50 pages • 1 hour read
Paula HawkinsA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Into the Water starts with an excerpt from Nel Abbott’s book, The Drowning Pool. In this excerpt, Libby Seeton, the first victim to die in the Drowning Pool in the 1600s, briefly contemplates her life before dying.
Jules Abbott returns to Beckford following the death of her sister, Nel. She admits feeling no sadness over Nel’s death, only anger at having to return to “sort out your bloody mess” (6).
Josh Whittaker wakes in the middle of the night to find his mother, Louise, missing from the house. He notes that this is “what Katie did herself: she got up in the middle of the night and went to the river and didn’t come back” (8). When Louise returns, she tells her husband and Josh that Nel Abbott is dead.
Jules recalls driving to Beckford with her family as a girl and acknowledges that she sometimes has an impulse to kill herself. She has short-term memory issues but no difficulty remembering events long in the past. During her recollections, Jules thinks of the death of Sean Townsend’s mother, Lauren (though their names are not revealed until later in the story). Jules arrives at Nel’s house—once their childhood home—and walks through, lost in memories of their mother, and, “everywhere, the evidence of [Nel’s] obsessions [with drowning]” (14).
Nickie Sage, who is either a psychic or a lunatic depending on who describes her, believes that Nel was murdered. She contemplates talking to Sean, who is now a police officer, because she “had a bit of a soft spot” (17) for him, but she ultimately decides on keeping to herself. Nickie feels bad about Nel’s death, but not guilt for it, despite her having given Nel information that may have led to her death.
Jules continues exploring Nel’s house and revisiting her memories. Jules questions her own memory further regarding the death of Sean’s mother, noting, “I don’t even know whether there really was a boy who saw his mother die, or whether you made the whole thing up” (21). As Jules cleans up Nel’s old room—which now belongs to Nel’s 15-year-old daughter, Lena—Lena arrives.
At first Jules believes Nel is alive, but she realizes that Lena “looks almost exactly like you did when you were a teenager” (23). Lena tells Jules that the police are downstairs. Jules meets Detective Inspector (DI) Sean Townsend and Detective Sergeant (DS) Erin Morgan, who tell her that there is an investigation into Nel’s death. Erin tells Jules that Nel likely fell from the cliff; Lena doesn’t believe that and suggests that Jules shouldn’t either.
Backtracking slightly in time, this chapter’s introduction to Lena depicts her finding Jules and dealing with the police from her own perspective. Lena does not trust Jules. She knows more about her mother’s death than she will share with those she considers outsiders. After being rude to Jules and Erin, Lena escapes to her room, “locked the door and cried there instead” (28). Lena admits that she feels guilty over Nel’s death.
Mark Henderson, teacher of Lena and her recently deceased best friend, Katie, feels relief over Nel’s death. (It is later revealed that Mark had an affair with Katie that led to her death). Mark recalls being questioned about Nel’s death, as he conversed with Nel shortly beforehand: “some of it was true, some of it was a lie” (30). As Mark swims, he thinks about moving away in order to start his life over. He “dreamed of a clean slate, a blank sheet, an unblemished history” (31). Mark hears a sound and sees Louise Whittaker, Katie’s mother, coming towards him.
Louise observes that everyone acts embarrassed around her due to the “inconvenience” people feel around others’ grief. She and Mark discuss her feelings about Nel’s death; she can’t “pretend she was unhappy that Nel Abbott met her end” (33). Louise heads home, thinking about “signs she must have missed, red flags she must have breezed blithely past” (35) regarding Katie’s mental state before her death. She replays everything she can remember. Louise comes upon a group of teenage girls that includes Lena. Lena asks to speak with her, but Louise pushes Lena away.
This second excerpt of Nel’s book contains the prologue to The Drowning Pool, in which Nel explains that she “saved my sister from drowning” (38) and that she is obsessed with the Drowning Pool. Nel admits that she doesn’t understand what drew Jules to the water when they were children. She wants to write down all the stories of women who drowned in the water, starting with Libby Seeton and the witch trials.
In this first section, most of the major characters have at least one chapter dedicated to their perspective. This sets up both the technical structure of the whole story and the thematic structure, which highlights how a person’s perspective shapes his or her interpretation of events. No two characters view events through the same lens, and this discrepancy creates a complex fabric of guilt and blame that drives the story. Though Nel is not alive in Into the Water, she is the central figure, as she is involved directly or indirectly in most of the conflict among other characters. Almost every character feels some degree of guilt over Nel’s death or events involving Nel.
Hawkins introduces most of the major themes of the story in this section as well, in particular the idea that women who behave outside the norms of what male-dominated society dictate for them are “troublesome”—a theme that begins (from Nel’s perspective) with Libby Seeton’s death by drowning for witchcraft in the 1600s and carries through until the present day. Additionally, all of the women at the beginning of the story hate or mistrust each other for various reasons, a dynamic that underscores the idea that sisterhood is powerful, but society deliberately pits women against each other to keep them subjugated. Men, on the other hand, believe themselves blameless—either taking a moral high road based on a skewed system of beliefs or living in denial of any wrongdoing, choosing instead to frame themselves as victims in an unfair world.
By Paula Hawkins