54 pages • 1 hour read
E. L. JamesA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Ana gapes at Leila, desperately trying to stay calm. She attempts to engage Leila in conversation as her eyes dart around the apartment looking for Ethan. Leila just stands there, whispering that she is alone. Ana discovers that Leila did indeed see her in the apartment; Leila has been following her. Leila tells Ana that the gun is all she has left.
Then, Taylor and Christian burst through the door. Christian sees the situation and confronts Leila, going into the role of the dominant. Taylor and Ana are both taken aback. Taylor’s fury shows on his face. Ana’s insecurity takes over; she feels completely at a loss and inadequate to meet Christian’s needs. She asks about Ethan as Christian demands she leave with Taylor. Taylor must carry Ana out of the apartment. Christian stays with Leila.
Ana sees Ethan when she gets out of the building. He met a friend for a drink and was not in the apartment when Leila went in. Ethan and Ana decide to get a drink across the street, even though Taylor states that Christian wanted her to go straight to the apartment. Ana explains the situation to Ethan, underscoring that Christian now sits in Ana’s apartment with his ex. They stay at the bar drinking long enough to see Dr. Flynn enter the apartment. Ana asks for a stronger drink. She and Ethan decide to get drunk.
Ethan walks Ana back to Escala, but neither of them have keys. Christian lets her up, but Ethan declines the invitation to stay. Christian is obviously angry when he lets Ana in. The two argue about her decisions. Ana just wants some space to think; Christian is terrified that she will leave him. Christian goes into a submissive posture, telling Ana he will do whatever she wants.
Ana drops to her knees and tells Christian this is not what she wants. Ana tells Christian about her own fears and feelings of inadequacy. She reassures him that she is not leaving, just trying figure out how she feels and what she needs. Christian finally begins talking, telling Ana about how scared he was, for both her and Leila. He tells Ana that he loves her, that she is his lifeline. He places Ana’s hand right over his heart, where he previously forbade her from touch. The two kiss and begin to undress. Christian begins to cry.
Ana apologizes, telling him she would never leave him. She asks for his forgiveness. She wants to know what secret he is hiding that he thinks will make her leave him. Christian looks at her, his expression desolate, and tells her, “I’m a sadist, Ana. I like to whip little brown-haired girls like you because you all look like the crack whore—my birth mother” (444). Ana’s head spins as she struggles to process what Christian just admitted. Her feelings of inadequacy win. She thinks that he really needs the whips and canes. The couple discusses whether Christian can be satisfied without sexual violence. Christian tells Ana that the hurt of losing her made him realize that she is more important to him than the BDSM lifestyle.
Ana then recalls the picture of the woman in his childhood bedroom. She realizes that must have been his birth mother. She says she is exhausted and asks if they can talk about all this tomorrow. She tells Christian she is not leaving him. Then Christian asks her to marry him.
She giggles; then, the giggles turn “into full-scale hysterical laughter” (449). Christian is not amused. Ana tells him that his timing is terrible. She tells him that her answer is not a no, but not a yes. He tells her he wants to spend the rest of his life with her.
The two get off the floor and decide to get a snack. They begin to tell each other what they did after they parted ways in the apartment. Christian gets huffy about Ana going out with Ethan, so Ana turns the conversation back to him and Leila. Christian tells her that he got Leila into a bath. She does not take that well, storming off. She begins to sob, realizing that Christian undressed, washed, and redressed his ex-submissive who had just pointed a gun at her.
Ana cries herself out and then falls asleep tangled in bed with Christian. She wakes at 3:00 am, still tangled with Christian. She climbs out of bed for Advil and a drink. Standing at the large windows, she thinks about all that happened the day before, including a marriage proposal. She thinks about him wanting to hurt women who look like his mother. A cry echoing from the bedroom startles her. She runs down the hall and discovers Christian tossing and writhing in bed. She wakes him.
He tells her he wants her. Ana kisses him back, but then the events of the day crash over her. She whispers, “Christian. Stop. I can’t do this”; he continues kissing her neck. She says, “No, please. I can’t do this, not now. I need some time, please […]’” (463). Christian does not stop. Instead, he asks Ana to touch him as he continues to kiss her, moving down her body. He asks her if she wants to. She says yes.
After, Ana asks about his nightmare, he tells her about the physical abuse he endured at the hands of his mother’s pimp. He also tells her about the hunger and neglect he experienced. Ana asks to see Dr. Flynn. Christian agrees, and mentions having kids someday.
Ana wakes in the morning to realize that it is already 8:45 and she will be late for work. Taylor takes her to work, but Jack snaps at her about being late. He tells her to make coffee and get to work.
Ana has a rough morning, punctuated by emails from Christian. José calls and asks if he can deliver all the pictures Christian bought and stay with Ana for the night. Jack continues to point out flaws and bark orders at Ana throughout the day. Christian also reminds Ana that she should use her Blackberry for emails as the SIP emails are monitored.
Ana goes to lunch and begins to process how she feels about Christian, Leila, and all the complications in their relationship. She wakes from her reverie to realize that she is late again. Jack is not at his desk when she returns, but pops around the corner demanding answers. Ana lies, saying she was in the basement running copies. Jack tells her that she needs to stay until he leaves for New York at 6:30.
Ana continues her day, interrupted briefly by a call from Mia, Christian’s sister, asking if she can come to his birthday dinner. Ana wonders what to get him for his birthday.
At 6:15, Ana has everything ready for Jack’s trip. She goes to the staff room to grab a snack, only to find Jack blocking her exit. He looks at Ana, licks his lower lip, and asks if she will comply.
Ana freezes and then forces herself to remember her self-defense classes. She remembers that she must keep breathing and keep him talking. Ana tries to distract him, saying that his cab will be there soon, but he just smiles and moves closer. Ana asks if HR could help since there seems to be an issue, but Jack just moves closer, telling Ana that she owes him for the job. He accuses Ana of being a spy for Grey. Then, he tells her that he can expand her job description to keeping him happy in exchange for keeping quiet about Christian’s interference with SIP.
Ana’s mind reels, and he continues moving forward. Jack places a hand on her, telling Ana that she obviously wants him. Ana places a hand over his, pulls his pinky back, and knees him in the testicles. She darts out of the break room, down the hall, out of the building, and straight into Christian.
She collapses into his arms and quickly tells him what happened. Taylor and Christian get Ana into the car then Taylor goes into the building to confront Jack. Christian calls his IT person to wipe Ana’s emails from the server; then, he calls Roach, the manager of SIP, and tells him to fire Jack. Christian watches as security escorts Jack out of the building. The couple then returns to Escala. Ana and Christian have Mrs. Jones’s chicken pot pie for dinner then discuss the encounter and the possible visit from José. Eventually, Christian agrees that José can stay with them.
Ana wanders through the house as Christian does some work. She finds the playroom unlocked and goes in. Looking at all the devices, she wonders what some are for and if they will ever go back in there. Christian finds Ana and tells her about the mystery objects. He tosses Ana over his shoulder and takes her to bed. After sex, they fall asleep together.
They wake and have sex again and then have breakfast. Ana wonders what work will be like with Jack gone. She decides to take her new car to work. As Ana pulls in front of the office, Christian reminds her that they are meeting with Flynn that evening. Ana nervously walks into work, finding a note from Elizabeth from HR telling her to go to her office.
Elizabeth tells Ana that Jack abruptly left the company. She asks Ana to take over as acting editor in the interim. The offer takes Ana by surprise as she has only been there for just under two weeks. She calls Christian immediately after the meeting to ask if he did this. He tells her no and that he would never do such a thing. Ana spends the day reading and prepping for an editor’s meeting. Ethan shows up, then Mia. Ana tells them to go to lunch together since she cannot get out of work. Ana pops into a gift shop to buy Christian a birthday present.
Ana and Christian reunite and nervously head into Dr. Flynn’s office. Dr. Flynn and Ana have a private conversation in which Ana expresses her doubts about meeting Christian’s needs and dealing with Christian’s past trauma. Flynn tells Ana that sadism is not an accepted term in the psychiatric community. Flynn’s opinion of Christian’s growth is that it is real and that needs and desires change. Ana tells Flynn that “part of me thinks that if he wasn’t this broken he wouldn’t […] want me’” (559). Flynn tells her that is some terribly negative self-talk. Flynn presses Ana about this insecurity, but Christian interrupts.
The couple leaves Flynn to go to dinner. José calls asking if he can drop off the portraits. Ana tells him that she is staying with Christian, but that he can crash at Christian’s house. Christian begins to direct Ana through traffic, but his constant criticism of her driving causes her to pull over and demand that he drives. He agrees. They arrive not at a restaurant, but at a house.
This section delves more deeply into the themes of The Importance of Consent in Intimate Relationships and The Impact of Trauma on Sexuality. Ana and Christian’s reaction to threats from Leila and Jack illustrate their individual characters. Their reactions to the stress and fear of these interactions draw them closer and deeper into a new world of their relationship.
Leila’s appearance in Ana’s apartment forces Christian to confront what he was hoping to leave behind. He wants to let go of his past, but it has inserted itself in his girlfriend’s living room. Christian focuses on helping Leila and making sure that Ana is safe. Ana focuses on Christian’s behavior. When Ana leaves the apartment, she worries about what Christian and Leila are doing, not about Leila’s mental health or Christian’s concern for her safety. Instead of facing her feelings of inadequacy, she deflects, going to the bar with Ethan.
Christian’s anger greets her when she gets back to the apartment. He cannot believe that she would defy him and not consider his concern. The strangled and tear-filled floor scene shows two young adults trying desperately to face their own issues to stay together. They both decide to prioritize the relationship, but Ana wants more transparency into Christian’s past, which is difficult for Christian.
Ana and Christian try to hold themselves together around their individual issues, Christian’s trauma, and Ana’s insecurity. Ana struggles to understand and absorb Christian’s revelations. She wants time to consider her options, the timing, and her own feelings. Christian’s fear of abandonment cannot handle the ambiguity and forces Ana to commit. The following sex scene echoes the lack of space for considered consent. Ana very clearly says no, not once, but twice, to Christian’s advances. He ignores and goads her until she finally says yes. This interaction embodies their relationship thus far. Christian tests the line between consensual sex and rape again, blurring the line for Ana between her control to say yes and a coerced yes. Christian’s use of coercive control throughout the novel makes it unclear whether Ana truly experiences empowerment or instead only believes she has control over her decision-making while someone else is pulling the strings.
Consent is further complicated by Christian’s response to trauma, which is controlling himself and others through sex. He feels safest in physical relations without emotion. He knows how to please Ana and himself. This knowledge and control allow him to experience intimacy in a way that does not trigger his feelings of abandonment. Christian’s relationship with Elena taught him that his only safe place in a relationship is in physical use to the woman. He tries desperately to give Ana what she wants, allowing her to touch him in places that do not feel safe. She interprets this as trust, but trauma would cause Christian to sacrifice his own autonomy rather than risk abandonment.
James contrasts this interaction immediately with Ana’s encounter with Jack. Ana in no way consents to Jack’s physical contact. Though he tells her repeatedly that she wants him, Ana is in no doubt that she is scared and disgusted by his advances. She fights violently against Jack’s assault and escapes. James uses this contrast as evidence of Christian and Ana’s desire for one another, but the ambiguity in consent lingers. Ana continues to ask permission for simple things, allowing Christian to use sex and anger to control her. James plays Ana’s two experiences of assault against each other to portray Christian’s actions as supposedly more noble, acceptable, or desirable than Jack’s, yet whether Ana understands them this way or not, both experiences are assault. James is advocating the same type of domineering masculinity in both Christian and Jack, giving Ana the ability to accept one experience of assault while rejecting another. The encounter with Jack foreshadows Ana’s need to ascertain her own comfort with what she is experiencing to maintain her relationship with Christian.
Ana’s meeting with Flynn shows the depths of Ana’s issues with insecurity and self-doubt. She confesses that she thinks Christian only wants her because he endured trauma and abuse. Ana does not trust Christian’s love for her any more than Christian trusts Ana’s love for him. Christian thinks that he will feel secure when Ana agrees to be his girlfriend, then when she moves in, now when she marries him. While their attraction is genuine, they will need to discover and heal their own needs before they will be able to engage with each other in the way they are seeking.
James uses these chapters of the novel to further demonstrate the theme of The Importance of Consent in Intimate Relationships. The lack of consent between Jack and Ana shows the hard line between yes and no. The topic of consent is complicated by Ana and Christian’s encounter. Christian’s encouragement and pressure coerce Ana into sex. The relationship between trauma and sexuality informs Ana and Christian’s relationship. His fear of abandonment drives him to bind Ana to him in every way that he can. Ana’s own insecurities reinforce these choices as she feels undeserving of his affection and love. Ana and Christian grow closer in this section of the book, but they have not yet learned to trust each other.
By E. L. James