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96 pages 3 hours read

Sherri L. Smith

Flygirl

Fiction | Novel | YA | Published in 2009

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Symbols & Motifs

The Sky and Clouds

Ida’s favorite thing to do is fly, and often when she is feeling happy or excited, she compares the feeling to being up in the clouds. Ida was close to her father before he died and describes him as “a sunny day that could not be dimmed by clouds” (30). When Grandy finally grants Ida permission to go train in Texas but tells her that it’s not much to look at, she responds:“I’ll be looking at the clouds” (63), expressing how excited she is to become a WASP. As Ida prepares to fly at the army base for the first time, she feels “like a cool wind is blowing through [her]mind” (95). For Ida, being up in the sky is her favorite thing in the world, and when she is extremely happy, she compares her happiness to this feeling. Ida’s friend Patsy dies, and at the funeral, she watches Patsy being “lowered six feet into the ground[...] when the only place she ever wanted to be was in the sky” (189). Ida feels close to Patsy and knows Patsy loved to fly as much as she does. When she imagines happiness for Patsy, she imagines her in the sky. This moment also reflects Ida’s grief; while the sky represents happiness for her, a grave, or anything below ground, represents sadness and loss.

Hair

Ida is able to pass as white not only because of her light skin, but because of her smooth hair. This is first pointed out when Danny Taylor compliments Ida’s “fine light skin and pretty brown hair” (7). When Ida is passing as white while she trains to become a WASP, her hair is “braided tight against frizzing” (101), especially when she knows it might get wet. When Ida takes swim lessons with Lily, she is careful to keep her hair dry, wearing multiple swim caps and a towel. There is a long description in Chapter 15 of the shower Ida takes after swimming: she combs setting lotion through her hair and showers with a shower cap on in order to allow the lotion to set. Ida’s hair represents her two identities: when she is passing as white, and when she is black. The steps Ida takes to keep her hair from frizzing also represents how important it is that Ida’s secret not be found out.

It is significant that Ida’s fight with Jolene happens at a hair salon. At the salon, Ida notes that the hairstylist “loves doing[her]hair. ‘Smooth as silk and easy to press,’ she says” (203). This relates back to the moment in Chapter 1 when Danny compliments Ida’s skin and hair, which makes both Ida and Jolene uncomfortable, in part because Ida knows Jolene is jealous of her appearance. Jolene and Ida get into a fight at the hair salon when Jolene says she doesn’t approve of Ida’s choice to pass as white, and Ida accuses Jolene of being jealous. The hairstylist finishes Ida’s hair much sooner than Jolene’s, and as Ida leaves, the hairstylist says again:“Such good hair” (207). Ida’s hair, which is straight but can become frizzy, represents the two identities that she encompasses. It can be a struggle for Ida to both keep her hair from getting frizzy when she’s passing as white as well as a struggle to accept compliments on her smooth hair when she is with Jolene.

Uncle Sam

During World War II, the United States was often personified as Uncle Sam because it was easier for people to imagine supporting someone with a name and a face, rather than a faceless nation. This reflects how Ida’s family often feels like their rationings and war efforts are helping Thomas directly while he is overseas. When Ida and the other women at the army base don’t have time to do their hair in the morning, Ida knows that “fortunately, Uncle Sam doesn’t care about lipstick or perfectly curled hair” (89). She is fine with not looking her best in the morning because she knows that this is not what is important during wartime. Alternatively, when the war causes difficulties for Ida and her family, it sometimes feels as though Uncle Sam himself is hurting them. When Ida learns that Thomas is only allowed to treat black soldiers, she feels “like Uncle Sam runs two armies at once—one all white and the other colored” (32). When Ida tells her mother that the country needs her to fly, her mother responds:“Uncle Sam doesn’t need you. Uncle Sam doesn’t need anyone in particular” (211). Ida’s mother knows that Ida feels as though her country needs her specifically,and it is easier to feel this way if Ida believes that there is a real person asking her to be a WASP.

Silk Stockings

Silk stockings are used as a motif throughout the novel to represent luxury, and something that must be given up in order to help the war effort. When Jolene says she wants to use her housecleaning money to buy a new pair of silk stockings, Ida tells her:“Why do you waste your money, Jolene? Silk is for showgirls and debutantes” (7). When the United States enters the war, silk stockings are one of the items that people are asked to donate to the war efforts: “For two whole days, Jolene and I do nothing but collect silk stockings from all the women we work for and turn them in to the army parachute program. Jolene looked like to die when she had to give up her sackful, but it’s for a good cause, so she’s being stoic about it” (24). Later, when Ida is training to be a WASP, the parachutes remind her of “Jolene’s silk stockings, reluctantly turned over to the army back home. I guess she did help the war effort after all” (91). Silk stockings represent one of the sacrifices many people make in order to help the war efforts.

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