39 pages • 1 hour read
Maia KobabeA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
At the start of Kobabe’s second year of graduate school in 2014, eir roommate puts up a One Direction poster in their shared dorm. Kobabe is quickly sucked into the One Direction fandom. The band’s fourth album is important to Kobabe because its release coincides with eir “first crush in several years,” a “family health crisis,” the death of a friendship, and eir last year of graduate school (158). Kobabe begins writing One Direction fanfiction, pouring all eir feelings into it and writing nearly 100,000 words in a year. Kobabe’s fanfiction is premised on the band members all being in love with one another, but e never experienced firsthand kissing or other intimate activities that might happen in a relationship. To fix this so e can finish eir fanfiction, e downloads the dating app Tinder. After a failed date with a woman referred to as Y, Kobabe has a wonderful date with another woman referred to as Z. After a frank discussion about eir boundaries, desires, and lack of experience, Kobabe and Z begin dating. After two months of dating, Z buys a strap-on harness to fulfill Kobabe’s fantasy of having a penis. While the visual image is exactly what Kobabe wants, the actual experience gives em dysphoria because e doesn’t feel anything. Kobabe realizes that sex throws eir issues with gender into “high relief” because of genitals. E breaks up with Z to give emself space to figure out eir gender.
Kobabe meets many different transgender people after breaking up with Z. E first meets Melanie Gillman, who uses they/them pronouns. Phoebe begins dating Amila Cooray, a transgender man. Amila’s use of testosterone and lack of periods leaves a lasting impression on Kobabe, who explains eir nonbinary identity to Amila. Kobabe contemplates redownloading Tinder so e can finish eir fanfiction but decides against the idea and asks a friend to write all eir erotic fanfiction scenes.
Kobabe realizes e never has to have children, get married, date, or have sex. This series of realizations feels incredibly freeing. With Phoebe’s help, e also learns e can wear masculine briefs while on eir period and no longer has to wear feminine underwear that causes dysphoria. Kobabe’s journey after breaking up with Z makes it apparent that female pronouns are not right for em and that e is certainly not cisgender. Kobabe reconnects with Jaina Bee, a person e met originally in 2003, at a New Year’s Eve party in 2015. Jaina uses e/em/eir pronouns, which immediately resonates with Kobabe. Kobabe feels anxious about using new pronouns, and Jaina convinces em it isn’t worth the constant discomfort of using she/her/hers pronouns that don’t fit em. Kobabe develops a new metaphor for eir conception of gender as a landscape rather than a scale. Eir illustration shows an ocean and a beach, which transitions to forest and then mountains. E describes male and female as mountains and the sea and says that “[b]etween the ocean and the mountains is a wild forest. That is where I want to make my home” (196).
In winter 2016, Kobabe comes out to eir aunt Shari and cousin Michael. Aunt Shari views transgender people as having a “deeply internalized hatred of women” (200). Kobabe convinces her of eir feelings and identity, but Shari’s anti-transgender biases hurt Kobabe and cause em to doubt emself. Kobabe begins reading the book Touching a Nerve, which provides possible biological explanations for why transgender and nonbinary people exist.
This section covers Kobabe’s life from the start of eir final year of graduate school in 2014 to the winter of 2016. E meets other transgender and genderqueer people in this time, including Melanie Gillman and Amila Cooray, and e reconnects with Jaina Bee. These connections help Kobabe solidify eir identity and express it through new pronouns that feel right. As Kobabe’s queer community grows, e becomes more comfortable in eir identity. E begins dating for the first time at 25 with Z. Despite their relationship going well, e still doesn’t feel comfortable with sex and romance. This relationship helps with Kobabe’s Self-Discovery due to eir emotional intimacy and honesty with Z. Z gives Kobabe the space to experiment with sex; when Kobabe still feels uncomfortable with sexual intimacy, e feels less like something is wrong with em and more like sex and romance simply aren’t right for em. Unlike in earlier sections, Kobabe’s artwork and text do not convey that e feels like there is anything about em that needs correcting.
Family and Acceptance is a major theme in this section as Kobabe comes out to more family members. While Phoebe is a constant source of validation and comfort, eir aunt Shari uses the common anti-transgender idea of transgender identity being a kind of misogyny. Kobabe can sufficiently defend emself and eir aunt comes around to gendering em properly, but she plants a seed of doubt with her insensitive comments. Kobabe handles it well and reads Touching a Nerve for guidance, another moment in the text that emphasizes the importance of books and media in Kobabe’s journey. Where people fail em, books can offer clarifying perspectives and different modes of understanding. Kobabe illustrates this section as an imagined scene of the author, Patricia Churchland, lecturing directly to Kobabe, who is taking notes. Churchland’s face is kind, and the panels quote directly from Touching a Nerve. This treatment emphasizes Kobabe’s personal link with this work of scientific philosophy and contrasts against earlier depictions of science and biology, which left Kobabe feeling dehumanized and isolated.
Touching a Nerve is a book that covers, among other things, how fetuses develop to either be masculinized or feminized. It reveals that the process is long, disjointed, or complicated; it isn’t as simple as a fetus being uniformly made into a boy or girl with no variation, which is what society often believes. Any number of steps towards masculinization/feminization can occur in one area of the body and not be reflected elsewhere. Fetuses can have more variations than XX or XY sex chromosomes as well, further complicating the issue. Having a biological explanation is comforting for Kobabe because putting nonbinary identity into words is difficult for em. E quotes directly from the text to illustrate how much of what society believes about biology is simplistic, and the truth is far more complicated and messier. Society tends to essentialize being born as a man or woman as something that is easily determined, and Touching a Nerve complicates that idea.