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101 pages 3 hours read

Sungju Lee, Susan Elizabeth McClelland

Every Falling Star: The True Story of How I Survived and Escaped North Korea

Nonfiction | Autobiography / Memoir | YA | Published in 2016

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Symbols & Motifs

Chileseong (The Big Dipper)

Chileseong is a constellation, often called Ursa Major or the Big Dipper in English. The image of this particular constellation is referred to throughout the text, typically whenever Sungju either misses his parents or feels lost during his time as a kotjebi. This constellation has particular significance because his father pointed it out to him in his youth, and so seeing it reminds Sungju of his father. He tells Sungju that he can always look up to the sky and see this constellation when he is in pain or in need of guidance. This is mirrored toward the end of the narrative, when Sungju talks about the same constellation with his grandfather, who sees a shooting star and encourages Sungju to make a wish. The scene with his grandfather, and the belief in looking to the stars and something larger than ourselves for hope, also informs the book’s title, Every Falling Star.

This particular constellation is meant to symbolize a way home for Sungju. Rather than guiding him toward a physical place, it is a visual cue that helps Sungju remember the family that loves him and motivates him to stay alive. Chileseong also stands in for a higher power, something larger than himself that Sungju can pray to or meditate on as his faith in Joseon’s regime fades.

Ghosts and the Supernatural

Ghosts, or yu-reong, are mentioned throughout the text, often right before or just after a tragedy occurs. In addition to acting as a literary device, much like magical realism and foreshadowing might, the ghosts also remind Sungju that he, or someone close to him, is about to cross a threshold, either death or separation (or both).

Notably, Sungju dreams of death and ghosts before both Myeungchul’s and Young-bum’s respective deaths. He also claims to see the ghosts of young boys who died while in the guhoso. These incidents all fit in with the narrative’s mythic feel, given young Sungju’s belief in Kim Il-sung’s ability to transform natural objects into food and weapons, and his later belief in “seers” who can tell his fortune.

Since the book is a work of narrative nonfiction, it could be argued whether the ghosts are meant to be taken literally or if they are a means to describe the ineffable feeling of loss that Sungju suffers after witnessing so many deaths. Either way, the repeated images of ghosts symbolize the end of one phase of Sungju’s life and the beginning of another.

Dreams

Much like the ghosts mentioned above, dreams are a key feature in the text. Sungju devotes a lot of time to detailing his dreams and what they reveal to him throughout the narrative. His dreams often tell the future or warn him about something, and his dreams even reveal to readers a fear or worry that they may not otherwise be aware of. The significance of dreams is made apparent in the first two sentences of the book: “I dream. And in my dream, I’m a general in the army of the Democratic People’s Republic of Korea” (1). Starting the book with this dream indicates that dreams are meant reveal where Sungju is on his personal journey and reflect his state of mind.

Dreams and daydreams often keep Sungju going even during times of great struggle. Sungju’s father instructs him to think about warm, rich food when he is hungry to trick himself into feeling full. Dreams also warn him of hardship to come. But losing himself to dreams won’t fix anything, as the death of Myeungchul, the dreamiest member of the gang, makes clear. Myeungchul is an eternal optimist who openly daydreams about what he wants in life. He is the first gang member to die in a fight. Sungju knows that dreams can sustain him during difficult times, but leaning on them too much will only cause him to suffer more—or perhaps they will distract him and lead him to his death.

Hunger and Survival

Hunger and survival recur throughout the book, especially while Sungju is living as a kotjebi. Sungju and his brothers’ choices are all made to feed themselves and keep themselves alive, and include stealing, fighting, collaborating on crimes, sneaking around, and manipulating others. Such actions go against many of the values Sungju was brought up with, but hunger and survival are basic instincts, and they dictate many if not all of these choices. These instincts also motivate the people around the brotherhood, many of whom are also in situations where they must prioritize their own hunger and survival above all else.

Hunger in particular takes on greater importance when thinking about escape. Unlike some of the other kotjebi, Sungju always hungers for more, whether it be a more stable life or reunion with his family. He doesn’t want an extravagant life, but he does have a strong, human desire for connection, safety, and freedom. This keeps him motivated yet grounded, two attributes that help him live long enough for his father’s men to find him and smuggle him out of the country.

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