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50 pages 1 hour read

Kurt Vonnegut Jr.

Galapagos

Fiction | Novel | Adult | Published in 1985

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Symbols & Motifs

The Human Brain

The human brain differentiates humans from other animals. According to Mary’s deceased husband Roy, the ability to perceive the functioning (or non-functioning) of the brain is the defining quality of humanity. The human brain therefore symbolizes humans’ ascendent evolution. Humans created nation states, they created the global financial system, and they created the terrible wars which seem to inevitably result from their other creations. In addition, humans create technology such as the cruise ship and Mandarax. Humans create the Nature Cruise of the Century as well as the celebrity gossip and luxury treatment that this entails, all while people are starving to death. The big-brained humans want to travel in luxury to the place where Charles Darwin first refined his theory of evolution, creating a symbolic loop for humanity’s ascendancy, powered by the big brains which distinguish them from other animals.

For Leon, humanity’s big brain is a curse. He repeatedly criticizes the big brain as a relic of long ago that the species must abandon to be happy. Leon blames the brain for all that is wrong with people, and he attributes humanity’s happy future to the loss of the big brain. Whenever Leon describes anything bad that humans have done, whether war or inequality or anything else, he refers to the big brains as a point of contrast with the future, when humanity’s brains are much smaller, and humans therefore have less to worry about and less ability to inflict pain on one another and the world around them. Humans of the future may not be able to invent the Nature Cruise of the Century, but they can’t wage anything like the brutal Vietnam War, which traumatized and haunts Leon. The big brain gives humans almost limitless potential, but their hubris hampers this potential. The big brain defines humans but also lays the foundations for humanity’s downfall—so much so that the big brain is a flaw that humans must leave behind in the general course of evolution that Leon observes over a million years.

In opposition to the big brain of the 20th century is the small brain of humanity’s future. Leon hints at this future yet never fully describes what humans become. Future humans are semiaquatic, with flippers and fur-covered bodies. They hunt fish and are killed by sharks, resembling something like the marine iguanas that populate the Galapagos Islands when the Bahia de Darwin first arrives there. Most importantly, future humans’ brains are much smaller. Humans can’t speak and lack any kind of self-awareness. In a symbolic sense, the trait that once defined humanity is gone. The big brain was simply a temporary anomaly, a strange blip in the course of history that nearly destroyed the world. The big brain was a symbolic genetic defect that the course of evolution addressed. As a result, future humans are, according to Leon, much happier. The small-brained future symbolizes the destructive and hubristic power of human potential, suggesting that humanity must abandon its defining trait and return to a more natural, less intelligent form of existence. Humanity should not seek to separate or distinguish itself, as Roy once did. Instead, the small-brained future humans are a symbolic acceptance of humanity as a part of—rather than separate from—nature.

Mandarax

Mandarax is a small computer device that Zenji Hiroguchi invented. The machine can translate between many thousands of languages, providing literary quotes from throughout history and diagnosing a broad range of medical conditions. The device represents the peak of human technological knowledge but, more importantly, symbolizes the limitations of such knowledge. Created by one of the world’s smartest men, Mandarax works well—but only in specific circumstances and to a limited degree. The device isn’t itself intelligent; it reflects human intelligence. Mandarax isn’t as clever or as advanced as humans think it is, and its inherent limitations cause social strife, such as when Zenji and Hisako become convinced that Andrew has mental illness because the machine misdiagnoses his mental health. Zenji, the “genius” who created the device, is still confused by the information he received from his own invention. The device symbolizes the potential of human achievement but also that potential’s hubristic limitations, in which humans don’t realize how limited it (and they) truly are.

Mandarax isn’t the first device of its kind; it’s the second iteration of Gokubi. As the second generation of the device, Mandarax symbolically exemplifies technological evolution. Unlike in natural evolution, however, an inventor’s hand guides this form of evolution. Zenji plays the role of God in this symbolic recreation of evolution, directing the advancements of his intelligent design along chosen and planned avenues. This kind of technological evolution is evolution in name only, a corrupted version of the concept that Charles Darwin originally posited while visiting the Galapagos Islands. Importantly, however, the novel’s characters still regard this development as a form of evolution, symbolizing how humans have corrupted and misconstrued the original Darwinian concepts such as natural selection. For all his genius, Darwin’s ideas have become tangled in the complexity of human culture and how it has come to view itself. Mandarax reveals human limitations by showing the misuse of humans’ self-awareness of their own evolutionary history to describe technological development processes. Humans’ misunderstanding of the difference between technological and natural evolution symbolically demonstrates the species’ desire to play God, the kind of hubris and arrogance that nearly brings about the species’ end.

Once the group is stranded on the island, Mandarax becomes an important tool. The translation capabilities allow Hisako and Selena to form a meaningful relationship and allow Mary to expand her knowledge of literature. However, the device’s limitations quickly become apparent. For all its capabilities, the device can’t speak the Kanka-bono language, so the orphans remain alienated from the others. Similarly, the device can provide only literary quotes, not examples of literature. Mary receives only snippets of famous authors’ quotes rather than the actual books, so she sees only a small portion of the whole. Rather than Mandarax, a human mind is needed to resolve these problems. Mary becomes bored with the machine’s limitations and begins to experiment, while a child is born who learns to speak Kanka-bono and finally bridges the cultural divide. As the characters come to depend on the Mandarax, they reveal its limitations and the need for humans to free themselves from reliance on technology.

The Galapagos Islands

The Galapagos Islands are the symbolic home of the Darwinian theory of evolution. As described in the novel, Charles Darwin visited the islands during his lifetime and observed the local ecology. The experience was an important moment in his life, allowing him to refine his thoughts on how all life on the planet developed, grew, and—most importantly—evolved. As Darwin’s theories spread and became generally accepted as biological reality, the Galapagos Islands took on an important symbolic meaning for the world. These islands are forever bound to Darwin and his ideas, and their complex and unique local ecology is a microcosm of the world as a whole. These small, scattered islands are separate from the Ecuadorian mainland. They’re separate yet contain within them everything, symbolically illustrating the unity of life on the planet. The islands are a small-scale factory, in which their isolation allows them to represent the totality of global ecology.

Despite the high-minded symbology of the Galapagos Islands as a home of Darwinian theory, they can’t compete with the market. By the end of the 20th century, the Galapagos Islands have become commoditized. The same symbolism that links them to Darwin and his ideas is seen as a financial opportunity for men like Andrew MacIntosh and Bobby King. In Ecuador, Charles Darwin’s image is everywhere. His face adorns tourist trinkets and bars, as local business owners hope to capitalize on Darwin’s fame to make money. MacIntosh and King plan the Nature Cruise of the Century as (ironically) the natural evolution of this commoditization of Darwinian ideas. They market the cruise as a tribute to Darwin and his ideas—but in reality it’s a cynical attempt to make money by men who don’t really care about science or nature. They care only about money. The celebrities, the glamor, and the financial opportunities of the cruise symbolically demonstrate how the big-brained humans eventually try to capitalize on even the most important scientific ideas.

The cruise never really takes place. The entire world collapses, and eventually a small group of survivors is left stranded on one of the islands. Elsewhere, the human species eventually ends, but this small group of survivors endures and evolves into the next iteration of humankind. Leon is the detached yet invested observer of this evolution. He becomes the Charles Darwin figure, watching human evolution. The Galapagos Islands return to their original symbolic meaning. They once again represent evolution, even as it extends into new and unexpected areas. After the commoditization, after the collapse of the world, the Galapagos Islands again symbolize evolution as a powerful force of nature.

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