121 pages • 4 hours read
Julia AlvarezA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Early on in the novel, Minerva explains that she has felt caged her whole life. She compares herself to the rabbits that her family keeps in cages. One day, Minerva opens the cage door to free a female rabbit. To her astonishment, the rabbit does not want to leave her cage. Minerva tries forcing the rabbit to leave, but it just whimpers and remains in its cage, until Minerva realizes that she is actually harming the rabbit by trying to set it free against its own will. Minerva then declares that she is not like the rabbits after all. She wants to be free regardless of the cost. In this way, the rabbits represent Minerva early on in the novel. She is trapped by her father’s over-protectiveness. She is also trapped by the rules and fear of the Trujillo police state; in this way, the rabbits also represent the populace of the Dominican Republic. Just as the rabbits are afraid to leave their comfortable cages, so the majority of Dominicans are afraid to challenge Trujillo’s regime. As a result of his oppressive rule, people are afraid to escape their “cages” to find safety elsewhere. Unlike most people, however, Minerva will open her own cage door and fight with all she has to leave the cage.
With any personality cult, the image of the individual plays a key role. Part of Trujillo’s personality cult, then, is the rule that every family must have a picture of “El Jefe” (Trujillo) displayed in their home. There is a portrait of him in Mamá’s house next to a picture of Jesus, a combination that becomes a powerful symbol for Patria, who sometimes sees the two as opposites—God and devil—but occasionally sees their faces merge as well. At a later date, Patria even finds herself accidentally praying to Trujillo instead of to God. The portraits of Trujillo, then, represent El Jefe’s aspirations to become a godlike figure to his people, watching over everything and having total control of the Dominican Republic. In part, the portraits also show the pervasive fear of his police state, so that Dominican children are raised up to love Trujillo just as they are raised to love God. His portrait even appears in the convent school, watching over the girls, and his desire to occupy the same position as god is suggested by his demand that everyone praise him as their “Benefactor.”
Over time, the Mirabal sisters come to be known as the Mariposas, or the Butterflies. They are heralded as a national symbol of strength and defiance. It is interesting that they are represented by butterflies, given that the symbolism of the butterfly is appropriate for both their lives and their deaths. Butterflies symbolize freedom, first and foremost. Their wings allow them to fly, to take flight, and in this way, they soar over hurdles in their way. Likewise, the Mirabal sisters took flight from their cages and soared above adversity. Like butterflies, they emerged from the cocoons of their youth as beautiful and elusive creatures. They succeeded in soaring above the regime until their deaths in 1960. Butterflies, however, also represent frailty. This is especially true for women under the regime, as they were viewed as fragile and incapable of entering into politics. This aspect of the butterfly symbolism extends even further, however, to show that anyone who stands up to Trujillo’s regime is, in effect, a butterfly whose fragile wings can easily be crushed by the dictator’s ruthless regime.
Mate’s recurring dream starts when she is a young teenager and initially involves seeing Papá in his coffin underneath her tattered wedding dress. In time, she comes to see most of the men she has known in place of her father at the bottom of the coffin. This dream is often a premonition of bad times for the sisters, and causes Mate to worry and fear for their safety. Ironically, it is the sisters themselves who end up being killed by Trujillo’s regime, while any of the men who appeared in her recurring dream were spared. In this way, the dream works as an omen, telling of difficult times ahead, though it is not always clear who will face those difficulties. Mate’s fear of what the dream means is also indicative of the fusion of superstition and local traditions with Catholicism, which is evidenced in the use of spells and magic in conjunction with Catholic prayer.
By Julia Alvarez