54 pages • 1 hour read
E. L. JamesA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of sexual assault, abuse of a minor, coercive control, and grooming.
Christian Grey’s history with sexuality creates a complicated and problematic view of consent. He and Ana struggle with the implications of consent in their relationship as it moves from a contractual dominant-submissive relationship into a romantic partnership and eventual marriage. Christian’s childhood and teenage experiences create a difficult background for adult Christian’s understanding of consent. The author shows Christian’s growth with his changing understanding of consent.
In the Prologue, Christian’s mother’s pimp abuses her. This first impression of sexuality haunts Christian’s nightmares and complicates his understanding of sex. His mother cannot consent to sexual relations with her pimp due to her intoxication and the power differential between herself and the pimp. Their relationship has a profound impact on Christian. He cannot endure physical affection from his adoptive family or his lovers. He lets Elena touch him because there are clear rules in their relationship. Christian conflates rules with consent. He does not know how to operate without them due to his grooming by Mrs. Lincoln.
In Chapter 12, Elena approaches Christian for help with a problem. Ana eavesdrops on the conversation and hears Christian say, “[W]hy would I want to taint her with our fucked-up relationship?” (279). Elena Lincoln entered a sexual relationship with Christian when he was just 15 years old. Christian’s first and primary sexual relationship began when he was too young to understand consent. This experience colors his entire perspective on sexual relationships and his understanding of consent. After the interaction with Elena, Christian rapes Ana. She clearly tells him no when he moves to have sex with her, but he continues, saying, “This is my revenge Ana […] argue with me and I am going to take it out on your body somehow” (289). Christian does not stop when Ana tells him to, and while the encounter is clearly rape, Christian has been portrayed as a tragic hero with whom the audience is designed to sympathize and desire. Ana’s lack of consent stalls their growth in intimacy.
Christian begins to understand consent as his relationship with Ana progresses. In Chapter 15, Christian and Ana are being intimate, and Ana says no again. She tells him to stop. Christian still does not cease his pressure, but he asks Ana if she wants to stop after more foreplay. He “removes his boxer briefs and leans over to the bedside table to grab a foil packet. His eyes are blazing gray as he passes me the condom. ‘You want to do this? You can still say no. You can always say no’” (343). Christian allows Ana to fully consent before penetrating her, but there is a lot of action between this moment and when Ana says stop. Christian continues to pressure Ana with his actions while telling her she had the ability to say no, which is the definition of coercive control. Christian’s manipulation of Ana in this instance could be seen as metaphorical for their entire relationship, where Ana feels she is consenting even though her actions are all within the confines of what Christian desires.
Not until the conclusion of the novel does Christian fully appear to understand consent and its importance in a trusting and mature relationship. After the confrontation between Ana, Elena, Christian, and Grace, he and Ana talk in his childhood bedroom. Christian tells Ana that his mom is upset at him, and he admits that Grace has a reason to be angry. He then tells Ana that he feels liberated now that Elena is no longer a part of his life.
Christian’s complicated relationship with consent stems from years of abuse as a child and teen. Ana helps Christian to understand consent and its ability to support loving and trusting relationships, but at a cost to her control over herself.
Christian’s desire for total control is central to the first installment of the trilogy. His need for control acts as a hindrance to his progress in his relationship with Ana. Christian’s growth centers on his learning to let Ana have control and autonomy rather than being entirely submissive to his will. Christian’s discomfort with this arrangement is evident, but he and Ana work together to find a compromise.
The novel opens with Christian’s inability to stay out of Ana’s life. He sends her flowers, emails her, and insinuates himself into her trip to Portland. Christian fastens Ana into his helicopter seat, saying, “This should keep you in your place” (15). This small comment demonstrates Christian’s need to control the relationship. Ana sees this as Christian possessing all the power in the relationship as well.
The pair grows together as the novel progresses. Christian takes Ana out sailing, allowing her to steer the ship. The author uses this image to show that Ana has power in the direction of the relationship. Ana struggles to see this for herself; her feelings of inadequacy limit her. Christian tells her, “You need to trust me, and I you. Maybe in time we can indulge, but I like how you are now. I like seeing you this happy, this relaxed and carefree, knowing that I had something to do with it.” (228). Ana and Christian both must come into equal power and control in their relationship for there to be trust and understanding.
The author demonstrates this need for balance when Christian assumes the role of the submissive after Ana confronts Christian about Leila. Ana sees Christian kneeling at her feet, and she rejects the idea of holding power over him. She collapses onto the floor beside him, putting them back on the same level literally and figuratively. Ana knows that his submission is based on fear and self-loathing. She wants him to feel safe and comfortable with her.
The couple makes it to the novel’s end united in their love for one another and in balance of power between them. Christian realizes that he can no longer attempt to control Ana. Ana realizes that she has equal power in the relationship. Ana’s final thoughts are that “this beautiful man, who loves me as I love him […] I know deep down I will always be his, and he will always be mine. We’ve come so far together, we have so far to go, but we are made for each other. We are meant to be” (530). Ana and Christian’s relationship is far from perfect, but they now have deeper trust and understanding. Christian relinquishes his control to let Ana into his life. Ana, in turn, shares his power, allowing them a chance at a successful and trusting partnership.
Christian’s history of physical, emotional, and sexual abuse has a deep impact on his sex life and ideas of sexual norms. The neglect and abandonment of his mother define his childhood. His sexual abuse at the hands of Elena Lincoln defines his adolescence and early adulthood. These early traumas lead him to have deep confusion about what is typical and acceptable in a relationship. The author demonstrates Christain’s deepening self-awareness and growth over the course of the narrative.
The Prologue offers insight into Christian’s childhood. He sees his mother beaten repeatedly. Christian endures abuse from his mother’s pimp. He passes extended periods without food. His mother’s eventual death leaves him abandoned to further neglect. Grace and Carrick rescue Christian through adoption, but he carries his trauma with him. His sister discloses his repeated altercations, calling him quite the brawler. He feels alone and sexually frustrated due to his inability to allow others to touch him.
Elena takes advantage of Christian’s pain and frustration. She grooms him into the perfect submissive by controlling his sexual awakening and teaching Christian that sex is more important than connection or love. Fifty Shades of Grey shows Christian attempting to do the same with Ana, as he has with countless women before her. Ana, however, does not want that kind of a relationship. Ana values love and connection over sexual gratification and control. Christian must confront his past trauma and learn if he is capable of loving Ana in a way that she finds acceptable.
The novel focuses on Christian’s battle to overcome his trauma and separate it from his sexuality. Ana teaches him that Elena controlled him and lied to him. Christian finally understands that he is worthy of love, that Ana will not abandon him due to his trauma, and that trust and understanding are crucial to exploring sexuality. Though the first novel’s premise is an introduction to the BDSM lifestyle, James uses the second novel to show that the story is not about BDSM in relation to trauma. The trilogy focuses on Christian’s survival through multiple abusive relationships. His abuser creates a trauma-dependent relationship framed in a BDSM context as an attempt to justify the abuse. Christian confronts his own trauma in this novel. His growth allows him to enter a fully honest and open relationship with Ana.
By E. L. James