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50 pages 1 hour read

Kiersten White

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Fiction | Novel | Adult | Published in 2022

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Chapters 4-5Chapter Summaries & Analyses

Chapter 4 Summary: “Day Three”

Atrius wakes up before dawn and finds the temple—the house at the center of the maze. The monster kills him.

When Mack awakens, she is surprised to see Ava sleeping next to her. She agrees to hide with Ava again, telling herself that the arrangement is just temporary, but in reality, she feels comforted by the other woman’s presence. They hide together on a slide ride with a tall central platform that allows them to see much of the park. Mack feels anxious at the thought of seeing what has been making the strange noises. As they settle down for the day, Ava quietly tells Mack that if Jaden isn’t eliminated today, she will beat him up.

Meanwhile, Rebecca finds the carousel where Rosiee hid earlier and is disturbed to see the other woman’s jewelry and a lot of blood. She exits the carousel in a hurry, shouting for help. From their perch, Mack and Ava hear Rebecca. As they try to decide if it’s a trick, they hear a horrific scream. LeGrand rushes by them, following the sound. Mack knows that the scream is a real scream, not a joke or a ruse, and she turns to see that Ava has squeezed her eyes shut. She realizes that Ava knows it too. Trapped by their past traumas, the two women stay still and don’t go to help.

As they wait the day out, Mack sees Atrius’s graffiti all over the park. She finally realizes what he meant by “it’s a maze” and sees that the park itself is built like a labyrinth, which explains why it is so difficult to navigate. When dark falls, Ava hurries them back to camp and seems nervous. Mack is surprised to see how much food is now on the supply table and realizes that Linda is not coming back. The remaining survivors begin to argue about what happened to Rebecca. Jaden admits to getting Sydney eliminated and tells them that all is fair in the game. LeGrand says that he couldn’t find Rebecca. The group argues and divides into factions. Christian and Ian want to remain neutral, while Ava, Brandon, LeGrand, and Mack band together against Jaden and Beautiful Ava.

The narrative shifts to Linda, who gathers with the other heirs at their headquarters. Beautiful Ava was wrong—there are actually hidden cameras in the park, and Linda has been watching the proceedings. Linda is angry because she feels that she does all the work to arrange the sacrifices but receives little credit. She believes that everyone prioritizes the Callas family instead because their ancestors founded Asterion. It is revealed that the app that everyone installed on their phones allows the leaders of Asterion to post on the contestants’ behalf, maintaining the illusion that the contestants are still alive. Karen Stratton, whom Linda despises for being emotional, asks Linda why she told the contestants to look for a book. Linda lies and tells her that this instruction was just a distraction. In actuality, the book is Tommy Callas’s journal; it is an important part of the ritual and was lost to the park when Linda trapped Karen’s mother inside years ago, not realizing that the book was with her.

Chapter 5 Summary: “Day Four”

The next morning, Mack decides to leave and hide alone in the park. She remembers her sister and blames herself for abandoning the girl to her death. Mack decides that it’s better for Ava to know that she is unreliable, so she leaves without saying goodbye.

Christian tries to persuade Ian to join him in an alliance, but Ian insults him, and Christian leaves in a huff. Ian wanders into the park, blaming his inability to write on his lack of a pen rather than acknowledging how long he has struggled to create artistic work. He finds the tunnel of love and enters, thinking that the decorations and atmosphere remind him of the Russian writer Maksim Gorky’s essay on the excesses of Coney Island. As he explores, hoping for artistic inspiration, he sees a series of murals depicting the park sacrifices. He is disturbed by the detail and symbolism and wonders why someone would go to so much trouble on a mere set decoration. He stumbles upon the missing book that Linda told them to find and begins to read, quickly realizing that this is no mere decoration but a real artifact.

Excerpts from the book reveal that it is a journal that was begun in 1925 and belonged to Tommy Callas and the other founding families. They left the journal to Tommy’s friend Hobart Keck, charging him to administer the project after they left. Initially, Hobart writes that he is skeptical of the entire pagan sacrifice plan and that he plans to mock Tommy, who is set to return in a few days. After the others leave through a gate into the woods, Hobart stays behind to camp. However, he is disturbed when he hears strange noises and screams. When he finally enters the gate after the seven days allotted for the ritual have passed, he finds the body of a dead cow, but his friends are all missing.

Tommy leaves behind a letter explaining that the monster did appear but was eating them one by one, leaving him and his wife, Mary, for last. In the letter, he maintains that they have made the right choice. He asserts that their sacrifice will protect the town from danger and ensure that the families prosper. However, his diction and lack of correct grammar indicate that he is seriously off-balance and frightened. Hobart is upset, and even more so when he leads the remaining families to the temple and they can see the monster. The monster is invisible to Hobart, but the heirs of the families can see it.

As time passes, the families prosper, and the monster sleeps. Hobart writes that the monster wakes again seven years later, and the families begin to understand that it will need to be fed every seven years. However, the monster will not accept the sacrifice of a servant or of anyone who is not related to the families. The families therefore begin to gather “distant relations, bastard offspring, [and] feeble cousins” to feed it and maintain their prosperity (113). Hobart succumbs to alcohol addiction, cursing Tommy and the families.

The narrative returns to the present, where Ian finds himself believing that the book describes true events. He decides to flee the competition, but while walking through the park, he hears strange noises. He makes it to camp just as Christian crashes into the spot as well.

Mack struggles to find a hiding spot, her mind still on Ava. She ducks into the carousel, but when she finds blood and Rosiee’s jewelry, she realizes that Rosiee was killed here. She flees, following Atrius’s painted arrows further into the park.

Christian heads into the park, imagining himself as the winner. He thinks that he will graciously accept the award and that Rosiee will come back to the after-party and want to date him. He sees a fence and a tower and tries to climb but is electrocuted by the fence. He doesn’t realize it, but he has reached the guarded park perimeter. When he decides to climb the tower, a person inside shoots at him, wounding him. Christian staggers into the camp and runs into a terrified Ian, and the monster appears and kills them both.

That night, the spotlight doesn’t turn on, and Ava manages to guide LeGrand and Brandon back to camp. They see blood and overturned cots. Ava is frightened and hopes that Mack is safe. Jaden and Beautiful Ava appear. Beautiful Ava is frightened by the disarray. Ava leaps on Jaden and hits him, demanding to know what he has done. Although she has grown to despise Jaden, Beautiful Ava defends him and says that they were together all day. Jaden insists that the disarray is part of the game and is just supposed to frighten them. Ava admits that he might be right but is not convinced. LeGrand is in despair and insists that no one is looking for them. Ava gazes out into the darkness, flashing back to her military past and hoping that Mack survived.

Chapters 4-5 Analysis

This section of the novel uses excerpts from Hobart Keck’s journal and Tommy Callas’s letters to provide necessary exposition via firsthand accounts of Asterion’s dark history with dangerous rituals. This epistolary technique is often used to provide direct insights and information that would otherwise remain accessible to the characters in real time. The approach also enhances the story’s realism by offering a layered effect and multiple perspectives. Because Ian, an aspiring writer, is the one to discover and read the journal, White uses his perspective to deliver a variety of literary allusions and to acknowledge the referential nature of the epistolary technique, which Bram Stoker famously used to structure his iconic horror novel, Dracula. Ian also comments on the murals that depict the sacrifices, calling them “Chekhov’s mural,” a reference to Anton Chekhov’s famous comment that a gun spotted in the first act of a play must be used by the end. Ian thinks, “If a monster appears in a mural in the first act, it must necessarily eat someone in the final act” (100), and his words are meant to be interpreted as a thinly veiled metafictional comment on the part of the writer. His statement is also laced with dramatic irony, given that the monster here is literal, not metaphorical, and has already been fed.

Although White eventually develops Beautiful Ava as a nuanced character with a wealth of human flaws that transcend the implicit shallowness of her chosen vocation as a social media influencer, the initial descriptions of this character do not place her in a favorably light. The moniker “Beautiful Ava” emphasizes her physical appearance as her central trait, and she repeatedly joins forces with the antagonistic Jaden even though he is unpleasant and cheats at the game. However, Beautiful Ava’s internal narration reveals that she regrets siding with Jaden and knows that she has made poor choices. She reflects that she chose “what was familiar because familiarity felt comfortable, but this comfortable has no comfort” (119). Now, she feels stuck with Jaden because she wanted to stay inside her comfort zone, but she recognizes that this choice was a mistake. Beautiful Ava thus serves as an example of someone who clings to what they know rather than following the dictates of their conscience. She chooses what is safe over what is right, and it is not yet clear whether she will correct this error and side with Mack and the others.

On a broader level, Amazement Park continues to serve as a symbol of the deceptive nature of Asterion. As contestants are killed, the survivors begin to realize that all is not as it seems. For example, Rebecca tries to use positive thinking to imagine herself as having “inherited a dilapidated old amusement park from a distant uncle” (79). She believes that imagining this scenario will help her stave off her fear, but her discovery of Rosiee’s blood finally reveals the sinister nature of the game. Likewise, Mack also gains more insight into the park’s deceptions. When she follows Atrius’s graffiti arrows to navigate the maze, she wonders if “the arrows [will] point her deeper and deeper into the park until she never return[s]” (83). Although the park’s trappings are designed to seem exciting and harmless, the true heart of the park is the monster that lurks “deeper and deeper” within it. To survive, Mack and the others must solve the maze and eventually destroy it.

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By Kiersten White