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bell hooksA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
bell hooks reflects on the feminist movement’s progress since she published her first book in 1981, Ain’t I a Woman: Black Women and Feminism. She notes that Ain’t I a Woman was published 10 years after she completed the first draft. When bell hooks began discussing feminism publicly, there was no theoretical basis from which she could draw; feminist theory was still in its nascent stage. She notes the disconnected nature of the first-wave feminist movement; notable feminists were not in communication with each other in the same way that privileged, white academics are connected through shared, academic discourse communities. Rather, she states that first-wave feminism consisted of “individual women [who] were rebelling against sexism all over the place” (xii).
hooks situates her own entrance into feminism in her patriarchal, childhood home and her decision to pursue higher education against tradition. Second-wave feminism hit its stride while hooks was in university, and feminist theory emerged as a discipline. “[I]nitially feminist theory was the site for the critical interrogation and re-imagining of sexist gender roles” (xii) alongside reevaluations of women in history. For hooks, the intersection of gender, race, and class is crucial in discussing feminism and her main motivation in writing this book.
The critical landscape has changed since the book’s publication, and hooks notes that feminism today is a self-critical movement, consistently reevaluating and refining its arguments in the context of social change and progress. Yet when hooks first published Feminist Theory: From Margin to Center, many female academics did not accept including race in their discourse. bell hooks argues that the theories presented in this book are as relevant today as they were when she wrote them and that white supremacist, capitalist, patriarchal oppression is still widespread. Still, she expects an imminent, feminist revolution to arise from feminist theory.
bell hooks explains her understanding of the margin through an anecdote of her childhood Kentucky home. She describes how members of the Black community needed to cross railroad tracks to work in the larger white community nearby, but they always needed to leave that community and return home at the end of the day. There was no guarantee of returning either, thanks to racist violence. This resulted in continual awareness of how the margin interacts with the “center” of whiteness and privilege. Understanding the margin as both a physical place and a site of inequality creates a more complete perspective of how society works, who depends upon whom, and the value of a Black person’s life.
hooks connects this perspective to her narrative approach in Feminist Theory: From Margin to Center, as she attempts to write from all possibilities. The conflict between margin and center was hooks’ primary motivation in writing this book.
bell hooks states that at the time of her writing, feminism in the United States has largely ignored the experiences of individuals living on the margins. She questions the legacy of Betty Friedan’s 1963 feminist book The Feminine Mystique and its focus on middle- and upper-class white women: “She did not discuss who would be called in to take care of the children and maintain the home if more women like herself were freed from their house labor” (2). hooks moves on to discuss class and its implications on a woman’s psychological environment. She quotes Leah Fritz, a feminist who states in her 1979 book Dreamers and Dealers, “Suffering cannot be measured and compared quantitatively” (4). hooks, while admiring Fritz’s statement, calls it “hopeful thinking.” Classism and racism are integral parts of one’s identity as a woman, and even if suffering cannot be measured quantitatively, compounding oppressions must be considered more important to feminist movements.
With this, hooks refutes that sexism is the central, shared suffering of all women, and she maintains that classism and racism do more to take away the power of choice from marginalized women. She asserts that the “rhetoric of commonality” (6) used by wealthy, white women is discredited by their access to higher education, media, and other avenues of discourse; in short, this rhetoric shaped the feminist movement because privileged women believed it to be true and were the only ones able to access these institutions. hooks calls second-wave feminism a “bourgeois ideology” used by privileged, white women to support their class interests.
After stating these limitations and problems within the feminist movement, hooks explains how her own need for feminist reform is informed by her life experience of sexism, racism, and classism. She describes how she began noticing systems of oppression and patriarchy as an early teen. In her classes at Stanford University, hooks experienced condescension from her white, female classmates, who generally lacked the motivation to understand the lives of Black women. hooks locates the need for white women to express authority in the “myth” of a “strong, superhuman black woman” (15).
hooks goes on to link white women and sexist Black men as groups that, though oppressed by institutionalized patriarchy, white supremacy, and capitalism, often exert their desires to oppress an Other on Black women. She states that only Black women are in no position to oppress anyone else.
bell hooks begins this chapter by examining the struggle to “arrive at a consensus of opinion about what feminism is or accept definition(s) that could serve as points of unification” (18). Hooks argues that without a set definition, the feminist movement cannot develop a unified political theory, identify common aims, or engage in impactful activism. hooks contests the prevailing, media-driven definition of the feminist movement as one with the end goal of equality to men, as it does not designate which class or race of men is meant. She asserts that dismantling systems of oppression and domination must be the focus of a feminist, revolutionary movement.
Another obstacle in defining feminism is that many women do not want to be associated with the movement or seen as advocates for gender equality. hooks describes how the popular feminist slogan “the personal is political” (26) encourages women to be self-critical and evaluate their personal experiences in the context of political reality. She believes this practice is an entry point to feminism but insufficient on its own, and that further critical examinations of social politics and global revolutionary politics must be engaged with. For hooks, this book’s central, crucial message is that feminists should examine their entire political reality, including race and class oppression, to arrive at a working definition of feminism. Put simply, feminist activism should share the goal of ending domination of all kinds. This would “centralize” the experiences of all women as it emphasizes diversity and equality.
hooks casts a critical eye on alternative and women-centered utopias, such as women-only communities, as unsustainable, imperialistic, and emphasizing the individual over the collective good (the collective meaning society outside of specific communities or cooperatives). hooks proposes using such phrases as “I advocate feminism” instead of “I am a feminist” (31) to combat preconceived notions and biases about what it means to identify as a feminist: The emphasis should be placed on supporting collective action, not individual identities. Furthermore, this phrase allows feminism to be part of a woman’s political beliefs rather than the singular, defining aspect of her engagement with political reform, thereby contesting Western dualism and either/or ideology.
hooks emphasizes again that feminist theory has largely been developed by privileged, white women with access to higher education. With this, their definition of feminism as a movement addressing equality does not consider what it would take for women living on the margins to achieve liberation. hooks concludes this chapter by stating any definition of feminism must focus on “[eradicating] the underlying cultural basis and causes of sexism and other forms of group oppression” (33) by positioning feminism as a direct response to sexist oppression.
Published in 1984, bell hooks begins Feminist Theory: From Margin to Center by surveying the then-current state of feminism. She highlights that despite its strides, the movement lacks diversity, representation, and leadership from the margins, and she establishes her argument that sexist oppression can only be eliminated by considering the compounded impacts of gender, class, and race. In these early chapters, hooks establishes the importance of marginalized voices in feminist communities while acknowledging that many lack the education and access to theory needed to meaningfully engage with theories of liberation. With this, she sets the groundwork for one of the book’s major themes, The Need for Educational Reform, and demonstrates her own commitment to this principle through her writing style, which is authoritative but simple and direct. She avoids using jargon, and when she does use theoretical language she defines her terms.
“Margin” is an example of hooks defining her terms. She shares the anecdote of Black people living on the outskirts but commuting to the white town center to work, performing labor to prop up the dominant class without having rights to that space or being welcome outside of their subservient positions. With this, hooks creates a map of physical space that can serve as a metaphor for margin theory. hooks notes that when one moves between the margin and the center, both in the physical and theoretical realms, they risk racist, classist, and sexist violence. In other words, being on the margins is precarious due to oppression.
To demonstrate a personal investment in this boundary, hooks describes her own history growing up on the margins and how difficult it was to attend women’s studies classes at Stanford. hooks asserts Stanford as an institution largely props up dominant systems of power, meaning in this case white supremacist and classist objectives. As such, even women’s studies classes that purportedly aimed to spread feminist ideas were infected by classism and racism; hooks shares that she experienced racist and classist discrimination from her peers. Feminist Theory is therefore grounded in personal experience as well as political theory, creating a relatable entry point for readers who might be unfamiliar with feminist thought. She also alludes here to the different ways sexist oppression emerges in society and that sexist oppression is woven into the US’s colonial, capitalistic society.
hooks’s also engages with other feminist texts to establish her voice within the feminist canon. She begins by disagreeing with fundamental feminist texts like The Feminine Mystique by Betty Friedan to emphasize her own position on the margins of society (and therefore not addressed by Friedan’s theories, written from the center) and to demonstrate that Feminist Theory: From Margin to Center offers a revised understanding of mainstream feminism based off of experiences as a Black, working-class woman. By including block quotes in her writing and citing feminist scholars and activists, hooks uses the book’s form to embody the multiplicity of voices, opinions, and motivations at play in the feminist movement. She references other Black feminists like Cellestine Ware and Marxist feminists like Jeanne Gross to highlight other contributions made from the margins and counterpoints to texts by white, mainstream feminists.
hooks' central argument against mainstream feminism is its lack of concern about the racial and class boundaries that exist between women within the movement. Leadership in the feminist movement largely falls to wealthy, university-educated white women. Consequently, many of the movement’s main objectives serve the class interests of these women with little to no acknowledgment of the women living on the margins of society. Discrimination and exploitation are particular to women on the margins, as educated, wealthy white women are not exploited for their labor or time to the degree that women on the margins are. hooks notes that feminism that only prioritizes getting privileged, white women into professional spaces requires shifting the burden of domestic labor to working-class women, much as patriarchy demands women perform unpaid domestic labor for their husbands.
As a counterpoint, hooks gives her own definition of feminism: “the struggle to end sexist oppression” (26) in all of its forms and across class and race divides. With this, hooks establishes another of her themes, The Importance of Solidarity in Feminist Movement, arguing that women who are only fighting for their own class interests or to elevate women above men will not achieve feminist liberation. She relates this to feminist communes and women-only communities as well, emphasizing that small-scale liberation is not enough. Rather than creating microcosms of gender equality, she advocates solidarity and mass movement to achieve broad, social change.
By bell hooks
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