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58 pages 1 hour read

James Patterson, Brian Sitts

Holmes, Marple & Poe: The Greatest Crime-Solving Team of the Twenty-First Century

Fiction | Novel | Adult | Published in 2024

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Chapters 25-48Chapter Summaries & Analyses

Chapter 25 Summary

A young woman named Lucy Ferry attends a modeling interview, trying to ignore her discomfort with the noise of New York City after a lifetime in rural Texas. Betsy Bronte, the head of the modeling agency, refers Lucy to a cosmetic dentist and hairdresser, saying that she has “real potential” but will “have to put in the work” (101), pleasing Lucy.

Chapter 26 Summary

Holmes, Poe, and Marple study a file on Eton Charles, which shows “an upstanding citizen […] at least on the surface” (103). He married single mother Addilyn 10 years prior.

As their phones ring incessantly, Poe wonders if they “overdid the publicity” (105). Grey calls with another case: Numerous human skeletons have been found.

Chapter 27 Summary

In the abandoned subway tunnel where the bodies were found, Poe teases Grey with the possibility that he really is descended from Edgar Allan Poe.

Grey reports that during a soil inspection, a human kneecap was unearthed in the tunnel. More bones have been found, though no remnants of flesh or fabric cover them. Holmes demands to see a skull, which, like the others, has no teeth. He determines that the bodies are evidence of multiple murders.

Chapter 28 Summary

Despite lingering discomfort from the horrifying subway tunnel scene, Marple considers the impressiveness of Holmes’s instant analysis of the bodies, which are all of people 20 to 30 years old. The bones, he said, had been dissected surgically; the murders were recent.

Marple distracts herself with the decades-old cold case of the murder that happened in their building. Mary McShane, an Irish 19-year-old immigrant who worked overnight in the bakery, was killed in 1954 when her throat was slit. The impoverished neighborhood was under-resourced; the case was not thoroughly investigated. Marple hears a thump from the corner of her room.

Chapter 29 Summary

Holmes hears Marple scream. He and Poe rush to her room and break through the door to find Marple trembling over a mouse.

Chapter 30 Summary

Marple, sheepish about her fear of mice, canvasses Zozi’s neighborhood, a task that she, unlike her partners, enjoys. She asks a local bodega proprietor about the Charleses; the shopkeeper recognizes Zozi easily but knows Eton only vaguely. She confirms having seen Zozi at five o’clock in the evening on the day before her disappearance, when Zozi bought two coolers. Addilyn calls; she’s been contacted by kidnappers.

Chapter 31 Summary

Addilyn plays the recorded call for Marple. The altered voice demands $5 million for Eton and Zozi’s return and insists that Marple “back off or everybody dies” (120).

Chapter 32 Summary

In a New Jersey warehouse, Holmes meets Essen Blythe, an agent with the Federal Bureau of Investigation (FBI) who specializes in art theft. Blythe says that the warehouse is full of so-called orphaned art, with undetermined provenance, that was stolen by the Nazi regime. A secret area reveals a replica of the Sistine Chapel.

Chapter 33 Summary

Holmes marvels at the near-perfect replica of the Sistine Chapel, created by Blythe’s team of “the finest art forgers in the world” (125). Blythe explains that his team uses forgeries to trap criminals using art sales to launder money. His team deems the Bain theft impossible to have been carried out by someone not on the inside, but Blythe doesn’t see Bain as a viable suspect. He points Holmes to Luka Franke, a skilled art thief who has never been caught.

Chapter 34 Summary

Poe goes to the New York City morgue with Grey despite being unauthorized. Poe finds the trespassing thrilling. He examines the bones from the subway tunnel, noting that some were cut by a hand, others using a power blade. He concludes that the flesh was dissolved in acid but that similarly dissolving the bones would be impractical.

The medical examiner enters, noting Poe’s name and its connection to the Edgar Allan Poe story “Murders in the Rue Morgue.” Poe notes that the story was named after a fictional Paris street, not a morgue. The examiner notes that the murders occurred over six decades, indicating multiple killers, and teases Grey about potentially dating Poe.

Chapter 35 Summary

Holmes, Marple, and Poe visit Bain at work to update the billionaire as he demands. Bain, frustrated with their lack of progress, threatens to fire them. In his anger, he smashes an expensive antique vase, which makes him even more furious as the detectives leave.

Chapter 36 Summary

Poe visits an animal shelter and is impressed when the young worker, Virginia, recognizes his car’s year and make. He asks to adopt “a good mouser” to protect Marple from mice (138), is taken with Virginia’s sales pitch for an unwanted cat, adopts the cat, and offers Virginia a job.

Chapter 37 Summary

Holmes purchases heroin, tests it for purity, and then takes the drug. He relishes the fear of being discovered as much as the high.

Chapter 38 Summary

Holmes enjoys his diminished ability to smell while under the influence of heroin, pleased to “[dull] his occasionally overwhelming sensitivity” (143). After a subway ride, he is shocked to suddenly feel “wobbly” when he exits the subway, wondering if he “miscalculated the dose” (144). He falls unconscious.

Holmes wakens in an alley to find his cash, drugs, and testing kit stolen. He has no injuries but is disgusted to note that he urinated while unconscious.

Chapter 39 Summary

Poe dreams of a romantic encounter with his deceased partner, Annie. When he wakes, he thinks, guiltily, of his culpability in Annie’s death. He reaches for alcohol.

Chapter 40 Summary

Holmes stumbles home, feeling guilty about using drugs instead of working on cases. He fails to unlock the office, puzzled that someone has changed the entry code. He climbs the side of the building, feeling that the dangerous act is a kind of penance. When he makes a sound, Poe looks outside, wielding a gun. Holmes identifies himself and is relieved that Poe is intoxicated, as it makes Holmes feel like he has “company” in “the realm of bad habits” (150).

Chapter 41 Summary

Holmes wakes hours later, still dressed in his filthy clothes. Sober, he recognizes that he could have been killed the night prior and vows to avoid any more drug use until all the detectives’ cases are solved. He goes downstairs and is surprised to meet Virginia, whom Poe has hired as their assistant. Marple enters, holding the cat, Annabel. Marple praises Virginia’s efficiency, which includes updating the codes to the security system.

Addilyn calls—she has received a bloodstained shirt via mail.

Chapter 42 Summary

Grey scolds the private detectives for not telling her about Eton’s and Zozi’s disappearances, threatening to “have their licenses” (154). After the discovery of Eton’s bloody undershirt, both the NYPD and the FBI were summoned. An FBI agent named Brita Stans takes over the case, to Holmes and Poe’s dismay.

Chapter 43 Summary

Lucy thrills at her first modeling job, a Central Park photoshoot with a horse. When the other two models balk at mounting the horse, Lucy eagerly volunteers, impressing the photographer with her riding skills. She gets a threatening text that says, “FOUND YOU.”

Chapter 44 Summary

Luka Franke is staggered that the thief who bypassed Bain’s security is advertising the Shakespeare and Gutenberg texts online. He tries and fails to hack the origin of the images. He considers the thief careless; he would have quietly moved the stolen items, not bragged about taking them. He looks forward to selling art he stole a decade prior; finding the right buyer is his favorite “part of the game” (160).

Chapter 45 Summary

Marple assumes the name Lucinda Sadler to wait for Franke at a bar. Franke approaches her and boldly orders them expensive drinks. Marple, anticipating an interesting night, checks on the gun that Holmes insisted she carry.

Chapter 45 Summary

Marple, feigning intoxication, admires the collection of stolen art in Franke’s apartment. She asks how he has “slipped the noose all these years,” which he attributes to “luck [and] friends” (165). Franke flirts with Marple and then leads her to his bedroom, where he shows her a stolen Van Gogh painting.

Chapter 47 Summary

Franke makes suggestive comments, pressing to kiss Marple even when she asserts her disinterest. She throws a drink in his face and draws her gun. He insists that he doesn’t know where to find the Shakespeare and Gutenberg texts. She holds him at gunpoint while she leaves, shooting one of his works of art as she departs.

Chapter 48 Summary

As Marple returns home, someone shoots at her twice. Poe emerges with a gun, while Holmes, panicked, pulls Marple inside to safety. Poe is annoyed that one of his cars has been shot. Marple asserts that Franke hired the shooter to warn rather than kill her—a professional would have successfully killed her if he’d been trying to do so. She sends Franke a taunting text, which alarms Holmes.

Chapters 25-48 Analysis

This portion of the novel introduces three mysteries: The trio is asked to look into the bodies in the abandoned subway tunnel, Marple reveals an interest in investigating the Mary McShane cold case, and readers are given hints about a case that hasn’t yet happened—aspiring model Lucy Ferry receives a threatening text message.

Lucy’s subplot privileges readers, giving them insight into a crime before it even happens; solving Lucy’s murder will invert the trajectory of a traditional detective story. Most of the narrative space that Lucy’s story occupies takes place before her death; the resolution of the “whodunnit” behind her murder is quickly resolved once her body is discovered. This reversal allows readers to see the victim of a crime as a person, something that is definitionally unavailable to the detectives in a mystery, who only encounter the subjects of cases after a crime has happened. In this narrative thread, readers get more information than the three protagonists. Though the novel does not make it clear exactly what Lucy’s fate will be, readers can guess that in a detective novel, she will find herself embroiled in some sort of mystery—the question is how. Thus, readers get to experience a version of the detective role without the guidance of Marple, Holmes, or Poe.

This portion of the novel also builds on the novel’s discussion of the difference between crime and injustice—an offshoot of the detectives’ Fraught Relationships With Police. Here, we see that anti-crime activities do not have to center official law enforcement. For example, Essen Blythe’s team consists of expert art forgers who put their skills toward catching art thieves, rather than illegally passing the forgeries off themselves. Blythe’s implication that his team members might have turned to crime had he not provided a legal outlet for their talents suggests that skillful forgery itself, while technically criminal, is not necessarily immoral. This idea is cemented later in the novel when it is revealed that Marple, Holmes, and Poe are behind the Bain theft, which the novel implies they committed due to Bain’s desire to own the Gutenberg Bible and Shakespeare First Folio merely out of acquisitiveness, not due to proper admiration for their literary histories.

The way the investigators manipulate and ultimately arrest Luka Franke, however, highlights the novel’s argument that art theft can be immoral. Though Franke’s work is framed by the text as less corrupt than the actions of other antagonists—including those whose actions are not technically illegal, such as Eton Charles’s relationship with his 18-year-old stepdaughter, Zozi Turner—it is clearly shown to be not worthy of respect.

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