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54 pages 1 hour read

Clare Pooley

Iona Iverson's Rules for Commuting

Fiction | Novel | Adult | Published in 2022

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Background

Social Context: Commuting on the London Underground

The London Underground, colloquially known as “the Tube,” is a transit system serving London and the surrounding environs. It is the oldest underground railway and currently the 7th largest such transit system in the world. Building on the Metropolitan Railway that developed in the 1830s, the first underground railway carriage began operating in 1863. As of 2023, 11 rail lines serve 272 stations, transporting an average of 3 million passengers a day and over a billion a year, both below and above ground. Many processes are automated, including payment, announcements, and driving.

Adumbrating the Tube is a larger system of railways that connects London’s environs to cities beyond, including the South Western Railway, which operates the train Iona takes. Iona boards on a small spur at Hampton Court that runs through Thames Ditton station before joining the main tracks and its stops at Surbiton, Berrylands, New Malden, Raynes Park, Wimbledon, Clapham Junction, and Vauxhall, with its terminus at Waterloo. Waterloo is the largest and busiest London terminal, and it connects to the London Underground station of the same name.

The ride on Iona’s train typically takes between 34 to 41 minutes. Clare Pooley reveals in the Author’s Note that she has taken some liberties with details of the train system. She changed what is actually Platform 3 at Waterloo for Platform 5. Iona’s train resembles an older version than what current commuters see; carriages no longer include tables, like the one Iona and Lulu claim as their own, and they also no longer employ guards like the one who takes part in Iona’s birthday party.

Like Iona’s rules for commuting, there is an unwritten etiquette that prevails among passengers who share trains on the Tube and other railways. Many of them have to do with how to occupy the space: stand on the right and walk on the left, stay behind painted lines, move to the center of the carriage, do not block doors, and so on. There are also unwritten rules about the etiquette of personal interaction. In a crowded space, the preservation of personal space is important. People are reluctant to jostle or touch one another. Passengers generally avoid eye contact or conversation, unless with friends. The novel observes the extremes to which strangers may go not to interact with, or ask help from, one another: For instance, the woman who spends her whole ride unaware her skirt is tucked into her hose (117), or the man who vomits into his briefcase and then exits.

Most passengers adhere to the advice to give up a seat to someone who might need it more, including pregnant, elderly, or disabled passengers. Drinking is allowed in a rail carriage, but eating is discouraged, especially foods with a strong odor. Passengers are requested not to place baggage on seats. There is no formal rule against loud conversations or public intoxication, but both behaviors are heavily frowned upon. Pets aside from service animals are allowed, but with restrictions. Britain’s National Rail allows up to two pets per passenger but does not permit them to occupy seats. Naturally, Iona breaks this rule for Lulu.

Cultural Context: Ageism

Ageism is most often understood and discussed as a bias against older adults, especially those considered to be of retirement age or beyond. Older adults, however, can also demonstrate a bias against those of younger generations.

Ageism toward older adults can have economic as well as social and physical impacts. Older adults may be considered less able to adapt to changing market conditions or technology, or thought too close to retirement age, which may prevent employers from hiring them. While some cultures value elders for their wisdom and experience, youth-obsessed cultures are uncomfortable with visible signs of aging and physical infirmity. Older women are often considered less attractive according to beauty standards that drive marketing and advertising. Conventional assumptions about cognitive impairment or reduced creativity may affect the way younger adults approach or interact with older people.

Ageism can lead to a lack of representation of healthy older adults in marketing, advertising, or social inclusion. It can lead to bias in medical care, especially research into the needs of certain age groups. Mature adults may find their opportunities for social interaction or access to public facilities affected by conventional assumptions about their value or abilities. Internalizing ageist stereotypes can also impact mental health if people begin to believe their health, vigor, or capabilities must inevitably be reduced by age.

Older adults can likewise demonstrate bias against younger adults with concerns that younger adults are irresponsible or hold social or cultural values that would have been unacceptable in the majority culture of earlier generations. This bias can affect employment, legislation, and other decisions that affect the lives of young adults, showing that ageism can extend in both directions. Emerging research suggests that intergenerational friendships, such as those that develop among Iona’s train gang, are one way to combat stereotypes about aging and can contribute to productive, supportive social networks.

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