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49 pages 1 hour read

Amy Belding Brown

Flight Of The Sparrow: A Novel of Early America

Fiction | Novel | Adult | Published in 2014

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Background

Historical Context: King Philip's War (1675-1678)

The Flight of the Sparrow takes place during King Philip’s War, a conflict between the Wampanoag sachem, or chief, Metacomet, known as Philip by the colonists, and the English colonists in the New England colonies. The bloody conflict resulted in the death of thousands of English colonists and Indigenous Americans. During the war, Indigenous Americans set fire to and ransacked English colonial towns throughout Massachusetts, Rhode Island, Connecticut, and Maine, and English colonial forces responded in kind. During these raids, both colonists and Indigenous Americans captured their opponents for ransom to raise money for their war effort or to be used for slave labor. Mary Rowlandson, the main protagonist of The Flight of the Sparrow, was one such captive. On February 10, 1676, her hometown of Lancaster, Massachusetts was raided by Indigenous Americans from a number of tribes, and she was held by the Nipmuc people for nearly three months.

The relationships between Indigenous Americans and English colonists during King Philip’s War were complex, as shown in The Flight of the Sparrow. Some Indigenous tribes allied with the English colonists, while others allied with Metacomet and his forces. Further complicating matters, some Indigenous Americans converted to Christianity and became known as the “Praying Indians,” as shown in the text. This group had an uneasy and marginal position in both Indigenous and colonial society. Although they offered to support the English colonists during King Philip’s War, their offer was denied for fear of their trustworthiness; instead, they were confined to certain towns or on Deer Island, a small rocky island in Boston Harbor, leading to starvation and general deprivation. These tensions and shifting alliances are referenced throughout the narrative and are shown most clearly in the figure James Printer (1640-1709), or Wowaus, a Nipmuc who converted to Christianity.

Literary Context: Mary Rowlandson's Memoirs

The Flight of the Sparrow is based on the captive narrative of the historical figure Mary Rowlandson (1637-1711), an English colonist and Puritan. The narrative, entitled, A True History of the Captivity and Restoration of Mrs. Mary Rowlandson was first published in 1682, six years following her return from captivity. The published book was wildly popular in the early American colonies and England. It is considered the first and archetypal American “captive narrative,” wherein a white European colonist is kidnapped or trapped by an othered group thought by them to be barbaric, such as the Indigenous Americans, and goes through trials until their release or escape, often thanks to God’s Providence, or a belief that God will care for true believers. The historical Mary Rowlandson’s memoir was used as a propaganda tool by the Puritans and English colonialists in their conflicts with the Indigenous Americans into the 19th century.

It is believed by some historians that the Puritan minister, Increase Mather (father of witch hunter Cotton Mather), had a hand in heavily editing Rowlandson’s memoir. He may have added or changed elements to emphasize the contrast between the perceived savagery of the Nipmuc and the virtue and morality of the Christian English. When reading the original memoir, author Amy Belding Brown noted that it had multiple layers—one which straightforwardly recounted Rowlandson’s experience and one of “moralistic conclusions that, interestingly, don’t always match the story itself” (339). While based heavily on Rowlandson’s memoir, Brown’s historical fiction novel, Flight of the Sparrow, imagines the experience of Rowlandson as she might have understood it herself, without the intervening edits by Increase Mather or Joseph Rowlandson shaping her words. As history is so often written by and about men, the historical fiction genre is one way to understand the role and experiences of women in the past.

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