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49 pages 1 hour read

Heather Fawcett

Emily Wilde's Encyclopaedia of Faeries

Fiction | Novel | Adult | Published in 2023

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Background

Cultural Context: Faeries of Folklore

Faeries, or fairies, are part of European folklore connected to many different cultures and religions. The most well-known faerie folklore stems from Ireland, Scotland, Wales, and England, but also have roots in Greek and Arabic mythology. Faeries, or fairies, are mythical beings intrinsically connected with the natural world.

Though interpretations of faerie folklore vary, faeries are often regarded as mischievous in spirit—neither wholly benevolent or malevolent, but prone to trickery and incapable of mortal emotions such as empathy or unconditional love. Many of their interactions with humans are transactional. Bargains with the fae often sound advantageous to humans at first, but ultimately yield unfortunate results. It is a widespread belief that faeries have a weakness to iron.

Faeries can take many shapes and sizes and can be either humanoid or entirely different creatures. More often than not, humanoid faeries are perceived as being ethereal and beautiful, beyond mortal capacities. It is also common for faeries to have extended or near-immortal lifespans worth several human lifetimes. Though there is rarely such a thing as a harmless faerie, there are also more peaceful and benevolent faeries, such as Brownies. Brownies are guardian faeries known for their phenomenal housework, such as cleaning, mending, and cooking. Alternatively, there are many sinister faeries such as banshees, redcaps, and goblins.

In some tales, the fae live underground or in stone hills; in others, they live in separate realms typically referred to as faerie realms (these are sometimes connected to our world via earthen mounds or caves). Time in the faerie realms typically operates differently than in the human realm; one hour in faerie realms may equal a year in the human world. It is widely believed that if humans consume faerie food or drink, they’ll be forever trapped and/or unable to escape faerie compulsion, or “glamour.” Faerie songs and dances are supposedly very hypnotizing, often causing humans to dance until their feet bleed or they die of starvation.

Scottish faeries are unique in that they are split into opposing courts: the Seelie and Unseelie. Both are dangerous and manipulative, but the Seelie Court is most likely to interact with humans and return favors. The Unseelie Court is more inclined to violence and cruelty.

The increasing popularity of faeries in young adult and adult fantasy romance is attributed to bestselling authors such as Sarah J. Maas, Holly Black, and Julie Kagawa. These authors draw from faerie folklore for inspiration, but it is common for depictions of fae to vary widely from series to series.

Genre Context: Cozy Fantasy and Dark Academia

Cozy Fantasy is a recently emerged sub-genre of fantasy that focuses on comforting atmospheres and mundane life experiences in a fantasy setting. The narrative is often calming, wholesome, or recovery focused. Romance is often a subplot of cozy fantasy due to its focus on mental and emotional well-being, relationships, and a character’s overall sense of contentedness with life.

Often, the core of cozy fantasy isn’t necessarily the fantasy itself, but the sense of community, found-family, and togetherness. Emily Wilde’s Encyclopaedia of Faeries is cozy in terms of its small-town setting, the homely cottage Emily shares with Wendell, the animal companion Shadow, and the wholesome townspeople who become Emily’s found-family. The townspeople fill a gaping hole in Emily’s life. She has no family aside from her brother, whom she sustains a long-distance relationship with. Her anti-social and socially awkward nature craves solitude, and she’s unable to foster important, lasting relationships with people. The satisfying love the kind-hearted townspeople and Wendell offer Emily for the first time in her life lend a cozy atmosphere to the novel.

Dark academia first began as an internet aesthetic present through imagery, fashion, and interior design (for example, on Pinterest or Tumblr), but quickly made its way into recent fiction, specifically in the mystery/thriller and fantasy genres. In appearance, it often features dim but cozy homes, dark interior design and color schemes, books, plants, and maximalism. Stories in dark academia take place in academic settings and typically includes a mystery at its core—most often murder. They typically involve a cutthroat student body, academic rivalry, and deadly stakes. Popular fantasies in the dark academia genre include Ninth House by Leigh Bardugo and A Deadly Education by Naomi Novik. Though Emily Wilde skews toward cozy fantasy, Emily’s obsession with scholarship often leads her to be cold-hearted, objective, and morally gray in her actions. When given a decision between acting on her feelings or chasing knowledge, knowledge will always be her first choice, even at the detriment to those around her. The prioritization of academics that Emily displays relates her more to the faeries—who are unable to easily grasp concepts of empathy and morality—than to her fellow humans. In addition to Emily’s character, the dark and isolated nature of the cottage, filled with her scientific work and inhabited at first by only Emily and her dog, lend itself to the aesthetic aspect of the genre.

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