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54 pages 1 hour read

Cherie Dimaline

Empire of Wild

Fiction | Novel | Adult | Published in 2019

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Symbols & Motifs

Bone Salt

When Joan reaches out to Ajean for help in getting Victor back, Ajean recommends the use of bone salt. Ajean explains that some individuals grow bones out of random body parts; once those bones fall off, they can be scraped or ground to produce a fine powder. Ajean explains to Joan, “[I]f you need to contain the rogarou, you put it around him. If you need to keep your house safe, you put it around that” (147).

The bone salt symbolizes the continuity of tradition and history and the power of ancestral wisdom that is passed down through Indigenous culture. Bones are enduring and remain when the rest of the body decays. Bones thus symbolize how individuals who may have been dead for a long time still have a haunting presence and their wisdom can still be pertinent. Joan is not familiar with bone salt, how to make it, or how to use it, but Ajean passes down this wisdom to a younger generation. While all individuals are going to die eventually, something is going to remain after they are gone, and this can include their bones as well as their teachings.

Since bones persist for a long time, they are also a reminder that the past does not simply disappear: Traces of it always remain. The bone salt that Joan uses comes from bones grown by her mother and brothers; her mother’s people can be traced back to the Red River. In the Prologue to the novel, Dimaline also describes how “this salt came from the actual bones of one particular Red River family, who drew their own boundaries when the hand of God did not reach down to do it for them” (2). The Red River colony was a 19th-century settlement located in what is present-day North Dakota and the province of Manitoba; the settlement was home to a significant Métis community and was the birthplace of Louis Riel, a Métis leader who led uprisings against the Canadian government in the 1800s. Through the symbolism of the bone salt, Dimaline evokes a sense of interconnection between different Métis communities in Canada. The bone salt symbolizes a desire for control and safety: The early Red River settlers used it to try to lay claim to a place from which they would no longer be displaced, and Joan later uses it to demarcate boundaries that a rogarou cannot cross.

Woods

At key moments in the plot, characters move into natural spaces that have not been developed or shaped by humans. Joan has a deep attachment to the wooded plot of land that she inherits from her father. During his time with the Ministry, Victor displays the unusual behavior of preferring to sleep alone in the woods. The interspersed plot in which Victor struggles with the rogarou also unfolds in a setting that resembles a densely wooded forest with a clearing at the center. The motif of a wooded landscape develops the theme of Exploitation Versus Respect for Land: The woods are places that show that nature can function without human intervention and where humans are often appropriately humbled into understanding that they exist as part of the natural world, rather than being capable of exerting dominance and control over it. In a sense, Victor is being punished by being trapped in the woods because he thinks Joan’s woods are there to be sold like a commodity and manipulated for human profit.

The motif of a wooded landscape is also used to develop a sense of the vulnerability and fear that can result when individuals know that they are no longer in control. In the mythology of the rogarou, he typically appears in the woods, often at night. Joan’s frightening encounter with a rogarou when she is a young girl takes place when she is walking through the woods. Victor’s struggle with the rogarou and the terror he feels also unfold in a wooded setting. In the woods, a worldview that centers human beings and encourages them to see themselves as in control dissolves, leaving them forced to reckon with their own vulnerability.

The Bible

When Joan is feeling optimistic about her ability to win Victor back from Heiser and his ministry, she removes the Gideon Bible (which is commonly found in North American hotel and motel rooms) from her motel room and throws it into the parking lot. However, the Bible has mysteriously been placed in front of her door the next morning. It also reappears when Joan gets back to the motel room after saving Victor and sees that Zeus is missing. The Bible symbolizes how systems of oppression make it very difficult for Indigenous people to remain in positions of power and stability and how their fortunes often reverse.

When Joan experiences hope and a sense of power over her destiny, this sense of empowerment is quickly subverted by the realization that things are out of her control. She tries to cast off the forces that work against her, but they keep coming back. As a sacred text associated with Christianity, the Bible symbolically contributes to the novel’s exploration of how organized religion, especially Christianity, has been used to oppress Indigenous people in Canada. As a printed text that contains laws and commandments, the physical object of the Bible also evokes the many laws, legal acts, and treaties that have been used over the centuries to constrain the rights and freedoms of Indigenous people. The nature of the text also juxtaposes traditions centered on establishing laws through written texts against oral traditions and storytelling. The fact that the Bible keeps returning to Joan’s doorstep shows that she, and other Indigenous people, cannot easily cast aside these systems that make it hard to regain autonomy.

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