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David continues living with the family in their home. He continues to marvel at the beauty of their luxurious house, particularly the bathroom with its scented soaps and soft towels. David also enjoys reading their books and expanding his repertoire of words, finding synonyms for words that allow him to express himself more precisely.
He struggles to connect with the other children, recognizing that he will never be an ordinary child after his upbringing in the concentration camp around only adults. He declares that their games of “soldiers and prisoners” is “evil and horrible” (86). David only feels a genuine affinity with Maria and continues to resist Carlo’s efforts to repair their relationship. David is excited to find a globe in Andrea’s room; the children point out countries of Europe to him, and he tries to memorize them. He is dismayed at how far away Denmark is.
David contemplates confusedly why the man in the concentration camp would have given him milk and vitamins; he wonders whether he is an important person for the man to try to keep him alive or whether someone paid the man a bribe to help David escape.
David overhears the parents (Giovanni and Elsa) talking; Elsa is concerned and confused at David’s unlikely backstory (the circus) and does not like how he treats Carlo. She is disconcerted by his adult manner of talking and his unusual intensity. The children’s father tries to placate her, but she says that she wants David to leave unless Giovanni can get some honest answers from him. Unbeknownst to them, David overheard the entire conversation and decides to leave. He is disappointed to have been identified as so obviously different. He writes a note thanking them for letting him enjoy the beauty of their home and listen to music and read books. He clarifies that he has never used violence or stolen from anyone but that if the police catch him, he will die. Maria comes to see David, and he explains that he is leaving. She gives him a gift of a pearl-encrusted cross on a chain, which she puts around his neck. They embrace. David instructs her to do her best to learn and to think critically about life. David leaves.
David heads toward the town of Florence. He pictures the globe he had been shown, and knows that he will have to go through Switzerland and then Germany to reach Denmark. In Bologna, David finds himself in front of a church and decides to enter it. A priest greets him kindly and asks who David’s God is. David answers that his God is “the God of the green pastures and the still waters” (109). The priest recognizes the extract from the 23rd psalm of David and assures David that his God is the same as David’s. The priest offers David food, but David instead asks to know the route from Italy into Switzerland.
In Milan, David earns money helping people with their luggage at the train station. On the back page of a newspaper, David sees a note intended for him written by Giovanni and Elsa, assuring him that he’s not being pursued but that they hope that he will return to live with them again. David feels that he would never genuinely fit in with the family. He also reflects that after the luxury of the house, he is not as satisfied on the open road as he once was. He feels lonely and despondent.
David leaves the main road to cross the border into Switzerland. He returns to the main road when he sees a Swiss flag hanging above a house. The lakes David passes are beautiful and impressive; he is observing one when a woman asks if she can paint him. David agrees. The woman spends hours painting David and then asks David back to her home for dinner. David sets the table and the lady, Sophie, is impressed. They talk over dinner; David learns that Sophie is Danish. David stays the night and looks through Sophie’s photo albums the next day. He asks about a woman with eyes that “look as if…as if she’d known a great deal, and yet she’s still smiling” (122). Sophie explains that the photo is of her friend Edith Hjorth Fengel; Edith’s husband and young son, David, were allegedly murdered in a dangerous foreign country. A guard in love with Edith helped smuggle her across the border, and she now lives again in Denmark.
David struggles through the snow. He is determined to reach Edith, who he has realized must be his mother. David had asked Sophie the name of the guard who helped Edith to escape; it was the man from the concentration camp. He now understands why the man helped him. He continues to maintain his story about belonging to the circus to Sophie; although he regrets lying to her, he does not want to risk exposure and arrest.
The snow falls harder, and David almost falls off a precipice. He struggles through the snow on all fours until he reaches the stable of a cruel farmer. He works for the farmer over winter; the farmer threatens to turn him in to the police if he does not. David sleeps in the barn with the animals at night and befriends the family dog, King. The family is cruel to David, but he does not mind—he is given more to eat than he was in the camp and realizes that he would have died if he had not been taken in over winter. He daydreams about what it will be like to meet his mother. As spring approaches, the farmer bars the door of the stable at night to prevent David from escaping.
David curses God for not helping him and then feels afraid of the repercussions. David considers that Johannes taught him never to blame others; he reflects that he may have been overly harsh with Carlo and that he must escape the situation on his own rather than relying on God. He cuts a hole in the side of the shed with his knife and, each night, digs more snow out to form a tunnel. He overhears the farmer saying to his family that he will turn David to the police soon now that spring has arrived, and David resolves to escape that night. He manages to dig his way out. He finds the road despite the darkness. He is scared when he sees a figure following him but realizes that it is King, the dog, and is touched that the dog willingly followed him.
David enjoys the beauty of Swiss spring, particularly the blooming trees. David exchanges the money he earned in Italy at a bank. He writes to Carlo, explaining that he has realized that Carlo may be simply stupid and not purely bad; he thanks Giovanni and Elsa for their letter in the newspaper and passes his regards on to the other siblings, especially Maria.
David earns some money at the train station in Lucerne, which also allows him to look at maps. Eventually, he reaches Germany. He walks around the border but is intercepted by a man. He is terrified that the man is a policeman, but it is simply a kind Swiss man offering him a lift. The man takes him to Frankfurt and gives David some money and David and King some food. David gets more rides north; King learns to lie quietly and still at his feet.
One afternoon, David suddenly becomes aware of three men ahead watching him. He recognizes their look of blank focus and is sure he is about to be arrested. He lies down to hide with King, sobbing. Suddenly, King barks in a way that David feels means “run;” David understands that King wants David to run away. The men shoot King, and he dies. David escapes. He is devastated and incredulous that King sacrificed himself for him and is determined to reach his mother so that King’s sacrifice is not in vain.
David reaches Denmark. He continues to take lifts from various people, many of whom comment on how thin and unwell David seems. David runs from a kind truck driver who offers to buy them food; he remains terrified of discovery. He finds a directory in a telephone box and looks up “Hjort Fengel, E;” she lives at Strandvejen 758. A woman sees him thinking and asks in English if she can help; he asks how to reach the address. She says she is driving in that direction and gives David a lift.
David, feeling exhausted but appreciative of the beauty of Denmark, finds himself at the door of the house. He knocks and greets the woman who answers the door—his mother—in French: “Madame, I’m David, I’m….” Edith recognizes him: “David…my son David…” (153).
Cleanliness continues to be a preoccupation of David’s. The bathroom at the family’s home is observed and documented in rich sensory detail, illustrating David’s appreciation of it. He notes the “gleaming […] bath and all that clear, clean water that came when you just turned on a tap. […] And there was soap, large pieces of it … it rubbed into a beautiful soft lather that made you quite, quite clean” (84).
David’s sensual delight in the details of the plentiful hot water and the luxurious, lathering soap illustrates his obsession with cleanliness—a clear contrast to the dirty and unpleasant concentration camp where he lived most of his life. Cleanliness plays an important symbolic function for David, as it is paired with being free and alive, whereas dirtiness is symbolically linked to imprisonment and death.
The influence of having lived most of his life in the camp is also evident in David’s disgust with the children’s game of soldiers and prisoners, which he believes to be “evil and horrible” (86). David has developed a strict moral code around individuals’ right to freedom after spending most of his life imprisoned in the concentration camp. He explains to the interested Andrea that “having rights over others is something shameful. It’s using force” (87). The comparative privilege of the children is evident when they are bemused by David’s passionate criticism of their game, calling David “strange.”
David reflects on humans’ propensity for dissatisfaction. What was once novel and beautiful to David—the freedom to walk through the Italian countryside and appreciate the countryside—seems lacking once he has stayed in the family’s country home:
He had been happy before. […] When he had lived among the rocks and tramped the roads, he had been his own master and could do as he pleased. […] But when he entered the house, he had seen what he could never possess. Nothing would ever again appear quite so good and satisfying as it had done before (113).
David continues to mature through his journey; he realizes that material possessions don’t necessarily create happiness but can obscure what is most important.
David learns more about the power of human connection, which further fuels his dissatisfaction with his solitary lifestyle: “I’ve found out that green pastures and still waters are not enough to live by, and nor is freedom. Not when you know there’s love and you haven’t anyone you belong to because you’re different” (114). After David realizes the importance of love, he feels lonely and unhappy.
In King, David finds some measure of companionship. He is touched that the dog follows him of its own volition, and David again emphasizes that the dog decides to keep him company of its own free will. David’s strict moral code is once again evident in his commitment to never yell at the dog or treat it cruelly.
David has a moment of disillusionment with God, frustrated that God is not helping him to escape the farmer’s stable—“God had let the farmer bar the door” (134). David remembers a lesson from Johannes: “Let me never hear you say it’s someone else’s fault. […] [Y]ou must never shirk your own responsibility” (134). Johannes’s words inspire David towards action. Here, the theme of Determination and Fortitude is evident; David must use intelligence, bravery, and determination to escape the situation unassisted. Through his weakness when David questions God—something he later realized was misguided and wrong—he considers that he was perhaps overly harsh to Carlo. David realizes that “he had been cruel himself” to Carlo, who “said he was sorry, several times” (134). This realization prompts David to write a letter of apology, illustrating his process of ongoing self-reflection and developing maturity.
The mother-son relationship between Edith and David is foreshadowed when David looks through Sophie’s photo album and comments on a woman’s eyes; according to David, the photo of the woman “looks as if…as if she’d known a great deal, and yet she’s still smiling” (122). Similarly, David’s eyes have been commented on throughout his journey as being soulful and unusual. Their shared trauma and familial bond are foreshadowed in this observation.