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52 pages 1 hour read

Charles Yu

How To Live Safely In a Science Fictional Universe

Fiction | Novel | Adult | Published in 2010

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Prologue-Part 1, Chapter 6Chapter Summaries & Analyses

Prologue Summary

Charles Yu will fatally shoot his future self when the latter steps out of a time machine.

Part 1, Chapter 1 Summary

Charles Yu lives in a TM-31 Recreational Time Travel Device. He never leaves it, which allows him to live on the edge of time in the Present-Indefinite tense. Charles worries that his Tense Operator is malfunctioning, though he is unsure because he doesn’t feel anything different with his experience of time.

While looking at his exhausted reflection, Charles notices that he is beginning to resemble his father. Charles studied applied science fiction in college to become a structural engineer like his father. When his father suddenly disappeared, however, Charles became a time machine repairman for Time Warner Time, the corporate owner of the universe the novel is set in, Minor Universe 31.

Charles has a dog named Ed. Ed was previously the sidekick of a space western hero, but when the hero became famous, Ed was left to drift toward a black hole, where Charles found him.

The TM-31 has an anthropomorphic computer with two gendered personality interfaces. Charles chose the female interface, TAMMY, because he was attracted to her. The first time Charles ever operated TAMMY, she expressed her inability to lie, then apologized for being incompetent. TAMMY is eager to please Charles, and this makes her prone to anxiety. Charles knows how lonely his relationship with TAMMY makes him seem, but it helps him push away his regret over never meeting his idealized romantic interest, whom he calls The Woman I Never Married.

A warning light goes off in the TM-31. TAMMY cries afterwards. Charles questions her capacity to cry, which makes her even sadder. Charles doesn’t know how to deal with people who cry. Instead of asking her why she is crying, Charles reassures TAMMY. Charles is overwhelmed by the possibility that TAMMY might turn herself off one day.

Charles feels lonely in spite of his two companions. He sometimes opens wormholes to look at alternate versions of himself in other universes. He thinks most of them are terrible.

Part 1, Interlude 1 Summary: “Unfinished Nature of”

Minor Universe 31 (MU31) was only partially constructed, accounting for its lack of concrete rules. MU31’s human inhabitants feel incomplete despite the universe engineers’ assurance that MU31 is complete enough.

Part 1, Chapter 2 Summary

Charles is called to help a client, Linus Skywalker, a little boy and the son of Star Wars protagonist Luke Skywalker. Charles intuits that Linus was trying to kill his father when he was young. Linus complains that Luke’s role as the savior of the universe has overshadowed him. Charles suggests starting anew by changing his name.

Charles usually tells his clients that no one is powerful enough to change the past. Their inability to take this advice to heart gives Charles job security. He finds solace in his time machine, where nothing bad ever happens to him.

Part 1, Chapter 3 Summary

Charles explains that the real reason he has job security is that people don’t really know how to make themselves happy.

Charles remembers being read a library book by his father, one of his earliest and most comfortable memories. Charles’s father invented the time machine prototype. He spent much of his life in frustration that life could only be lived once; the time machine was intended to extend one’s allowance of time. Charles doesn’t know how long it has been since the last time he saw his father. He thinks it would be futile to know the answer. His father’s intentions for leaving remain a mystery.

There are two rules to being a time machine repairman. The first is to avoid encountering one’s self. The second is related to a conjecture called the Shen-Takayama-Furimoto Exclusion Principle: As long as one remains in the time machine, they can easily avoid themselves. Charles has successfully observed these rules by living in the TM-31. The downside is that he is forced to keep his mother in a commercially available time loop so she can live with minimal interference. Her time loop lets her experience a hypothetical family dinner.

Charles and his father designed the time machine in their garage, surrounded by various forms of boxes from graph paper boxes to the prototype box. Charles reflects that the boxes of his early life have been conceptually contained in the box of his TM-31.

Part 1, Interlude 2 Summary: “Size of”

MU31 is physically small, though its inhabitants tend to experience this size differently because of the universe’s conceptual inconsistency.

Part 1, Chapter 4 Summary

Charles describes the smallness of the TM-31 by comparing it to a phone booth and a hotel shower. It ultimately feels like a “second body,” which he finds difficult to separate from his real body.

Part 1, Interlude 3 Summary: “Reality, in Relation to”

MU31 is comprised of an inner core of reality and an outer layer of science fiction. The reality core allows the science-fiction layer to exist.

Part 1, Chapter 5 Summary

As a child, Charles used to roleplay as science fiction characters with his friends. Most boys wanted to be Star Wars character Han Solo because he was a “freelance protagonist.” Nobody ever wanted to be a time machine repairman.

Charles is resigned to remain in his current job for the rest of his life. As a time machine repairman, he has access to a standard-issue gun meant to pacify dangerous clients. He has never used it before, but frequently poses with it to look cool.

Part 1, Interlude 4 Summary: “Attachment Coefficient”

MU31 inhabitants are classified either as protagonists or back-office support workers. Protagonists are measured using a value called the attachment coefficient. It is possible to have a negative attachment coefficient, at which point the inhabitant is described as having an “ironic detachment” to MU31. They are considered for expulsion from the universe.

Part 1, Chapter 6 Summary

The study of time and grammar is a branch of science called chronodiegetics. Chronodiegetics proposes that people cannot distinguish between the interference of forces acting from within and outside the story. Using a grammatical framework to express this assumption, chronodiegetics theorizes that when novel characters, especially narrators, remember the past, they never know whether they have been thrust into the past or if they are simply thinking about it. This implies that memory and regret are the requisite ingredients for time travel. Time machines can therefore be constructed out of paper and narration.

Charles recalls that his childhood home was often quiet. Charles sometimes wondered if his father avoided him because Charles disappointed him. His father was an excellent scientist who became trapped by his desk job. He would often return home in disappointment and ignore his wife’s attempts at expressing sympathy with him. Charles’s father kept index cards on colleagues whom he hoped to work with, though they were too few to represent substantial opportunities for collaboration.

Charles’s father often worked on his own projects in the garage. Charles used to watch him, listening attentively whenever his father would explain a breakthrough. Afterwards, they would go upstairs and watch television, though Charles’s father would fall asleep in the middle of conversations. Charles regrets never asking how to find his father if he ever disappeared.

Prologue-Part 1, Chapter 6 Analysis

The first chapters of Yu’s novel lay out the foundations of the narrative by focusing on two major areas: the protagonist’s characterization and the novel’s speculative, fantastical setting. (A speculative setting is one that differs from the real world.)

A fundamental characteristic of science fiction is that whatever rules are outlined in the early parts of the text come into play later on. Rules help the reader to interpret everything that happens to the characters throughout the story. Yu’s narrative relies on the fundamental assumption that time and language are inextricably linked to one another, meaning that time is partly measured according to grammatical tenses. This becomes the basis of a larger branch of speculative science, whose purpose is to interrogate the movement of time in fiction.

Yu makes it clear that he is employing a metafictional approach to narrative, drawing awareness to its artifice. He is concerned with the disparity between the reader and the characters’ experience of time. Grammar reflects this experience. For example, as Charles asserts in Chapter 6, the act of writing is a form of time travel, allowing him to move instantaneously from one time to another by a simple shift in grammatical tense. This idea plays into Charles’s suggestion that the TM-31 acts as a kind of second body, functioning as a stand-in for his linguistic capabilities. The TM-31 travels whenever Charles switches grammatical tenses in his narration. When Charles worries that his Tense Operator is broken, he starts to reminisce his early life more vividly than he did when he was traveling through the Present-Indefinite.

Charles Yu is characterized by his preference for solitude. In a world in which anyone can travel to any point in space and time, the fact that Charles chooses to live at the fringes of the universe raises the question of whether there is something he is trying to avoid. Charles is only isolated in the sense that he is the sole human character aboard his time machine. Other nonhuman characters populate the TM-31, like Ed the dog and TAMMY the computer personality interface. However, as nonhuman characters, their impact on Charles’s existence is minimized by their lack of humanity and agency. TAMMY primarily lives according to her role as a computer, which means that she does not have a life outside of her relationship to Charles. She exists to simulate a romantic interest, but does not have the ability to leave her relationship with Charles. The same goes for Charles’s relationship with Ed. Apart from Charles’s imminent death, nothing puts their connection at risk. These relationships echo Charles’s relationship with his mother, who is forced to experience the same idealized memory of a family dinner with little to no interference from her real family members. Charles is afraid of living in the present and engaging in a real relationship with the world he lives in. He travels on autopilot throughout time and space and avoids claiming responsibility or control over his life.

These chapters drive the idea that the disappearance of Charles’s father may have caused Charles to withdraw from the world. In Chapter 2, Charles meets Linus Skywalker, who exists as a mirror for Charles. Both characters feel overshadowed by their fathers, but remain drawn to orbit them as enigmas. One might intuit that Charles became a time machine repairman because he assumes that he can save his father from wherever he became lost in time. Charles views himself as the hero of his father’s story. This points to a major theme of the novel, Reckoning with Family Trauma.

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