48 pages • 1 hour read
Ernest HemingwayA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The bridge becomes a symbol of doom in For Whom the Bell Tolls. The entire group suspects that it may be disastrous from the beginning, although they criticize Pablo for not wanting to do it. It creates tension between everyone, as they wonder what Pablo will do against the plan. Robert notices this and decides to face it head on, and he notes that “[w]hen he said the word ‘bridge’ everyone was quiet” (53). The bridge looms as an impossible task that Robert must try to make possible, and every mention of it reminds the whole group of their possible doom during the operation. Further, bridges symbolize connection, and only in destroying the bridge can Robert save those he has finally connected with.
Robert’s hand—or rather, Pilar’s interpretation when reading his palm—is a foreshadowing device that Hemingway uses to continually remind readers of the constant danger to ramp up the narrative tension. Pilar struggles with the knowledge she thinks she has discovered—knowledge that Robert can clearly tell portends his (or perhaps everyone’s) doom. Once, when she recalls what she had seen, “she was wildly, unreasonably angry,” and at some points she tries to convince Robert to forget what she had said (57). Robert claims not to believe any nonsense like palm reading, but the image of her seeing something in his palm haunts him throughout the novel, serving as perhaps the most powerful example of foreshadowing.
The rapidity of wartime love and connection is a recurring motif throughout the novel. The major relationship illustrating this is that of Robert and Maria; despite Robert’s insistence to Golz that “[he has] [e]nough to think about without girls” (18), he is taken with Maria immediately and puts up only minor resistance to the idea that she could be his woman rather than a one-night stand. By the end of the novel, two days and three nights later, he considers her his wife.
Maria, however, is not the only person with whom Robert experiences a rapid deepening of affection and sharing of truths. Agustín speaks candidly with Robert about Maria, challenging his feelings for her and taking on the role of protector by demanding, “And you will be careful of her now if I trust you? I speak to you as though I knew you for a long time” (34). Robert’s response summarizes the way connections can work in wartime, with people of like minds: “‘It is like that,’ Robert Jordan said, ‘when people understand one another’” (34). He also explains to Agustín that in regard to his relationship with Maria, “It is because of the lack of time that there has been informality. What we do not have is time. Tomorrow we must fight. To me that is nothing. But for the Maria and me it means that we must live all of our life in this time” (214).
Pilar and Robert understand one another quickly, as well, and Pilar immediately trusts Robert with Maria’s care. Anselmo also becomes dear to Robert, and the man’s death deeply affects him. Despite his year-long emotional distance from the people he worked with, Robert understands, in his final days, how the death and danger of war can speed up the natural development of relationships.
By Ernest Hemingway
American Literature
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