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57 pages 1 hour read

M. L. Rio

If We Were Villains

Fiction | Novel | Adult | Published in 2017

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Act I, Prologue-Act I, Scene 6Act Summaries & Analyses

Prologue Summary

Former drama student Oliver Marks has been in prison for 10 years, serving a sentence for the murder of his classmate Richard Stirling, to which he confessed. He is visited every fortnight by Joseph Colborne, the head of police, who believes there is more to Oliver’s story than he has revealed. On this particular visit, Colborne tells Oliver he is retiring from the police force to join a private security firm. Since that means Colborne cannot use Oliver’s testimony, Oliver agrees to tell Colborne his story, but only after he is released from prison.

Act I, Scene 1 Summary

Oliver begins his story from September 1997, his fourth and final year at Dellecher Classical Conservatory, an elite theatre school in Broadwater, Illinois. Oliver studied acting at Dellecher, the curriculum comprising exclusively of plays by Shakespeare. Oliver’s final year acting class consists of only seven students; the rest having failed over the years. The seven friends are a tight-knit group, each occupying specific roles in the friend circle and in the casting choices for plays. Physically massive Richard always plays kings and generals, beautiful Meredith Dardenne, “the femme fatale” (15), roguish-looking Alexander Vass, the villain, handsome James Farrow, the hero, spritely Wren Stirling (Richard’s cousin) the girl-next-door. Oliver and Filipa Kosta, less easy to typecast, often get supporting parts. The next play is Shakespeare’s Julius Caesar. Alexander bets everyone that Richard and James will get the key roles of Caesar and Brutus.

Act I, Scene 2 Summary

The friends go to the Fine Arts Building (known as the FAB) for their auditions. Each one has prepared a bit from a Shakespeare play; Oliver’s choice is a passage from Pericles, suggested by James, his best friend and roommate. Oliver reflects that James is the “sort of actor everyone fell in love with as soon as he stepped onstage, and I was no exception” (24). People sometimes perceive of Oliver as James’s “loyal sidekick” (25). Gwendolyn, their drama coach, invariably casts Oliver in similar roles in the plays as well. Richard is Gwendolyn’s favorite, while James is Frederick’s, the professor who teaches them the theory and history of drama. Meredith and Richard, considered equally good-looking, are a couple in real life.

Act I, Scene 3 Summary

After the auditions, the group await the casting results at the Bore’s Head, their favorite bar near Dellecher. They learn that Richard is playing Caesar and James, Brutus, as expected. However, Oliver’s playing two parts, unlike what Alexander had predicted. A third-year called Colin is playing the part of Mark Antony.

Act I, Scene 4 Summary

Exhilarated at the casting, the friends spend the afternoon at the lake around Dellecher. Everyone teases Richard for getting the part with the largest impact but the fewest lines to learn. Oliver reflects on his father’s displeasure at his interest in theatre. Though Oliver loves Dellecher, his father has “refused to accept [his] decision to waste [his] university years” (33). Oliver has two sisters, Caroline and Leah. Most of the students’ parents are similarly concerned, but Richard and Wren are different since their parents are actors and directors based in London. Meredith is from a wealthy family who neglect her. Sitting on the docks near the water, Oliver fervently hopes their final year in Dellecher goes smoothly.

Act I, Scene 5 Summary

In their first session of the year, Oliver notes that Gwendolyn’s drama teaching methods are “merciless” (36). During her classes, Gwendolyn always prods students to reveal their innermost emotions, sometimes bringing them to tears. This time, starting with Meredith, she asks all the students to reveal their greatest strengths and biggest fears. Meredith says her greatest strength is her physicality and beauty. Her biggest fear is that she is prettier than she is talented, and therefore no one takes her seriously. The revelations leave Meredith and the rest of the class feeling discomfited.

Act I, Scene 6 Summary

After the grueling session with Gwendolyn, the group heads to the gallery, a narrow room in which Frederick holds his classes. Frederick always serves black tea during his sessions. In the fourth year, the students focus on Shakespeare’s tragedies. Frederick quizzes them about why Julius Caesar is considered a tragedy, rather than a history play. James responds that the history plays refer only to those dealing with English history. Frederick confirms the answer and wants to know what else makes Julius Caesar “first and foremost a tragedy” (44). He suggests that the play is especially tragic because Julius Caesar, the title character, is not just assassinated, but assassinated by his closest friends.

Act I, Prologue-Act I, Scene 6 Analysis

The opening section establishes the unique narrative structure of the novel, its homage to the works of William Shakespeare, and its base concept of life imitating drama. The novel is divided into five acts, like all of Shakespeare’s plays. Each act is further divided into chapters, which are titled as scenes. Characters are sometimes introduced in a scene with stage directions, such as “Enter the players” (12). The dialogue is often formatted like a theatrical script, such as in Act I, Scene 1:

“Filipa: ‘Spare us.’
Richard: ‘Early morning and all that.’
Alexander: ‘He says as if concerned’” (13).

This narrative technique emphasizes the idea of the novel as a performance while conveying the zippy banter of witty college friends. The novel’s title is from a soliloquy in Shakespeare’s tragedy King Lear, foreshadowing the tragedy awaiting the novel’s characters. Interestingly, Oliver auditions with a speech from Shakespeare’s romance Pericles, in which the hero, separated from his family by a storm, reunites with the wife he thought dead. This foreshadows the suggestion that James might actually be alive at the end of the novel and the possibility he and Oliver may yet reunite.

Just as the novel’s structure borrows conventions from theatrical narrative, its characters are also immersed in the world of Shakespearean drama. The Dellecher fourth-years often speak to each other in quotes, as if Shakespeare’s texts are an extension of their everyday vocabulary. This shows that the characters have become so immersed in their studies that the line between reality and fiction has blurred. Richard thinks of himself as a king after repeatedly playing the part, while Oliver slots himself as a sidekick. They live in a liminal state, between real life and a Shakespearean play. This sets them up for tragedy, which is one of the central themes of the text.

The teachers at Dellecher also embody theatre. Gwendolyn loves to create drama by getting students to unmask their emotions. Frederick conducts his classes with solemn ceremony, such as the partaking of scented black tea. The location of Dellecher itself is picturesque and stage-like, serving as a living backdrop for the drama of life. The castle, the tower where James and Oliver share a room, the lake, and the docks are established as stages early on, just like settings in a play.

The opening chapters recreate the world of Dellecher through Oliver’s eyes. It is a cozy and insular world, a world of an elite, secret, erudite club. This is often a trope in the dark academia genre, of which If We Were Villains is an example. By its very exclusivity and eccentricity, the world of the Dellecher students is a beautiful bubble. This foreshadows that the bubble will burst. Additionally, Oliver’s narration is unreliable because he doesn’t reveal his story in one go. Events are filtered through his gaze and he tends to sometimes suppress or overlook the truth staring him in the eye.

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