88 pages • 2 hours read
Laurie Halse AndersonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Midway through the novel, Mrs. Bowles, a woman caring for orphaned fever victims, observes that the outbreak “‘seem[s] to bring out the best and worst in the people around us’” (114). Anderson uses the “‘trying times’” (114) of the epidemic as a commentary on human beings’ reactions to calamity on a massive scale and human nature as a whole. While the novel includes many examples of both selflessness and cruelty, the author focuses on humans who choose to care for others despite their own suffering.
The human instinct to protect oneself above others is highlighted the moment yellow fever arrives in Philadelphia: the wealthy “‘fle[e] to their country estates’” (60) while the poor who’ve contracted the fever lie on the floor of a vacant building “‘with little water and no care’” (59). Matilda witnesses the effect of human selfishness after she and Grandfather head to the countryside with a farmer and his family. When the farmer learns that Grandfather, who appears sickly, won’t be allowed through a town, the farmer is so desperate to get through with his own family that he throws Matilda and Grandfather onto the road and drives off, not even bothering to give them their food and luggage. Grandfather asks the town guards for help, but they too reflect self-concern, saying “‘We have to take care of our own’” (83). While such behavior frustrates Matilda, the author does not condemn the guards directly. The instinct to protect oneself and one’s family is a natural one, and even Grandfather says, “‘I shall look after mine’” (83).
When Matilda contracts the fever and ends up in the hospital, she overhears stories about a dying man who “begged” (106) for water while others ran away from him and of thieves who “stole jewelry off the dead and dying” (106). However, Matilda is impressed by the stories of “good people” (106), such as the one “brave soul” (106) who gave water to the dying man and the people who helped strangers without accepting payment, even if “they themselves were […] near destitute” (106). The makeshift hospital where Matilda stays is also an example of selflessness from an unexpected source: Stephen Girard—a rich French merchant and true historical figure—chooses not to escape the fever and instead transforms the Bush Hill hospital into a well-functioning place with capable French doctors.
At this point in the novel, Matilda is not ready to act so selflessly. She refuses Mrs. Bowles’ request to stay and help the orphans, but when she returns to Philadelphia, she encounters even more examples of human greed brought out by tragedy. Matilda and Grandfather come home to find thieves have already rampaged the coffeehouse, not just taking valuables but also purposelessly “‘destroying everything they touched’” (125). More thieves arrive, attacking Grandfather and causing his death. With this new tragedy, Matilda has witnessed what seems like the worst of human behavior. However, when she accompanies Grandfather’s body to the mass grave, she encounters a more positive human response: When the man pushing the death cart and the gravediggers see Matilda’s anguish, they treat Grandfather’s corpse with “respect” (151) and pause to pray, despite the endless, terrible task they must complete.
After losing her grandfather, Matilda is finally ready to participate in the more selfless aspect of human response to tragedy. Matilda rescues and takes responsibility for a young girl, Nell, whose mother died from the fever. Matilda reconnects with Eliza, who, along with many other members of the Free African Society, has tirelessly devoted herself to helping the sick without accepting payment. The Free African Society, a real-life organization, provides another example of human compassion. Eliza proclaims that “‘the Society has done a remarkable job […] car[ing] for thousands of people without taking notice of color’” (176). While helping Eliza in her Society work, Matilda witnesses yet more examples of both selfish and selfless human behavior: the apothecarist overcharges for medicine, making money off of others’ misfortune, while a wealthy merchant family stayed in town because the wife wouldn’t leave her sick servant girl behind.
After seeing the best and worst of human nature, Matilda—and the author—choose to be thankful for the good within human beings, which has only become stronger in the most difficult of times. Matilda starts a new life with some of these good people, including Eliza and Nathaniel, and believes the future is full of “promise” (243).
In an appendix following the novel, Anderson emphasizes the good deeds over the negative ones, saying that the “extraordinary” real-life figures who helped the sick, like the members of the Free African Society and the hospital staff at Bush Hill, “are the real heroes of this story” (251). Anderson’s incorporation of true acts of selflessness adds greater depth to her exploration of human nature and her affirmation of the good within humanity.
Fever 1793 is a coming-of-age story about a 14-year-old girl who wants to grow up to “steer [her] own ship” (12). The collective tragedy and upheaval of the yellow fever epidemic forces Matilda to grow up faster than she would have otherwise. Within four months, Matilda transforms from an unsure, sometimes irresponsible child to a confident and capable adult. Through Matilda’s growth, the author explores how great loss and suffering can spur people to transform and find inner strength in a remarkable way.
In the opening chapters of the novel, Anderson emphasizes Matilda’s constant desire to escape, both on a larger scale (the “ropes that h[old]” her (5)), and on a smaller level (the drudgeries of her daily life). Matilda wants to grow and transform, but she also runs from responsibility, both in dreams and reality. In her fantasies, she imagines traveling to France and running an “entire city block” (12) of businesses, without considering all the hard work and sacrifice required to achieve this dream. In reality, she looks for any excuse to go into town rather than completing the necessary chores at home. Once the yellow fever begins to touch her personally, and her mother falls ill, Matilda still reacts like a child: she “blubber[s] like a baby” (89) and begs ineffectually to be allowed to stay with her mother, but ultimately acquiesces to the adults’ demands that she leave for the countryside.
Once Matilda leaves her mother and her home, disaster forces her to grow up fast. Matilda and Grandfather end up stranded without their food or belongings, and Grandfather falls ill. For the first time, Matilda must take charge of the situation and can’t rely on anyone else to take care of her. She’s scared when she realizes her sick grandfather is “waiting for [her] to decide what to do” (87), but she steps up to the challenge, searching for food and water on her own. However, she still wishes for Eliza’s and Nathaniel’s help and doubts her own abilities, thinking of herself as “a backward, lazy girl child” (89).
Matilda must undergo even greater suffering before she can mature further. While Matilda recovers from the fever faster than many, she hears tragic stories ranging from children mourning their dead parents to parents burying their children. She witnesses the anguish of all the sick patients around her. The epidemic forces Matilda to discover the plights of humans outside of herself and her family—a necessary step toward maturity for any teenager, but one Matilda experiences on an extreme scale. Still, Matilda’s awareness has not yet developed into a responsibility to help others—when asked to stay and care for the fever orphans, she responds, “‘How can I help anyone? I’m just a girl’” (115).
The death of Matilda’s grandfather is a turning point in her transformation. Grandfather dies in a particularly cruel way—at the hands of thieves taking advantage of the disaster—and Matilda has no one to comfort her after his death, or even help with the practical matter of disposing of Grandfather’s body. Matilda feels “like a baby girl just learning to walk” (148), but she doesn’t act like one. She rationally brings Grandfather’s body out to the death cart, accompanies him to the mass graveyard, and even demands that the men pause to say a prayer over his body. Matilda’s reaction to Grandfather’s death is worlds away from her response to her mother’s illness just a few weeks earlier. Instead of giving in to despair and allowing others to make decisions for her, Matilda is standing up for herself and the people she loves.
Soon after Grandfather’s death, Matilda starts caring for orphaned Nell and accompanies Eliza as she tends to the sick throughout the city. Now caring for a young child and working hard without complaint, Matilda has matured enough to tell Eliza, “‘I’m not a little girl. I can take care of myself’” (175).
By the time the novel ends in December 1793, the yellow fever has abated, and Philadelphia is once again a thriving city. While the signs of “the terror we had all endured” (243) may have faded, Matilda’s inner transformation is permanent. With Eliza as a partner, Matilda takes over the coffeehouse, stepping into an adult role she couldn’t have handled just a few months earlier. After living through unimaginable tragedy, witnessing the suffering of so many, and taking on adult responsibility in order to survive, Matilda has come of age faster and more dramatically than most. On the final page of the novel, Matilda no longer needs someone to tell her to “stop dawdling and get to work” (243). Matilda, now responsible for her own welfare, begins to “steer [her] own ship” (12).
As a novel set during a yellow fever epidemic where nearly 5,000 people died of the disease in the span of a few months, Fever 1793 naturally deals with themes of death and its effect on the human psyche. The novel also includes many examples of new life emerging from the ashes, emphasizing that hope can help people survive great destruction. Anderson reminds readers that the cycle of life does not end with death; instead, new life is constantly emerging even in the darkest of times.
Fever 1793In the beginning of the novel, Anderson emphasizes the city’s vibrancy and life—Matilda says that Philadelphia is “wide awake […] teem[ing] with horsemen, carriages, and carts” (4). The Cooks’ coffeehouse, as a social center, is likewise “crowded with gentlemen, merchants, and politicians” (7) engaging in lively discussion of the city’s future. Only the coffeehouse garden hints at the death to come: thanks to the summer’s drought, it contains “thousands of drooping plants,” though these elements of nature are still alive and “crying for help” (11).
The fever enters Matilda’s life dramatically, with the death of her childhood friend Polly, and from that point on imagery of death becomes steadily stronger in the narrative. Soon “the church bells of Philadelphia toll […] without cease” (54), marking each new death, as bodies “‘pil[e] up like firewood’” (64). Both the city and the coffeehouse go from centers of activity to wastelands, as anyone who can leave Philadelphia does so and the Cooks are “lucky to get four or five customers a day” (54). When Matilda’s mother catches the fever, death comes even closer to Matilda, as she worriedly describes her mother lying motionless with “skin the color of an old weathered barn” (70)—but at least, Matilda says, she’s still “alive” (70). Many others are not so lucky, and Matilda is soon forced to confront death up close: when she falls ill with yellow fever herself, she awakens in a hospital bed to find a corpse lying beside her.
Once Matilda recovers, she and Grandfather return to Philadelphia to find even greater evidence of death, and Matilda begins to lose hope. Witnessing the houses and business barred against fever, the death carts laden with bodies, and the citizens ignoring their neighbors’ plights, Matilda says that “Yellow fever was wrestling the life out of Philadelphia, infecting the cobblestones, the trees, the nature of the people” (119). She is living through a “nightmare” (119) that becomes worse when she and Grandfather find the coffeehouse ravaged by thieves, another sign of destruction and the death of their safe, prosperous life. Their garden “look[s] dead” (127), the life-giving vegetables “devoured” (127) by insects. Matilda remains hopeful as she works hard to water and weed the garden back to life.
Soon after Matilda and Grandfather return to the coffeehouse, Grandfather is attacked by thieves and dies. Matilda briefly gives in to despair, believing that “the sun need not rise again” (147); however, she soon realizes that she can’t “hid[e]” or “run” from death (151), and she finds the strength to give her grandfather some semblance of a funeral. Grandfather’s death gives birth to a new Matilda, one who realizes she can’t rely on others to survive and must find hope and strength within herself in order to overcome the desolation around her.
Themes of hope and life, despair and death unite when Matilda helps Eliza tend to the sick throughout Philadelphia. Even with the lingering “stench” (193) of sickness and death, Eliza urges Matilda to “‘be strong and have faith’” (177) that the fever will end, and a new “‘season’” (177) of life will begin. Eliza’s nephews fall ill, and Matilda and Eliza bring the children to the coffeehouse. Matilda again encounters a garden that strongly symbolizes death: Amid “dry stalks […] like scrawny fingers” and “rotted, wormy vegetables,” Matilda feels she’s “trapped in a night without end” (207) and collapses in the garden in despair. In that moment surrounded by death, Matilda finds hope: she awakens to find a frost has arrived, ending the fever. She, the children, and her city have survived.
Philadelphia and its citizens return to life: what had become a “ghost city” has now, “like a wilted flower stuck in a bowl of water,” regained the “strength” to “blossom” (220). Likewise, Matilda blossoms as she runs the once-again thriving coffeehouse. The novel ends with an image of new life triumphing over death: Matilda watches the “yellow sun r[ise],” full of “hopes and promise,” as a new day begins (243).
By Laurie Halse Anderson