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45 pages 1 hour read

Anne Rice

Interview With the Vampire

Fiction | Novel | Adult | Published in 1976

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Part 1, Pages 70-159Chapter Summaries & Analyses

Part 1, Pages 70-95 Summary

After fleeing the plantation, Louis and Lestat book a suite in a hotel in New Orleans. Louis hunts rats while Lestat preys on humans. Louis’s appetite grows, and he eventually relents and searches for a human victim. He hears a child crying and finds her with her dead mother. As Louis feeds on her, he sees Lestat watching and laughing. Lestat comes in and dances with the dead mother. Louis runs back to the hotel, but Lestat chases him, and they fight.

The next night, Louis awakens to the sight of two women in the parlor. Lestat drains them and seats their bodies at the table as Louis watches. He fills two wine glasses with their blood. Lestat asks what Louis thinks a vampire is. They debate their respective natures, and Louis says he is leaving to find other vampires. Lestat says other vampires will want to kill Louis because they are solitary predators who do not want company. Otherwise, one is always enslaved, like Louis.

He puts one woman in a coffin and sits on the lid as she screams. Lestat taunts her. Louis can’t stand to see Lestat torturing her, so he drains her to make it stop, but he doesn’t drink enough to satisfy himself. Lestat takes him out to hunt. He takes Louis back to the child whose mother had died and then takes her to their hotel. Louis drains her but is shocked when, before she can die, Lestat feeds her from his wrist and changes her into a vampire.

When the girl wakes, she asks for her mother. Lestat tells her that she has two new parents: him and Louis. She sleeps with Louis that night, and Lestat believes that he has manipulated Louis into staying with him forever. 

Part 1, Pages 95-125 Summary

Claudia’s education takes two forms. Louis represents the literal humanities version of education: He tries to instill in Claudia his love of philosophy, literature, and a willingness to question the ethics of her situation (which she resists). Lestat gleefully initiates her into the role of the hunter, and even Louis begins killing humans occasionally, as an act of solidarity.

Lestat loves to indulge his love of fashion through Claudia by dressing her like a doll. He treats her as if she is a toy, which contributes to their mutual rancor when she begins to tire of him. It is not surprising that after 65 years Claudia is beset with questions about her origins and future. In a humorous, if morbid, parallel of a child lashing out at their parents, Claudia begins disrupting the household in her search for answers. She kills two maids who work at their home, which nearly exposes them. This unstable version of Claudia is unbearable for the Lestat, who simply wanted a plaything for himself and a daughter for Louis. It worsens when she begins reading vampire lore and demanding to know how she was made.

One day, a boy knocks on the door, and Lestat gives him to Claudia. When she feeds too aggressively, he cautions her against drinking from the dead. When she mourns her inability to physically age, Lestat mocks her and asks if she would prefer to look like an old woman.

Louis takes her to the house where he found her. He tells her that she was his victim, and she runs away from him. When he catches up to her, she says that she hates them both, but she stays. Louis tells the boy he loved Claudia “with my human nature” (117).

Claudia realizes Lestat gave her to Louis because he could give Louis nothing. Together, Claudia and Louis plan to leave Lestat. During their evenings together, Claudia begins taunting Lestat and asking who made him. She accuses him of knowing nothing, and Lestat blames Louis for her aggressiveness. Louis realizes that Lestat is afraid; He does not know how to control Claudia.

Later, Claudia tells Louis that Lestat must have killed his maker because he was enslaved by him, and he couldn’t tolerate that feeling. Then he made Louis because he did not want to be alone. She vows to kill Lestat and warns Louis not to intervene. She leaves him to hunt on her own, and Louis comes across a boy. He decides to let him go despite his hunger, but he doesn’t know why.

Part 1, Pages 125-159 Summary

Lestat begins seeing a musician who composes music for him. In turn, Lestat takes him on expensive outings and flatters him. One night, when Lestat returns from a visit to the musician, Louis feels that it is the night Claudia will try to kill him. As they talk, Claudia joins them and says that she has a gift for him. She claims that she is tired of their enmity and wants peace.

She shows him two small boys who appear to be asleep. They are orphans and she brought them as a peace offering. When he drinks from them, he quickly feels drugged. Claudia admits that she poisoned the boys with laudanum and absinthe. She bites Lestat as he struggles, then cuts his throat with a knife. Lestat’s body collapses and wrinkles. They dispose of the bodies in a swamp. When Claudia searches Lestat’s things the next day, there are no clues about his history or his maker. She panics at the thought that Louis will leave her.

Louis goes to the church where his brother’s funeral had taken place. He knows he is the only supernatural reality in the church as he throws the communion wafers to the ground. He goes into a confessional booth and confesses his many murders to the priest. The priest calls him a devil, just like Babette. Louis kills him.

Claudia wants to search for vampires in Europe, and they make plans for their departure. The musician visits before they leave, and Louis sees that he has puncture wounds in his neck. Louis wonders if Lestat planned on making him a vampire.

The next night Claudia says the musician followed her. He is now a vampire. Lestat appears and bursts into their home, scarred and burned. As they fight, the room catches fire after Louis throws a lantern at Lestat. Louis and Claudia escape, and the house burns as they leave.

Part 1, Pages 70-159 Analysis

The pivotal events of these pages concern the creation of Claudia as a vampire and Louis’s growing dissatisfaction with Lestat. Claudia will later observe that Lestat wanted to give her to Louis because he had become aware that he could not offer Louis anything he needed. Lestat does not provide knowledge, he is impulsive and violent, and his usefulness as a companion is mitigated by his cruelty, selfishness, and petulance. It is ironic that his impulsive act of turning Claudia, which was meant to bind Louis to him once again, results in his near-death at her hands. Claudia allows Louis to feel love again. Her presence is a welcome distraction, but he also adores her.

Lestat and Louis continue to debate the realities and exigencies of their respective natures. Lestat believes that much of Louis’s torment is performative. Louis is a vampire, and a vampire must kill, so why would Louis make the irrational choice to fight against his instincts? Lestat also reminds Louis that he made the choice to become a vampire, so he feels that whatever his faults may be, resenting Lestat for a choice Louis made is unfair. It is ironic that Lestat, who is all raging appetite and impulse, is more content and peaceful than Louis, who is contemplative and loving. Lestat exists from moment to moment with little thought of the future. Much of Louis’s suffering could be caused by an inordinate focus on the past and future while neglecting the present moment.

Louis must also admit that he chose to feed on Claudia. He let his appetite drive him to an act his morality did not want, but his nature did. He is also passive while Lestat is all action. He could have stopped Lestat, but he observes Claudia’s transformation instead. Each time Louis avoids responsibility or action, he complicates his life and brings greater suffering into the world, which further complicates the guilt that is an essential part of Louis’s character. Claudia will bring him joy but will also exacerbate his current struggles because Louis feels responsible for all of Claudia’s suffering because whatever suffering she will endure could have been spared if he had not been passive.

As the narrative progresses, Claudia begins to resemble each of her “parents” more. Despite Louis’s influence, she has no hesitation to kill humans. She may not be as vicious as Lestat and never seems inclined to torture her victims, but her detachment is utterly unlike Louis. Claudia’s life before she was a vampire was brief enough that she has little experience in what being human means. She has 60 years of vampire life to only 5 years as a mortal, and her mortal years were spent as a child whose memories were malleable and unreliable to begin with. However, she experienced love. She wept over her mother and knows she was bound to a human at one point, though she can no longer feel why that mattered.

Once Claudia grows older, her relationship with Louis is no longer that of a child and parent. They are not lovers, but their relationship is closer to a romance than to that of unwilling roommates, such as their relationship with Lestat. Claudia only looks like a child, which allows Rice to raise questions about the various forms love can take.

Louis’s growing ease with killing humans is either a positive or negative development, depending on how the reader views the moral questions that have previously tormented him. The plague kills so many people—including Claudia’s mother—that it desensitizes Louis to the reality of mortal death. There is now anonymity to his killings that comforts him, and he can assume that many of his victims would have fallen prey to the plague if not to him.

When Claudia begins wondering about her origins and the differences between humans and vampires, Louis’s moral quandaries resurface. Her constant interrogations have different effects on Louis and Lestat. Louis is somewhat frightened of her commitment to answers because he has accepted that he may never find satisfying answers to his questions. She infuriates Lestat because he does not want to ponder questions that he would never ask to begin with. Her constant pestering is like that of a bored child repeatedly asking, “Are we there yet?” during a long drive.

Louis does not understand the depths of Claudia’s hatred for Lestat until she announces that she will kill him. She is not interested in being bound to a vampire whom she despises. Throughout these pages, Claudia expresses interest in the differences between humans and vampires, with particular emphasis on the human experience of grief. However, Louis worries about the delight with which she intends to murder Lestat. It is not a human joy that he sees in her.

Throughout most of the novel, Louis searches for guidance. His Catholic upbringing promised an unsatisfactory moral compass in religion. Lestat has proven to be a pour guide, as will Armand in the upcoming pages. The priest cannot absolve him of his sins but rather torments Louis by accusing him of being from the devil. Louis did not kill Babette when she said the same thing, but he has changed enough to take his frustrations out by killing the priest.

Louis’s passivity is a result of his hope that God exists because if God exists, Louis does not share the ultimate responsibility for his actions. In the absence of a divine creator and adjudicator, there are no clear definitions of good and evil, so Louis can never be sure of whether he deserves damnation. Without the consequences of an afterlife, Louis cannot find meaning in his immortal life, yet he chooses to remain passive as Claudia attempts to kill Lestat. The thought of losing Claudia is worse for Louis than the potential consequences of killing Lestat. Louis’s nihilism and numbness in relation to his moral quandaries is also evident in that Louis is fully aware of the consequences should they fail to kill Lestat, but he does nothing to stop Claudia. More than anything, as Part 1 ends, Louis wishes for a rebirth. He puts his hopes for a clean slate on Claudia and their journey to Europe. By leaving the city and land of his birth, he hopes he can become better in a new world. However, the fact that Lestat survives creates tension that will follow Louis and Claudia through the rest of the story.

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