67 pages • 2 hours read
Caroline KepnesA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Joe meets Forty at the diner, where he is flirting with a waitress. Forty is obviously high, and he pouts that Joe didn’t congratulate him enough. Joe regrets not telling Love about his involvement with the scripts. Forty says that Joe made some great adjustments to the material and seems to believe that he actually did most of the writing.
Forty says Joe thinks that LA owes him something and compares him to actors who improvise great lines. The actors don’t get a writing credit and they don’t expect one. The waitress gives Forty a free ice cream because the chef read about him in Hollywood Reporter. Forty says it’s all due to fifteen years of hard work. Joe listens but keeps asking Forty to call Love to put her mind at ease. He knows that killing Forty will be more difficult because the cops will take a greater interest in a rich person’s death. His past emails with Forty will be a problem. Forty says that Joe got Love and should be happy with that. If Joe can kill Forty, he can have Love without complications. Joe understands that it must be hard to be a twin who is unequally loved. Forty asks Joe to come to Vegas with him to work. Joe says no, sees a bag of drugs in Forty’s car, and knows that he will kill him when they see each other again.
Joe lands in Vegas after vaguely convincing Love that he had a hunch that Forty might be there. Love calls and says Ray learned that Forty is at the Bellagio, where Joe finds him at a blackjack table. He plays a slot machine nearby and watches Forty, who loses $1,000 in each hand of cards. He is belligerent with women who sit by him, including a pregnant woman. He brags about his screenplays and insists that he be allowed to smoke. A pit boss named Rocco approaches when Forty interrupts a floor waitress and screams for a gimlet.
Forty moves on and pulls a woman’s hair at a slot machine. He propositions her and she spits at him. Joe thinks Vegas is the most depressing place he has ever seen. A just-married couple enters and Forty gets on stage to congratulate them on a microphone. He calls the groom up and offers him $10,000 if he can kiss his wife. The bride wants to do it and Forty kisses her while groping her. Everyone boos and Joe can tell their marriage will be ruined.
Joe texts Forty and pretends to be Slim, a drug dealer. He then texts Love and says things will change after he finds her brother. He empathizes with the years she has spent chasing Forty while he ignores and tortures her.
Joe finds Forty and pretends that it’s a coincidence. He imagines twins in the womb, with one slowly absorbing the other. Forty says that he’s the best brother in history and that he’ll never get married. He does more cocaine and complains about people who care about food too much. Joe doesn’t think Forty says one true thing during their drive. Then they come to a clown-themed motel. They go to the back where there is a tourist attraction called the early American Cemetery.
Forty goes inside to check for rooms while Joe crushes Percocet into a water bottle. He gives Forty the water, who drinks it because he thinks they are about to do hallucinogenic drugs. As Forty does more cocaine, Joe wonders if Forty might die conveniently before he has to kill him. Then they go to the nearby hot springs.
The hot springs disgust Joe. As they soak, Forty says Joe could be a great writer if he were willing to get grimier. He has to keep making more Percocet water because the constant cocaine cancels the sedative out. Joe thinks of the ayahuasca he has in his bag. Joe hesitates as he realizes that killing Forty will hurt Love.
Joe gets an email alert. It links to the Providence Journal Bulletin and shows a picture of Peach Salinger. The article reports that the police got an anonymous tip and have reopened the case. They no longer believe her death was a suicide. Joe pushes Forty’s head underwater. Joe does a tiny bump of cocaine after Forty goes under but can’t tell if the rush is from the drug or the killing.
Joe calls Love and lies, saying that he has no clues. He says he thinks he sees Forty and hangs up. Then he texts that it was a false alarm. Joe watches a press conference with Florence Salinger, Peach’s mother. She says Peach was never suicidal and disapproves of the police’s lack of effort prior to the anonymous tip. Joe thinks about Amy because he knows he must return to the Salinger house in Rhode Island to get the mug he left full of his urine. He flies there and texts Love before renting a car and driving toward what he thinks will be his undoing.
Joe’s pursuit of Forty is the primary narrative driver in these five chapters, but first Joe confronts Forty about the stolen scripts. Despite everything he has seen from Forty and LA, Forty’s brazen defiance about stealing the material shocks Joe. Not only that, but Forty appears to be proud of himself for all of his work. He says, “How unlike the lottery it is, meaning there’s nothing random about good fortune. You do the work. Eventually you get paid. Then you get laid!” (317). Forty is mystified that Joe is angry: “You waltz into this town and you think it owes you something because what? Because you fuck my sister and you have a flair for dialogue?” (318). Forty’s dismissal of Joe’s efforts on the scripts reinforces Joe’s self-absolving narrative that he consistently works harder than others yet doesn’t reap the benefits of that work.
While Forty will not give Joe credit for anything besides his cleverness and his proximity to Love, despite the bravado, Joe can tell that Forty is still miserable and insecure. When he gets his ice cream cone, Joe sees that it momentarily distracts him, like a child: “Give a miserable person an ice cream cone and the miserable person will nosh, digest, and go back to being miserable” (319). Even in success, Forty is still searching for the approval his parents have never given him.
The zenith of Forty’s self-sabotaging behavior occurs in Vegas. He bullies the newly married couple, he is abusive to waitresses and other casino patrons, and he refuses to check in and tell his family that he is safe. Killing Forty is meant to be an act of revenge, but Joe decides that it will also be a relief for Love: “I can’t let him smother her anymore. I love her too much for that” (332). When Joe pushes Forty underwater for what he believes is the last time, he again convinces himself that he is doing the world a favor.
With Forty out of the way, Joe turns his attention to what he believes will be the last obstacle standing between him and Love. As he decides to return to the Salinger house to retrieve the mug, he knows that it is a risk to them both. He says, “We all get our hearts broken. We get fucked up and we cry and listen to sad songs and say we’re never doing that again. But to be alive is to do it again. To love is to risk everything” (349). Joe’s pursuit of the mug is not an entirely selfless act, but it is not done solely for his own benefit, either. He knows that the trip could result in his capture, exposure, or the end of his romantic future. However, at this point Joe seems to be as concerned about keeping Love as he is uneasy about the mug’s potential use of evidence against him. In his way, he is thinking about them both, rather than just himself. He is willing to continue the predictable cycle of humanity’s errors, but his motivations are different than they were before.
However, Joe’s typical meticulousness in his kills—and in disposing of the bodies—fails him this time. It is unclear why he doesn’t make sure that Forty is dead, but the break in his own pattern will lead to another round of exasperation with Forty, as well as Joe’s greatest public breakthrough.
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