93 pages • 3 hours read
Lois LowryA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Chapter 12 opens as Kira wakes “with a sense that something has changed” (128). She’s not certain what that “something” is, and, given the stormy weather outside, decides to focus on her work on the robe instead of going to see Annabella. She takes the robe out and studies its patterns of ruin and rebuilding, noticing “how each time the ruin was worse and the rebuilding more difficult” (131) and that “the sections of serenity were exquisite” (131). She finds herself longing for the color blue, wondering who “yonder” (132) has the materials to make it, and adding this mystery to the questions swirling around in her head about the beasts that Annabella says do not exist.
Thomas knocks and lets her know that Matt is in his room, having been kicked out of his own home by his mother. Thomas says that he heard the sound of a child crying in the night again and asks Kira to come with him to explore. She agrees just as Matt appears, and they decide to investigate together.
As Chapter 13 opens, the group is headed down the hallway, with Thomas in the lead. Thomas turns a corner and jumps back. The group freezes, and they hear a knock, the sound of a door being opened and then Jamison’s voice. Jamison’s voice is mingled with that of a child, who cries briefly and then begins to sing: “Its clear, high voice soared. No words. Just the voice, almost instrumentlike in its clarity. It rose, leveled at a high note, and hovered there for a long moment” (137). The singing stops and the child starts crying again, Jamison responds harshly and leaves, slamming the door behind him.
As the group stands in the hallway, Matt whispers to Kira that he knows the girl whose voice they heard. She’s from the Fen, and her name is Jo. They decide to go back to Kira’s room, where they talk more about Jo, who was popular in the Fen. Her singing made everyone happy. Matt tells them that Jo’s parents have died: her mother took sick, and her father stabbed himself in the heart while holding vigil over her body in the Field. Kira can’t believe that a father would kill himself and leave his daughter behind, but Matt is more practical, suggesting that maybe he didn’t like his daughter. Matt says he thought she had gone to another family, and Kira agrees that that is normally what happens to orphans. “Unless,” Thomas says, “they sing” (140).
Later that day, after Matt and Branch have left and Kira and Thomas have returned to their work, Jamison visits Kira to check on her progress. He asks about her walk to Annabella’s, and whether it’s difficult for her with her leg. She says it’s not, but mentions that she feels afraid of beasts on the path. Jamison reassures her, and she tells him what Annabella said about there being no beasts. Jamison is upset, his face “a mixture of astonishment and anger” (143). He dismisses Annabella’s claim, saying that “[h]er mind is beginning to wander” (143), which Kira finds less than believable, given how much complex information she is able to convey about the plants and procedures involved in making and using dyes. Kira asks Jamison if he has ever seen any beasts. He answers without hesitation that the “woods are filled with them” (143) and that seeing Kira’s father “taken by beasts […] was a hideous thing” (143).
Jamison prepares to leave, telling Kira again that her work is fine and patting her hand. When she puts her hand into her pocket, seeking comfort from her scrap of cloth, it seems “to withdraw from her touch, almost as if it were trying to warn her of something” (144). And though the rain continues to fall, she thinks she can hear the little girl crying on the floor below hers.
Chapter 14 opens the next morning with Kira waking early to walk to Annabella’s. She passes the weaving shed, and a woman named Marlena calls out to her, telling her that she is missed there and that the children working there now are “[h]orrid lazy!” (146). Matt is there with Branch, hiding from Marlena, whose lunch he stole the day before. Kira asks Marlena about the little girl Jo. Marlena only recalls that Jo sang “[l]ike a bird” (146) and that she had been orphaned and “tooken off” (146–147). Then she tells Kira that it was said that Jo “receive[d] the songs by magic” (147) and that she “had knowledges of things that wasn’t even happened yet” (147).
Kira says goodbye to Marlena and meets Matt further down the path, where he tries to convince her that she shouldn’t go to Annabella’s. Kira asks him why, and he tells her that Annabella has been taken to the Field. She’s dead. Kira doesn’t know what to do and decides to look for Jamison. She asks Matt to tell Thomas what she is doing, and Matt tells her that he saw Jamison with the “draggers” when they “tooken the old dyer to the Field” (150).
Kira looks for Jamison in the Council Edifice, and finds herself on the first floor, in the same spot she stood with Thomas and Matt the day before. She listens and hears nothing and then goes to the door and listens again. She tries the doorknob. It’s locked, so she knocks. Jo whimpers in response, she is scared and crying for her mother. Kira thinks about the children penned in by their mothers at the site of her old cott and thinks that they’re better off than Jo, because they’re not locked in alone. Kira promises to come back and tells her not to tell anyone that she was there. When she returns to her own room, Jamison is there to tell her that Annabella has died.
Annabella’s death is a significant event in these chapters, as it marks a turning point in Kira’s burgeoning realization of what the Council’s decision to take her in really means. Though Kira does not yet know anything is wrong, she is developing a suspicion that the pieces don’t quite add up.
Though Kira is still in the dark about how Jo came to be at the Council, and how and why Annabella died so suddenly, the reader can definitely see a pattern in the unlikely deaths of the parents of Thomas, Kira, and Jo. And though it is not addressed explicitly anywhere else in the book, there is a significant difference between the way that Matt describes Annabella in death—with her eyes wide open and her arms flung out (148)—and the way Jamison does later (in Chapter 15)—that she took a nap on a rainy day and didn’t wake up (157).
Annabella’s death is also symbolic of the way that the Council of Guardians uses violence and fear as a way of defining “truth.” Annabella’s “truth”—that “there be no beasts” (122)—is suddenly and violently erased, and Jamison’s “truth”—that the “woods are filled with them” (143)—takes its place.
By Lois Lowry