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66 pages 2 hours read

Brandon Mull

Fablehaven

Fiction | Novel | Middle Grade | Published in 2006

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Themes

The Importance of Rules and When to Follow Them

The thematic importance of rules, both magical and mundane, is prominent in Fablehaven. Rules serve to maintain the balance of the preserve, and because of her strict adherence to them, they also serve to keep Kendra safe during the defining battle at the climax of the novel. Further, Mull makes an argument about when and why to follow rules—and when to break them.

Grandpa tells Kendra and Seth about the agreements that Fablehaven is built on just after they drink the milk for the first time. He tells them that “the fundamental premises of the law are mischief for mischief, violence for violence. [The magical creatures] will not initiate trouble unless you break the rules. You have to open the door. If you harass them, you open the door for them to harass you” (79). These rules are what keep Fablehaven functional. The preserve requires humans to function, and the magical creatures that live there need the preserve to be free from the dangers of the outside world.

Kendra’s unwillingness to rebel or risk breaking the rules is what ultimately keeps her safe so that she can save the rest of her family. After Grandma, Grandpa, Seth, and Lena have all been captured, Kendra remains free and unharmed precisely because of her close attention to the rules. Her grandfather tells her that “they can’t touch you[...] you have caused no mischief, worked no magic, inflicted no harm” (292) before telling her to save herself. Though she flees the Forgotten Chapel temporarily, she uses her sincerity and purity to petition the Fairy Queen for her help.

Mull is not, however, encouraging blind adherence to the rules that one is presented with. At the beginning of the novel, Grandpa acknowledges the“pleasure of disobedience” and the “thrill of rebellion,” (59), both things that Seth is undeniably drawn towards. However, as the novel progresses and both Kendra and Seth grow in turn, their reasons for breaking and following the rules changes. When the siblings are breaking into the barn in their search for Grandpa and Lena, Kendra points out that “Grandpa told us never to enter the barn” (208). When Seth retorts that they’re already in trouble, Kendra reminds him that the barn could truly house something dangerous. Kendra suggests that they adhere to the rules out of concern for their own personal safety, not out of a fear of getting in trouble. Later, while trying to gain access to Nero’s cave built into the side of a cliff, Seth disobeys his grandmother and takes on Nero’s challenge himself. It soon becomes clear, however, that Seth has disobeyed not out of simple obstinacy, but out of concern for his grandmother’s wellbeing; as a child, he is much more equipped for feats of agility than she is.

Over the course of the novel, Mull makes it clear that although rules are important, one should be fully informed about those rules so that they can decide for themselves why to follow or why to break them.

Subjectivity of Perception and Experience

Fablehaven is rife with examples of subjective perception and experience. Mull explores this idea through Lena’s experiences as a naiad, Grandma’s experience as a chicken, and the literal change in perception that occurs when Seth and Kendra drink the milk.

As Grandpa tells Seth and Kendra, the naiads who live in the lake hidden in the park in the forest are dangerous precisely because their perception of reality is so different than that of humans. He explains that they drown humans for fun, and when Kendra protests the cruelty of the action, he tells her that it “depends on your perspective [...] to them, your life is so ridiculously short that to kill you is seen as absurd and funny. No more tragic than squashing a moth,” (77). While she doesn’t discuss the humans she undoubtedly drowned during her time as a naiad, Lena later corroborates the fact that naiads see things differently than humans. When Kendra asks her what it was like to be a magical creature, Lena replies that it is “hard to say [...] it wasn’t just my body that became mortal; my mind transformed as well [...] mortality is a totally different state of being [...] I was absolutely content as a naiad. I lived in an unchanging state [...] never thinking of the future or the past, always looking for amusement, always finding it,” (91). The way that she describes her perception of the world as a naiad is unquestionably different than the way she views the world as a human, though Mull makes it clear that neither viewpoint is superior to the other.

Grandma Sorenson shares a similar experience when she tells Kendra and Sethwhat it was like to be a chicken. She tells the children that she “lapsed into a twilight consciousness, incapable of rational thought, unable to interpret [her]surroundings as a human would” (239). She recalls the difficulty of communicating via the message she spelled out in chicken feed, telling Kendra and Seth that “my mind wanted to slip away, to relax. I wanted to eat the delicious kernels, not arrange them into bizarre patterns” (240). The way Grandma Sorenson viewed the world as a chicken is again unquestionably different from the way that she views the world as a human.LikeLena, though, she does not place judgment upon the way that a chicken thinks about the world; she simply tells Kendra and Seth how different it was.

Finally, Kendra and Seth’s literal perception of the world is changed astronomically when they drink the milk and find themselves able to see the magical creatures that inhabit the preserve. After seeing the fairies for the first time, Kendra marvels to herself that “there was no way she was really seeing this, right? [...] but [...] how could she deny what was before her eyes?” (73). Later, Lena tells Kendra and Seth that being able to see the evil creatures clearly on Midsummer’s Eve will help them stay safe, informing them that “some of the most insidious tricks [...] will involve artifice and illusion. Without the milk you could beeven more susceptible. It would only broaden their ability to mask their true appearance” (158). Though being able to see these creatures clearly can help them stay safe in some ways, it can also open them up to danger. GrandpaSorenson tells them that when they were unable to see the magical creatures, they were unable to interact with them, and therefore the children were safe from any retributive magic.

Throughout the novel, Mull explores several different types of consciousness and several different ways of seeing the world. By weighting them all equally, he makes it clear that no one perspective is the “right” one. This is an especially pertinent lesson for the young adults at whom the novel is aimed; they are just beginning to go out into the world and must learn to be tolerant and curious about other viewpoints, rather than judgmental or dismissive.

The Importance of Place and Boundary

Throughout the novel, Mull stresses the importance of place and physical boundaries. He establishes the entire preserve of Fablehaven as a special area and delineates designated spaces, sometimes within other designates spaces, which are reserved for mortals or magical creatures alone.

Grandpa, Maddox, and Lena all stress the importance of Fablehaven as a protected preserve for endangered magical creatures. Lena tells Kendra that though some magical creatures remain in the wild, “the day will inevitably come when the only space remaining to [magical creatures] will be these sanctuaries, a precious gift from enlightened mortals” (115). In this way, Fablehaven is a special place marked out by physical boundaries that act to protect the magical creatures who reside there.

However, there are also spaces marked out within Fablehaven that exist to protect the mortals who inhabit the land. Grandpa warns Kendra and Seth that“there are geographic boundaries set where certain creatures are allowed and certain creatures, including mortals, are not permitted. The boundaries function to contain the darker creatures without causing an uproar. If you go where you do not belong, you could open the door to vicious retribution from powerful enemies”(80). The attic is the safest place in the house, and the house itself is off-limits to all magical creatures except brownies. The yard allows only (relatively) harmless creatures, and even the parts of the forest that are easily accessible are populated by the less-dangerous magical creatures.

Mull’s discussions of physical space and geographic boundaries are an eco-critical take, especially considering the time in which it was published and Muriel’sassertions that the Sorensons cannot really own the land. The most dangerous magical creatures are not allowed to cross into mortal spaces, but mortals can enter their domains. This parallels the relationships between humans and wild animals. The responsibility for preserving spaces and not going where one doesn’t belong lies entirely with the humans.

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