the “train gang.”

The theme of The Complexities of Pursuing One’s Passions also appears, especially in the links between identity and career. Emmie feels she is compromising her values with her job; Sanjay worries he is not fit for his job’s demands. Piers fears his career, which has maintained his successful image and wealthy lifestyle, is ruining him. Iona has so thoroughly identified herself with her work that she wonders who she is without the magazine: Whereas Iona was once the glamorous center of attention, she is now regarded as out of touch, and this shakes her sense of purpose. As the novel continues, these characters will learn how to reinvent themselves and embrace new opportunities.

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