51 pages • 1 hour read
Tony AbbottA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Jeff does not sit with Tom on the bus home. At Jessica’s condo, Tom notices a medicinal smell in the house and recognizes Jessica’s father as the man in the photograph. Jessica, startling Tom, invites him up to her room, and he feels compelled to follow. Her room is comfortable and “girly.” Tom nervously talks about the homework, and Jessica talks about the elections, hoping that Courtney will win. Tom is surprised at how much Jessica is speaking. Jessica admits that she hates her mom. Tom feels uncomfortable, so he talks about his parents.
Jessica, fortunately noticing only the first two words of The Human Torch comic in Tom’s backpack, asks which comic is his favorite. Tom, though he cannot believe he is talking about it, shares his theory that big powers, like those of Superman, make winning “too easy.” Small powers that no one wants are better for average people, who can get creative and make their small power incredible. He suggests uses for an indestructible finger and other powers.
Jessica weighs in. She imagines that lying still in her bed, she can sail through the air. Jessica thinks that superheroes are supposed to help people, and small powers would make that hard. This frustrates Tom, who mentally uses his powers to save Courtney and win her love. Jessica thanks him for holding her hand in class and asks if he wants to touch her face. Tom is shocked and starts to raise his hand, but Jessica closes her door between them
Mr. Feeney questions Tom about school and his family. Tom notices a copy of the photograph that Jessica had at school. In the place where Jessica’s copy was cut off, stands a smiling brown-haired woman. Tom assumes this is Jessica’s mother and wonders where Jessica is. Mr. Feeney says Jessica does not have a sister: The girl in the picture is Jessica. Mr. Feeney apologizes for Jessica’s deception. The picture was taken the week before the accident, and Jessica wants it displayed, although Mr. Feeney does not find it helpful.
Tom cries when Mr. Feeney explains that in sixth grade, Jessica and her mom visited a dance studio to pick up tickets for her recital. Jessica waited outside in the running car. A man had a medical emergency while driving, crashed into the back of the Feeney’s car, pinned it against the one in front, and started a fire. It took a long time for the firefighters to extract Jessica from the burning car. It will take a long time before Jessica improves, and she will never look the same. Jessica also suffers from lung damage and circulation damage in her legs. Mr. Feeney declares they love Jessica even more now. Tom realizes Jessica is eavesdropping. As Tom leaves, Jessica’s mother comes home, but she does not speak to him. Tom has trouble processing all he has heard. Crying, he goes home and throws up.
Tom thinks constantly about Jessica. He wonders if she hates her mom because she left the car running or because she did not save her. He imagines Jessica trapped in the burning car. Tom feels different. Tom knows the truth about Jessica’s accident but will not say anything at school Tuesday because it “wasn’t anyone’s business” (103), then he debates if he should say something.
At school, Jeff, having either forgotten or forgiven Tom’s lie, has trouble getting Tom’s attention to tell him his uncle is bringing the Cobra by next Saturday. Jeff calls Tom “Cobraman,” says he told Courtney they will drive by, and talks about the car nonstop. Tom is conflicted. He does not feel as excited about it anymore and does not want to get “suckered” if the car does not come. Slowly, Tom does get excited and begins to think the Cobra is a reward for him being kind to Jessica.
Tom is happily fantasizing about Courtney when Jessica approaches him in the hallway. She invites him to have lunch with her and her father after a medical appointment. Tom, feeling stupid, explains about the Cobra and suggests they could drive by her house, but he cannot tell what Jessica is thinking. He does not know if she does not like cars or if she doesn’t like Jeff. Tom feels frustrated and guilty and thinks that he has already done enough for Jessica.
Tom studies his car magazines and waits eagerly for Jeff and the Cobra. Tom tries, and fails, to imagine gliding out his window like Jessica. At 12:40, Tom calls Jeff, receives no answer, and imagines Jeff is on his way. Time passes. Tom rationalizes that Jeff is never on time. He calls again at 2:00. No answer. Tom wonders if the whole thing is an elaborate plan for Jeff to get back at him for his lie. He realizes that Jeff, feeling that his parents do not care about him, in turn does not care what other people think or feel. Tom thinks Jeff may have lied about his uncle and the Cobra.
At 3:00, Tom finally gets through to Jeff who explains his uncle came to Jeff’s house with a different car to help his mom move things. Tom heatedly asserts Jeff lied to him and inadvertently mentions Jessica instead of Courtney. Jeff says cruel things about Jessica, calling her “Freaking firegirl” and “the Human Torch,” and calling Tom the “Human Dork.” Tom curses and hangs up.
Tom dreams of Jessica in a burning black car. Tom and Jessica’s mother is unable to get close. Jessica gets out of the car, screaming, but Tom runs away from her.
Tom gains a deeper understanding of Jessica in these chapters as he learns the truth about her accident and gets to know her as an individual. This new knowledge expands Tom’s sense of compassion and alters his sense of self, but it also frustrates him. Tom, hurt by Jeff, evaluates both the nature of their friendship and his growing connection to Jessica. Abbott continues to develop themes of speaking out and accepting difference.
Visiting Jessica enables Tom to see her as a person, not that different from himself. Her room is “girly,” comfortable, and “normal.” Tom intuits that Jessica does not have many people to talk to. Although he internally hesitates, wondering why he remains, and when it is okay to leave, Tom’s compassion and his own loneliness keeps him there. While Tom’s internal dialogue is riddled with thoughts about what he should say and how to say things, he does not typically say much to others. Despite his own mental protests, he shares his superhero powers theory—something he has not told anyone else. Jessica shares her feelings about her mother with Tom, and Tom has a longer conversation with Jessica than with any other character thus far. Jessica is isolated by her difference, and Tom is isolated by his introversion and lack of self-esteem.
Discovering Jessica’s humanity changes Tom. He feels “different,” clearly indicating his character growth. The magnitude of Jessica’s experience puts Tom’s life into perspective. Tom does not obsess about Courtney or the Cobra as much. Although his sense of self is developing, Tom still craves the comfortable normalcy he enjoyed before knowing Jessica.
Tom’s theory about small superhero powers reveals that he feels he does not deserve big, impressive powers. That Jessica prefers superpowers that can actually help people suggests that she herself might’ve benefited from such powers in her real-life tragedy. Tom’s understanding of powers is small and reflective of his small worldview and inexperience, whereas Jessica’s reveals her big-picture thinking; it’s not lost on the reader that she developed this thinking through her health difficulties and her struggle to survive.
The concept of using his superpowers to help people frustrates Tom not only because he is introverted, but because he wants to focus on himself. Tom is glad to return to the simplicity of his Courtney fantasies in contrast to the complicated reality of interacting with Jessica, which is the marker of the coming-of-age story when the character regresses and considers staying the same.
Tom only gets excited about the prospect of riding in the Cobra when, feeling that he has done something difficult by stepping outside his comfort zone and being kind to Jessica, he thinks he deserves a reward. Tom’s growing connection to Jessica is complicated by feelings of guilt and resentment that she wants more from him. Tom’s dream, in which he runs away from Jessica when she escapes the burning car shows this fear of obligation, connection, and of becoming as alone as she is. Tom ultimately, however, chooses Jessica’s friendship over Jeff’s. Jeff, Tom thinks, does not care about other people, which Tom perceives in Jeff’s slight with the Cobra and even more so in his cruelty to Jessica. Jeff gives Jessica the derogatory name, firegirl, and his hatred of her seems to coincide with his feelings of abandonment from his family and now from Tom.
In this section, Tom again shows his difficulty in processing emotions. Tom is emotionally overwhelmed by the story of Jessica’s accident: It is too much for even his vast imagination to envision. He feels the tragedy of the loss of what Jessica used to be and is awestruck by the fact that Jessica not only survived but was “going on” and continuing to make a life for herself. Tom is unable to talk about the powerful feelings brought on by both Jessica’s story and Tom’s angry telephone confrontation with Jeff. Instead, Tom experiences physical reactions: He vomits after speaking with Mr. Feeney and spends hours alone in his room after talking to Jeff. Tom’s physical responses to emotional distress illustrate the difficulty he has communicating his feelings.
Finally, Jessica’s personality emerges more in this section. Readers learn about her arduous hospital treatments and see her parents’ struggles to keep things normal. The photograph of Jessica and her parents before the accident reveals Jessica’s possible wish to punish her mother, whom she says she hates, though it also serves as a reminder of what Jessica has lost physically and emotionally. Mr. Feeney does not see keeping the photograph as a positive thing but acknowledges that Jessica “has her ways of dealing with what happened” (97). Jessica’s lie about her sister and her words about her mother show that she still hasn’t confronted some aspects of the accident and that she doesn’t know how to communicate or cope with her feelings, either.