59 pages • 1 hour read
Markus ZusakA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Over the course of the novel, Ed undergoes remarkable growth to reach his full potential. Zusak intentionally designed Ed to be “the epitome of ordinariness” so that his progress would demonstrate that “everyone can live beyond what they’re capable of” (353). Ed describes himself in scathing terms, calling himself a “[l]ocal loser” and a “[c]ornerstone of mediocrity” (136). Not even his act of heroism during the bank robbery boosts his low self-esteem. If anything, his 15 minutes of fame increase his awareness of his need for personal growth and his desire to shed his old self.
The aces give Ed the chance that he yearns for. Diving into the problems of strangers leads Ed to grow in compassion and courage. Among other achievements, the man who once considered himself devoid of possibility and prospects saves a woman from domestic violence, reconciles two pairs of brothers, and helps his best friend meet his child for the first time. In Chapter 34, with two aces complete and the third underway, Ed reflects on his progress. He feels as if he has become a “new person who’s full of purpose rather than incompetence” (232). As the story continues, Ed’s challenges only intensify, and he grows to meet each one.
At the end of the novel, Ed experiences an epiphany: “I’m not the messenger at all. I’m the message” (357). This realization represents the achievement of his full potential because it means that he is not only able to reach the people in his town but also to touch the lives of everyone who picks up his story. To emphasize these two spheres of influence, Ed speaks his realization aloud to Audrey and addresses it directly to the reader as well. Zusak created Ed to give his audience the empowering message that anyone can achieve their potential.
Ed demonstrates the power of human connection by easing loneliness, fostering loyalty, and spreading love. For instance, Ed creates opportunities for the O’Reilly brothers and the Rose boys to see past their differences and reconcile with one another. In addition, witnessing the power of human connection is one of the greatest rewards Ed receives for serving as the messenger. Chapter 32, “A Moment of Beauty,” is devoted entirely to a kiss between Marie and Lua Tatupu that leads Ed to make the following observation: “Sometimes people are beautiful [...] Just in what they are” (224). Later in the novel, Ed witnesses another radiant moment when he watches Marv and Melinda at the playground: “Marv’s smile and the giant glass tears on his face are two of the most beautiful things I’ve ever seen” (330). The former moment is shared between spouses who’ve weathered life’s hardship together for years, and the latter is a parent and child’s first meeting. Although the situations are different, Ed sees the common thread of beauty. In both, “the power and the glory” of human connection shines brightly like the Tatupuses’ new Christmas lights (224).
Of course, Ed does more than facilitate and observe relationships between other people, and some of the novel’s most impactful moments occur when Ed forges a deep connection with another. This is especially evident in the very first and the very last messages he delivers. Milla’s address is the second on the ace of diamonds, but she’s the first person Ed helps due to his hesitation to intervene at Edgar Street. He finds great peace and comfort by being Jimmy, but he doesn’t fully understand how much Milla gives him until they spend Christmas together: “It hits me that all along I thought I was doing this old lady a favor by spending Christmas Day with her. Walking out again in my casual black suit, I realize it’s the opposite” (285). Ed believed that he was easing Milla’s loneliness when she was also soothing his all along. The final message Ed delivers is the most personal of all because its recipient is the woman he loves. Ed gives Audrey a way to let down her guard and to love and be loved for three minutes with no baggage or expectations to weigh her down. The understanding and acceptance Ed offers Audrey in Chapter 51 is instrumental to her decision to move in with him at the end of the novel.
In Ed’s role as the messenger, human connections are both the work itself and the reward for a job well done. Zusak’s novel encourages the reader to reach out to those around them and experience the transformative power of human connection for themselves.
In I Am the Messenger, as in Zusak’s other works, such as The Book Thief and Bridge of Clay, the author invites his readers to reflect on the beauty and brutality of life. Zusak uses fiction to show that the world is no less wondrous because of the existence of suffering. Indeed, his characters’ greatest triumphs occur when they decide that their suffering has meaning. Ed’s role as messenger requires him to bear witness to and sometimes even cause others pain. He gives Sophie an empty shoebox, encouraging her to compete the way that she trains. As a result, she races “barefoot till she was all trodden on and bloody and glorious” (118). In part, Sophie is so alive and free during the race because she refuses to let the fear of pain keep her from being her authentic self. The pain Ed inflicts on Gavin is more direct. The younger Rose boy is often on the receiving end of his older brother’s fists. He must bleed at someone else’s hands for Daniel to finally see him as his brother and want to protect him. The Rose boys find their loyalty to one another through Gavin’s suffering. Although he doesn’t receive any personal gain, the bank robber also finds meaning in his suffering. Near the novel’s end, the robber asks Ed if he still sees a dead man in the mirror. When Ed answers that he doesn’t, he says, “Well, it was worth it, then….” (351). This signifies that the robber willingly served six months in prison for Ed’s sake. Ed’s work as the messenger transforms pain from an inevitable part of life in his difficult neighborhood to something significant and even redemptive.
In addition, Ed finds meaning in his own suffering. In Part 2, he endures thrashings from Daryl and Keith and from the Rose boys. He describes his battered reflection as the “face of clubs” (182), underlining his belief that his pain was a necessary part of completing the second card. Ed must also weather emotional turmoil to deliver his messages. His “darkest hour” occurs when his mother explains why she detests him and then leaves him. Ed finds meaning in even this agonizing experience. He accepts that his mother needed the catharsis of telling Ed how she feels. Her words also have meaning because they push him to examine his own life. Another pain that Ed endures is his grief for his father, and the significance of this suffering is commensurate with its intensity. Even before Ed stopped the bank robber or received the first card, Ed’s process of transformation began with the death of his father because it helped him realize that he wanted more out of life than the broken promises and wasted potential his father left behind. Ed has an author to explain to him how his trials and tribulations are tailor-made to support his growth, but the general principle of this theme is something anyone can apply. By telling Ed’s story, Zusak encourages his readers to find meaning in their own suffering.
By Markus Zusak
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