63 pages • 2 hours read
Matt HaigA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summary
Chapter Summaries & Analyses
Part 1, Introduction-Chapter 4
Part 1, Chapters 5-8
Part 1, Chapters 9-14
Part 2, Chapters 1-5
Part 3, Chapters 1-3
Part 3, Chapters 4-5
Part 3, Chapters 6-10
Part 3, Chapters 11-13
Part 4, Chapters 1-2
Part 4, Chapters 3-4
Part 4, Chapters 5-7
Part 4, Chapters 8-10
Part 5, Chapters 1-3
Part 5, Chapters 4-8
Part 5, Chapters 9-10
Part 5, Chapters 11-13
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
After school, Tom is in the car park struggling to unlock his bike chained to the fence. He doesn’t trust cars. Camille sees him and offers to give him a ride. He declines. They chat about French. Camille is pretty sure she has seen him before, somewhere other than the park and school. Tom frees his bike and says goodbye. Camille says, “I will solve you” (72), as Tom rides away. He secretly wishes to be solved.
Hendrich calls to check in. Tom tries to excuse himself with a headache. Hendrich explains the headaches are memory pains that increase during the middle years and recommends less screen time. He also accuses Tom of being ungrateful for all that he has done. Tom could be living a better life if he wasn’t obsessed with finding his daughter. Tom puts Hendrich on speaker and logs onto Facebook. Hendrich lectures in the background about being Tom’s fairy godmother, always providing a better life for him. He worries about Tom, saying “there was something in your eyes. Something that worried me. A kind of yearning” (75). Tom laughs and notices a friend request from Camille, then browses her page. Hendrich cuts into Tom’s thoughts, telling him not to be anchored. He asks if Tom remembers the number-one rule: Don’t fall in love. Hendrich states he can’t simply relax and pretend to be a mayfly; it’s too dangerous. Tom must constantly be on alert and protect his true identity. He tells Tom to remember 1891, when he was a “grief-stricken man” with no freedom before Hendrich found him and gave him a new life (79).
Tom is alone, manning the forge. Tom notices a peculiar woman standing in the forge. She is dressed in all black with a black eye-patch over her left eye. She tells Tom that he must come with her, no questions allowed. She pulls out a small pistol and points it at him. With no time to explain, she says, “You have outed yourself to the scientific community […] if you stay here, you will be killed” (81). She hands Tom a newspaper clipping from The Times detailing Dr. Hutchinson’s murder. She quickly explains that he wrote a paper about Tom and his condition, now termed anageria, and the society killed him before it could be published. She finally tells Tom her name is Agnes and he must sail to America with her. She hands him a packet of travel papers and heads to a nearby coach.
Tom and Agnes sail to America. Agnes Wade, currently going by Gillian Shields, was born in 1407 in York. During the 18th century she was the famous pirate Flora Burn. She asks Tom if he has a girlfriend and clarifies she is not interested in him that way; she is just curious. He mentions Rose but has not been with anyone since. Changing the topic, Tom asks about Dr. Hutchinson. Agnes explains that if Dr. Hutchinson published his discovery of anageria, others will die. He had to die for “the greater good” to save the albas (85); that is what the Albatross Society is about. Agnes discloses that Hendrich Pietersen founded the society in 1867 to unite and protect albas “from outside threats” (86). Hendrich is from Flanders, made money in tulips, moved to New York, and traded in furs, amassing his wealth. Hendrich “is America.” She calls Hendrich, the society, and their condition a blessing. Tom thinks it’s a curse. Agnes argues that they can only die in two ways: in their sleep around 950 years old or by a violent act that causes great loss of blood; they are immune to sickness. Agnes tells Tom his life has a purpose and Hendrich will explain everything.
Tom thinks about the possibility of not meeting Hendrich. Agnes warns that Hendrich, with an aptitude for reading people, will be testing him. Once in the apartment, Hendrich immediately launches into questioning Tom. Hendrich goes on about how much albas have experienced. Hendrich says the ultimate goal is pleasure, “to enjoy good things...fine things” (92). Tom counters, claiming love is greater. Hendrich smiles and moves on to Tom’s visit to Dr. Hutchinson. He shares that advancements in science come with added danger to albas. The Institute for Experimental Research in Berlin, for instance, uses albas as guinea pigs. They are modern witchfinders.
Hendrich and Tom stroll around Central Park, and Hendrich takes Tom to a Tchaikovsky concert. Sitting in Carnegie Hall, Hendrich points out celebrities, such as Andrew Carnegie. He tells Tom how sad his life is. All his wealth and legacy will outlive him. He won’t have immortality. “Life is the ultimate privilege” (98), and Tom should be grateful for such an existence. At that moment Tchaikovsky walks on stage, picks up his baton and begins the music. Tom falls into the music. By the time the performance is over, Tom is sold on the Albatross Society and their ability to find not only Marion but also himself.
The next day over breakfast, Hendrich says, “The first rule is that you don’t fall in love” (100). He continues explaining that eight years is the limit to living anywhere. Hendrich compares himself with Daedalus building a labyrinth to protect the society. And some followers are like Icarus, Daedalus’s son, who ignore his warning and fly too close to the sun.
Standing in front of his class, Tom ponders how “Everything changes and nothing changes” (104). He discusses immigration, how Britain is made up of diverse cultures. He mentions Omai as an example. He was an exotic man whom everyone wanted to meet. Thinking about him makes Tom’s head spin. One student, Anton, asks why people immigrated if their homes were so good. Tom explains how religious persecution drove people away, citing the French Calvinists fleeing France for England. Tom stops mid-thought. The room spins. His heart races. He excuses himself and steps into the hallway. In the bathroom, he repeats his name over and over again, reminding himself of who he is. He goes back to class and continues the lesson.
During the afternoon break, Tom sees Camille in the staff room. She saw him looking unwell in the hall earlier and asks if he is okay. He confesses that he gets headaches. She looks confused, like she doesn’t quite believe him, and tells him where to find ibuprofen.
That night, Tom walks Abraham along Fairfield Road, where Tom first met Rose. Tom tries to figure out exactly where Rose was standing when they met. It takes time with all the modern changes, but he finds it. He stands still as the memories rush in.
Camille reaches out to Tom when he struggles to unlock his bike. She politely offers him a ride, but he is still too scared to accept. His fear is two-fold. On one hand, he doesn’t trust motor vehicles. It’s a change he deems unnecessary. On the other hand, he doesn’t want to endanger Camille by growing too close. She finds him fascinating and determines to figure him out. Later Hendrich again reminds Tom that love is dangerous, feeding Tom’s fear and anxiety. He fills Tom’s head with stories of scientists eager to study them. Hendrich believes love is an anchor tying one down and preventing true happiness. He even suggests Tom forget about Marion and live a more glamorous life. Hendrich represents the opposite of what Tom truly needs. He is the antithesis to Tom’s promises. He sees the light, “A kind of yearning” (75), burning in Tom’s eyes, and he must extinguish. He does this by reminding Tom of his mediocre life before the Albatross Society saves him. Tom shows his apathy to Hendrich by browsing Facebook and using the bathroom during the call; he is not completely lost to Hendrich’s regime. His morality still shines and seeks the love he so desperately needs to be happy.
Tom remembers his rude invitation to join the Albatross Society when Agnes forced him at gun point to accompany her back to America to meet Hendrich. She murdered Dr. Hutchinson. The society is willing to do whatever it takes to keep their members safe, one death for “the greater good” (85). Hendrich uses the myth of Daedalus and Icarus to illustrate his point. He built a society to protect his people; now, all the members just need to follow his instructions and they won’t fall. Disregarding his instructions ends in death. While all of this goes against Tom’s moral character, Hendrich takes him to a Tchaikovsky concert, and Tom’s love and appreciation for music lulls him into a malleable state. Music is an ongoing motif in the story leading back to Tom’s mother, who plays the lute. After her death, her lute is the only thing Tom takes with him. It’s music that supports him drawing him closer to Rose and later Camille. It’s music that connects him to his daughter. Music is the language of Tom’s soul; therefore, it is the natural persuasive tool to convince him to join the Albatross Society.
Channeling an ancient Greek philosopher, Tom thinks about how “Everything changes and nothing changes” while teaching a lesson on immigration (104). He immigrated to England from France as a child fleeing religious persecution. He watches everything change around him, yet society doesn’t change. The same attitudes and superstition exist. Those who are different are still persecuted.
By Matt Haig