48 pages • 1 hour read
Casey McQuistonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Originally from California, Chloe has a snobbish attitude toward False Beach. Compared to other residents, she is unapologetic about who she is and where she came from. Not only does she have two lesbian moms, but she also identifies as bisexual. Although she is proud of her flawless academic record, Chloe is also a rebel. She enjoys subtly violating the school’s policies to challenge what she regards as antiquated belief systems and petty rules while still maintaining her academic standing.
Throughout the novel, Chloe realizes that she judges people in her community too harshly. She finds that people like her are hidden by facades curated to find acceptance in the conservative Christian town in which they live. Chloe judges many of her classmates based on stereotypes and presents an air of superiority. However, as the novel progresses, Chloe finds that these people are complex beings like herself. Shara, for instance, is a person whose inner life conflicts with the person she is expected to be. Chloe at first regards Smith as a stereotypical quarterback who, of course, is dating the most beautiful girl in school and probably has an inflated ego because of it. Instead, she finds him to be a sensitive, compassionate, and complex person struggling to figure out his sexual and gender identity. Most pertinent is that both these characters, and even several others, are like Chloe in that they are queer. Given the environment in which they were raised, they’ve taken longer to find their place on the spectrum of gender and sexual identity.
By the end of the novel, Chloe realizes that she has a great deal in common with other residents in her community and that where someone is from and how someone is raised doesn’t represent the person’s inner life and identity. Chloe’s harsh judgment of others was a defense mechanism masking her fear of being vulnerable.
At first glance, Shara embodies the gorgeous, popular girl archetype often present in coming-of-age novels. Even Chloe is drawn to Shara’s beauty but judges her harshly by claiming first that she is “boring,” and later, that she is a “bad person,” which aligns with how popular-girl archetypes are conveyed in the typical coming-of-age narrative. However, the novel reveals Shara to be a complex character. She, too, is queer and in love with Chloe. She struggles to satisfy others’ expectations of her to be pretty, wholesome, successful, perfect, and heterosexual while also being true to her authentic self.
Shara is the catalyst for the plot. Not only does she kiss Chloe and Rory while she has a boyfriend, but she leaves cryptic notes in meaningful places and disappears. Shara hides and brings her plan to action to ensure that she no longer has to hide. After lying her entire life and hiding behind her conformity to others’ expectations, Shara seeks to embrace her queerness while also helping others (Rory, Smith, Ace, and Summer) do the same.
Rory is described as a thin, edgy type with dark curly hair and light brown skin. He is, the narrator says, part of the “stoners-skaters-and-slackers rung of the social ladder” and is Shara’s next-door neighbor (5). Rory, who has also been randomly kissed by Shara, admits to Chloe that he has had a romantic fixation on Shara.
While joining Chloe on her quest to collect the clues Shara left and ultimately find where she is, Rory reconnects with his old friend Smith, with whom he had a falling out. While Rory rekindles his relationship with Smith, he learns more about himself. He realizes that he, too, is queer and that Shara has merely been an object onto which he projected his misdirected affections. Although Rory’s mother and stepfather are wealthy, Rory subverts the stereotype of the privileged rich kid through his sensitive and poetic nature and his efforts to combat social injustice.
Smith is Shara’s boyfriend and a high school football star. Yet, he subverts the stereotype of the high school jock often represented in young adult fiction. The narrator says, “He doesn’t walk from room to room as much as he flows through them” (76), highlighting the fluidity of his movement and foreshadowing that his gender and sexuality may also be fluid. He demonstrates compassion by standing up for Chloe against his jock acquaintance Dixon.
Through the novel, Smith undergoes a transformation in identity. Originally named William, he has chosen to be called Smith. Originally the boyfriend of Shara, Smith comes to terms with the complexity of his gender and sexuality and begins to explore other modes of gender expression, such as wearing eyeliner and glitter. He speaks to Chloe’s nonbinary friend Ash about the experience of being nonbinary, and by the end of the novel he is in the process of redefining his own sexual and gender identity.
Principal Wheeler is not only the head of Willowgrove Christian Academy but also Shara’s father. He represents the intolerance and hypocrisy entrenched within the community of False Beach. He preaches Christian love and virtue while shaming members of the LGBTQIA+ community and taking bribes to misrepresent students’ grades and test scores. Principal Wheeler denied Chloe the honor of being valedictorian after she took the fall for her friend Georgia, who had been caught kissing another girl in the bathroom.
Although Principal Wheeler was first represented as a figure of power, by the end of the novel, his authority has been challenged. Not only do students override his denial of the title of valedictorian to Chloe by conducting a protest graduation but Shara also exposes him for his corruption.
By Casey McQuiston