67 pages • 2 hours read
Caroline KepnesA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
After twenty-eight hours of being awake in Vegas, Joe checks into his hotel in Rhode Island and sleeps before going to the beach by the Salinger house. He knocks on the door to the house and pretends to be a deliveryman. A young woman asks him what he’s doing and then calls for her mom. The mom says that flowers and gifts have to go to the battered women’s shelter in Fall River. She gives him a five-dollar bill and tells him to keep the food, which Joe eats in his hotel. Love calls to complain about someone at work and vents about Forty. She says he disappeared for two months once. Joe hangs up and gets on Tinder, where he finds Jessica Salinger, the woman who let Joe into the house and Peach’s cousin, who is at a restaurant Scuppers by the Bay.
He goes to the restaurant and sees Jessica in a chair, sitting with a friend named Dana. He smiles at the friend. Dana is obviously bored. Joe introduces himself as Brian Stanley and tells Dana she is gorgeous in order to use Dana as an excuse to spend more time in the Salinger house. Jessica leaves. Two hours later, Joe takes Dana home but is surprised that she is not staying at Peach’s house. She is at an Air BNB since Jessica’s family has so much going on. He says he is getting over a breakup and begs off.
Joe gets in line for breakfast in the morning. He burns his waffles, and a father from another table brings him a fresh one, which boosts Joe’s spirits. Outside, he overhears two elderly people gossiping about Peach and her mother. Then he runs into Officer Nico at the Art Café. Nico had had an encounter with Joe right after Joe killed Peach and got into a car accident. Joe had told Nico his name was Spencer Hewett, the name of his boss’s nephew. Nico then figures out where he remembers Joe from. Joe shakes his hand and says he saved his life. Nico gets distracted by other conversations and Joe is able to tell him good-bye and leave.
In the hotel, Joe itches. He flips his mattress but sees no bedbugs. As he worries about not being able to get the mug, he says “I want to marry her” (362) out loud. Love is all that he wants. Suddenly, there is a knock on the door. It is Love.
Love is appalled that Joe didn’t think she could find him. She demands to know why he won’t tell her things. His behavior has been so odd that sometimes she has wondered if he has cancer. She asks why he is there and says she can’t do this. Joe knows she has told him more of the truth than he has told her. He then tells her everything, including all of the murders.
Love responds by telling him about a puppy the family had when she and Forty were children. Its name was Roosevelt. He disappeared. Love says that Forty starved Roosevelt to death after tying him to a wall because he liked sleeping with Love more than him. She says it’s not easy to be a twin with a monster, but that she never told anyone what her brother did. She also blames the dog for ignoring Forty. She also blames Monica, her parents, and Milo. Love has to defend Forty, because no one else will. The dog cried when Forty tried to hold him. She asks Joe: “Tell me. Who has the right to hate anyone?” (369). Love says that she can deal with Joe because all she knows how to do is love. “Finding someone who gets you is special” (370). She says she can forgive him, and that she is pregnant. She found him so that she could tell him in person. He showers after they have sex. When he tries to get out, the door is blocked. He thinks Love probably lied about it all to get him to confess so she could leave him and barricade him in the bathroom while calling the police.
Joe bashes himself against the door until he is bruised. He screams for help. He believes that the baby was a lie, and that Love is probably with the police right now. He imagines everyone laughing at him, and pictures Beck, the girlfriend he killed in the last novel, smiling as she digs herself out of the ground. Then he is in too much pain to hit the door again. He wonders what prison will be like. He imagines Milo will be hitting on Love. Then he hears the sound of a keycard opening the hotel door. It is Love. She comes into the bathroom and kisses his chest. She is wearing a trench coat and an odd dress. Then she gives him the mug from the Salinger house.
Love parks near Brown University and they eat at a Greek restaurant. She says she had gone into the Salinger house, passed the reporters and cops, broken down sobbing in front of the family, and said she was Peach’s lover. She blamed Beck for the murder. Joe understands that Love’s love for him is deeper than he thought. She told the family to let it go, knowing that they’d keep quiet because they didn’t want anyone to hear that Peach was a lesbian. Love then asked to go upstairs to the bed she claimed to have shared with Peach and found the mug before offering to make a police statement about her affair with Peach. She is not worried about being recognized when Boots and Puppies comes out, because she changed her hair and wore the odd dress as a disguise.
Joe and Love have sex in the bathroom. Ray calls later to tell Love that Forty is alive. Someone found him in the desert and apparently, he doesn’t remember anything. Joe then gets a text from Forty that says, “See you soon, Professor” (383).
Love’s story about Roosevelt is disturbing as an explanation for why she is willing to look the other way about Joe’s murders. She is a loving sister, but it is tragic that she loves him just so that someone will. Whenever Forty disappears, he does not expect anyone except Love to find him. However, he is also willing to let her agonize over his whereabouts and safety because he punishes her just like he punishes everyone else.
As twins, Forty and Love share a birthday, a set of parents, and a relationship that only other twins can understand. Their relationship reinforces the theme of Transactional Relationships, although theirs is inordinately one-sided. Forty offers Love nothing overt, but Love offers him safety, a confidante, and a love that is as close to unconditional as possible. Unfortunately for Love, Forty is the twin that chooses the timing, nature, and duration of the transactions.
When Love brings the mug to Joe, it is also a transaction. Love and Joe seem to share a genuine love, but she makes it clear that she is willing to keep his secrets in exchange for his love. It is one of the only overtly transactional relationships that Joe will willingly enter into. Joe has never inhabited gray areas of ethics or seemed concerned by their potential existence. When Love asks, “Tell me. Who has the right to hate anyone?” (369), she presents an interesting ethical dilemma that readers will have to interpret for themselves. There are actions that are worth hating—for anyone with empathy—so why is a person who commits hateful acts not worth hating? If a person who commits hateful acts is not worth hating, then who would be? Hidden Bodies gives no clear answers to the questions.
Love’s character development feels genuine and earned. Aside from her willingness to protect Joe and Forty from their dark secrets, she is as generous, kind, and loving as she always represents herself to be. She is worthy of being the face of The Pantry and its quirky, sentimental marketing. However, she is also willing to enable and conceal the deaths of other people. Now, a person who is willing to kill is having a child with someone who is willing to hide the killings out of a well-intentioned but confused unwillingness to hate.
Love’s revelations about Forty’s past only make him appear more wretched. He is not free from the pull of Aspirations and Fame, even though he knows that he is not lovable. He aspires to hurt the people who ignore him, but also Love, who protects him however she can. He desires fame so that he will have something tangible to prove that he made a difference that wasn’t negative.
The revelation that Forty is alive is another repetition of Joe’s cycle. He managed to get the final piece of evidence that could have indicted him in one case, only to have Forty resurface—only now, Forty is another problem that must be solved. The difference is that this problem has a drug addiction, a self-destructive streak, a need for vengeance, and a demonstrable willingness to benefit from Joe’s distress.
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