44 pages • 1 hour read
Samanta Schweblin, Transl. Megan McDowellA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Amanda suddenly becomes aware of herself in the clinic. She tells David she can see him on the bed and asks how long she’s been there. David replies that it has been two days, and Amanda wants to know where Nina is. She gets confused and thinks she is back in the grass with her daughter, watching the men unload the truck. David tells Amanda to focus; he wants to show her something.
Amanda floats in and out of her memories as she walks down the hall with David, growing increasingly confused. David takes her to a room filled with what appear to be children’s drawings. It is a classroom, he says, although he thinks of it more as a “waiting room.” The names on the drawings are all written in the same handwriting, and David explains that the nurse does all the writing. Some of the artists cannot write, and others “have such thin skin that if they squeeze the markers too much their fingers end up bleeding” (122). Not all of them are children. He tells Amanda they have already gone over her story four times; they are running out of time, and he needs her to understand what happened. Amanda knows that she will die, and she returns to her memory of the afternoon with Carla and Nina.
Nina comes over, complaining that her hands are stinging. Amanda kisses her daughter’s palms, and Carla gives the girl a handful of cookies. She trots off, happy again, and Carla resumes her story. She is telling Amanda about the day the rest of her husband’s horses went missing. David would sometimes disappear from his bed at night, and Omar, who had also become uncomfortable around his son, started locking the boy’s door after he went to sleep. One night, Omar woke Carla, telling her that David’s door was open and his horses were missing. The only animal left was a four-month-old foal, standing stock-still in the field as if frozen with fear.
Carla ends her story by telling Amanda she looks pale and asking her if she feels okay. The two women watch Nina play by the well, and Carla confesses that she always wanted a daughter and sometimes dreams of leaving her family and starting over on her own. As Amanda listens, her body feels “numb,” and she finds she cannot respond to the other woman. Instead, she thinks about leaving the town behind and asking Carla to come with her. Amanda finds herself lying in the field without knowing how she got there. Carla fusses over her, asking what’s wrong and how she can help, but Amanda cannot answer. Nina starts to come over, but Carla distracts the girl, giving Amanda time to rest. She falls asleep, and when she wakes, she feels a little better. Relieved, Carla goes to get her car, promising Amanda a glass of iced tea back at her house. Nina sits with her mother, and the two cuddle until Carla returns. In the car, the rescue distance is short as Amanda notices that Nina also looks sick. Carla takes them to the clinic, where Amanda has confused memories of walking down the same hallway she traversed with David and seeing the drawings. She remembers Nina taking her hand and leading her along.
Amanda cannot find her voice to speak to her daughter or tell the nurse what is happening. She is overwhelmed by a painful headache, and Nina has the same symptoms. Carla is taking responsibility for both of them, and Amanda thinks the other woman is almost old enough to be a mother to both of them. She wonders where David is and tries to ask Carla, but she isn’t sure if she manages to speak or not. Finally, Amanda asks Carla to call her husband. The other woman replies in a “condescending tone” that annoys Amanda, telling her that she and Nina have already discussed it. The nurse diagnoses the pair with sunstroke and sends them home with some useless pills.
David takes over the story. He explains to Amanda how she left the clinic, walking slowly and stopping frequently. He tells her that he no longer believes she will understand the important thing, that “it’s not worth it anymore” to go on with the story (140). Amanda insists on continuing.
At the start of this section, Amanda regains some consciousness of her present. Where she previously described only the touch of her sheets and the sound of David’s voice, now she says that she can see David sitting on her bed, and her dialogue describes other parts of the hospital, like the room full of drawings. Instead of a return to reality, this change could indicate that Amanda is becoming more delirious and that her hallucinations are becoming visual in addition to auditory and tactile. She becomes increasingly confused, drifting in and out of the present and repeating parts of her story. As her account becomes more fragmented, David takes over, telling parts that Amanda forgets. At first, this confuses Amanda more; she asks him, “How do you know that’s what happens?” (119), but he reveals that they have circled through the story multiple times. In fact, there is much repetition in the dialogue between Amanda and David, particularly in their talk of worms, the rescue distance, and David’s insistence that certain details are “not important.” Furthermore, Nina’s poisoning and eventual treatment in the green house could be seen as a repetition of David’s sickness. Together, these elements create the sinister impression of an invisible and therefore inescapable danger. No matter how many times Nina tells the story, the ending will always be the same.
This section explores the theme of Maternal Anxiety in the Modern World, showing how difficult it is for Amanda to protect her daughter in an environment she doesn’t understand. Residents have little access to conventional medical care in the rural community where Fever Dream is set. When speaking about her son’s illness, Carla tells Amanda that people in town prefer to seek treatment from the woman in the green house because doctors need to be called in from the city and “don’t know anything and can’t do anything” (20). Likewise, when Amanda arrives at the clinic, there is no doctor on staff, only a “very stupid” nurse. The town’s isolation means that residents are accustomed to dealing with ailments like poisoning, miscarriages, and congenital disabilities in their own way, so the clinic is unprepared to receive Nina and Amanda. When David was poisoned, Carla understood the danger immediately because she “had already heard and seen too many things in this town” (18). She knew the clinic would be useless, so she took David directly to the woman in the green house. Amanda, however, is from the city and has no concept of the risk she and Nina face. The nurse is shocked to learn they are from out of town, looking at them as if “she had to start the examination all over again” (137). The nurse’s reaction suggests that Amanda could have been exposed to one of the hidden dangers that the town’s residents are generally adept at avoiding and that the nurse is unaccustomed to treating.
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