54 pages • 1 hour read
Kaye GibbonsA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Ellen Foster explores the attachments that form a family and operates on a marked contrast between the cultural image of the nuclear family and the many variations that may appear in reality. Ellen’s experiences with her birth family and her foster family prove that the associations of “family” do not rely on biology.
The judge who places Ellen in her grandmother’s custody because the family is “society’s cornerstone” (56) subscribes to the notion that a biological relationship inspires a sense of obligation or affection deeper and more powerful than other forms of relationship. He believes that two parents in a single household is the ideal environment for raising a child and will supply the security and nurturance a child requires to develop life skills. With Ellen’s father before him in police custody, the judge has ample evidence that, as Ellen ironically points out, her family is not the “Roman pillar” of society but “crumbly old brick” (56). In light of the information that Ellen’s grandmother in fact bears a great deal of hostility toward Ellen because of her father’s treatment of his wife, the judge’s decision is more cruel than wise.
Ellen’s father’s physical and sexual assault on her represents one of the ways that this supposedly “special” bond of family can be warped and abused. His confusion of Ellen with her mama reflects not just his incapacity under the influence of alcohol but a misdirection of the expected bonds of affection between husband and wife, which Ellen has already seen can be warped as well. Ellen’s grandmother’s hostility represents a different misdirection in that she is set on punishing Ellen for what she believes her daughter suffered. This accusation from her grandmother plays on Ellen’s own guilt that she didn’t protect her mother.
Ellen feels responsible for her mother’s death and thinks she can submit penance that will make God forgive her mother’s sin. In the Catholic faith, suicide is considered a mortal sin; this is an extension of Jewish law, which forbids self-harm. Protestant sects of Christianity differ on their stance of how God judges the souls of those who kill themselves. Ellen believes she can bargain with God since she is only responsible for one soul, her mama’s. Ellen’s belief that she could have personally impacted her mother’s choice through will or affection reflects the strength of the conventional notion of family ties as powerful and persuasive.
Ellen’s experience with her aunts Nadine and Betsy, who both in their turn deny responsibility for her, and Julia, who is unrelated but moved by kindness and concern to take Ellen into her care, prove that the judge’s assumption about family is faulty at best. New mama offers proof that such nurturance, while not compelled by biological relations, can also exist without even ties of acquaintance. New mama invites Ellen into her house, shows her a room, and sets in motion the legal procedure to foster Ellen knowing nothing more about her than that she needs assistance. After that, she not only provides food and clothing, healthy recreation, and structured activities for her girls but she tends to their emotional needs with affection and therapeutical tools. New mama offers Ellen’s final proof that affection and care are a function of character and not of genetics, and her foster home proves as true and nurturing a family arrangement as Starletta’s more conventional nuclear, two-parent household, the only such functioning familial model in the book.
Ellen Foster directly approaches racial bias and prejudice, showing how deeply these attitudes are embedded in the rural American South, though not exclusive to the region. Ellen’s whiteness is announced immediately with her fantasy that two “colored boys” (1) from the “rescue squad” come to collect her father’s dead body. Referring to Black people as “colored,” which was thought by most white people to be either an acceptable or neutral term at the time, and using terms like “boys” and “girls” for Black men and women assumes an immature or inferior status, and attests to the systemic racism that Ellen has absorbed.
Though she played in the fields with Starletta, Ellen would no doubt be aware that Starletta was the daughter of workers her parents employed on their farm. Her father’s emphatic instruction that Ellen refrain from eating clay, which she sees Starletta doing, emphasizes the warnings she would have received that she was not to adopt the habits of her Black friend, as different and “better” behavior would be expected from a white girl. Ellen feels comfortable seeking out Starletta’s family for company, even refuge, but is equally comfortable announcing her beliefs that “colored” habits or items are somehow different from “white” habits or items, and her declining to eat or drink anything in their house is at best inhospitable. To her, apparently, such terms of value are established and accepted by everyone.
Even as Ellen relies on Starletta’s friendship, she takes an exasperated approach to her friend, bossing Starletta at play and scoffing at her habits like breaking her crayons. Ellen’s paternalistic attitude is also compelled by Starletta’s difficulties with speech, which Ellen interprets as a disability. Her reassurance to Starletta when searching for the girl’s dollar for the movie that Ellen won’t treat her like the police is a casual acknowledgment of the prevalence of police brutality toward Black people, based on the same acceptance of racist belief that compels Ellen’s mother’s family to use racist slurs in general speech. Ellen’s grandmother is free with this disdain even though the workers supporting her farm and her household are Black; this and her insufficient pay indicate her vitriol as well as her racism.
Mavis’s kindness and Ellen’s observance of the bonds between the workers’ families compel a change in Ellen’s thinking and lead her to conclude that the assumption she’s absorbed that Black people are inferior to white people is, in fact, quite wrong. Not only has Starletta’s family helped Ellen at every turn, but she also has these healthy models of affection, familial bonds, hard work, and generosity of spirit before her. Additionally, Julia and Roy show no concern that Ellen should ask a Black friend to her birthday party. It provides further confirmation to Ellen that she chose her new mama well when her foster mother easily consents to Ellen’s inviting Starletta over for a weekend and embroiders towels with Starletta’s initial, at Ellen’s request.
Ellen’s concluding confession that she feels ashamed for once thinking she was superior to Starletta shows Ellen grappling with inherited bias and systemic racism. Though Ellen’s intentions are good, Starletta, who sleeps through Ellen’s confession, does not demonstrate that her identity has been impacted by Ellen’s racism, nor does she feel compelled to help Ellen with her white guilt. While Ellen shows a protectiveness toward Starletta, her beliefs about equality have not fully matured, for she insists to the bus driver that he must not make an issue of Starletta’s skin color and she tells Starletta that she can’t have a crush on a white boy. Even her insistence that Starletta hear her confession, and that Ellen make up something she “owes”—all while eventually concluding that she, Ellen, still has a more fortunate situation than Starletta—illustrates a lingering paternalistic attitude based on racist beliefs that Ellen will need to dismantle.
Ellen Foster investigates the consequences of abuse and harm in a variety of ways, in which Ellen’s example stands out as distinct.
Ellen’s mother is a fragile woman who never anticipated ill treatment from her husband and is not prepared to handle it. Even as a child, Ellen understands that her father’s demands for attention and care from someone just released from the hospital are inappropriate. Ellen is the one who turns him out of the house when he passes out drunk on the bathroom floor; practical and strong-minded at age 10, she prods him with her toe and tells him to go sleep in his truck. Her mother shows less resilience; Ellen puts her mother to bed after this incident and worries “she will wear herself out crying” (6). Ellen perceives that her mother has been worn out by physical illness and her husband’s emotional abuse. Though he does not physically lay a hand on her, Ellen notes a level of emotional and verbal abuse that she feels compelled to occasionally intervene by demanding to sleep in their bedroom, in her own baby bed, infantilizing herself to divert attention and demand care in an attempt to take stress from her mother. Ellen says later, while bargaining with God, that her mother was “too sad to think straight” (93), implying that Ellen already realizes a healthy response would be to draw boundaries and take steps toward self-protection. This is exactly what Ellen does when confronted with her father’s assaults. She attempts to remove herself from the household or be absent as much as possible, even going out the window when she can. She resolves to lock her door or keep something around to hit him and she explains that she can sometimes shove him off her and run away before he can grab her again.
The counselor’s talk therapy offers little for Ellen, whose coping methods include escaping into books and rides on the pony. She would rather have her own thoughts straight in her head, if she has to think on them, but her preference is not to. She names reading as one strategy to keep her mind occupied from memories. Her other recommendation is to “let the motion in your head wear you out. Never think about it,” she says: “You just make a bigger mess that way” (89). Ellen also resists the counselor’s attempts to define her own experience to her. The counselor tells her that children “who have experienced such a high degree of trauma tend to have identity problems” (87), which is how he explains Ellen signing her name Ellen Foster. For Ellen, this isn’t an identity confusion, but rather a solid declaration in that she is including herself as a member of her foster family, not the birth family that rejected and belittled her.
Ellen is sure of her own identity and resists other people misreading or misrepresenting her, which allows her to respond to and move on from the traumatizing events she experiences. From the very first attack, when she insists on speaking her name to her father to remind him who she is, Ellen exhibits a solid sense of self. She retains this even in the hostile environment of her grandmother’s home when her grandmother insists on casting Ellen in the mold of her father. Ellen, who doesn’t see this in herself, is grateful to balance this assessment with that of Mavis, who compares Ellen to her mother. When her emotions are overwhelming, which Ellen describes in terms of spinning and whirling, her new mama holds her hand and helps Ellen with deep breathing, which she says works to calm her anxiety.
As a third variety of response, Ellen’s father’s abuse of alcohol serves as an example of the effects of the traumas his generation experienced during wartime. The only reference to his service is the flag that his brother tries to give to Ellen after her father’s funeral. A flag is draped on the coffin of a deceased person who died in service to their country or for veterans who were honorably discharged from service. Given the time period, it’s most likely that Ellen’s father fought in the US war on Vietnam, a conflict that posed troubling moral conflicts for some and led to protests that resulted in veterans feeling their sacrifices had little value. It’s possible Ellen’s father has untreated post-traumatic stress disorder as a result of his military service and turns to alcohol as a coping mechanism. His wife and child are impacted as causalities of his own untreated trauma.
In contrast to the unhealthy coping mechanisms of her parents and the misdirected anger of her grandmother, Ellen’s self-reliance allows her to weather the emotional storms she experiences. Her achievement of a secure family situation in the end, which she sees as her own doing, gives Ellen the resources she needs to deal appropriately with and heal from her traumatic experiences, making the ending of her story a happy one.
Ellen’s experiences examine the importance of nurturance within relationships, child development, and the impacts of various types of mothering for children. Each household Ellen is a part of presents a different examination of this dynamic.
In Ellen’s birth family, needs for nurturance are misdirected at best. Ellen, as the child, is the one who requires parental guidance and care. Instead, Ellen mothers her mother, helping her with household tasks and performing small personal tasks like tucking her into bed. Ellen’s father, rather than providing nurturance to his wife or child, demands their attention and service. In her mother’s absence, Ellen looks after him by preparing meals and cleaning the house. When her father completely withdraws after her mother’s death, Ellen takes charge as best she can of household tasks like grocery shopping and paying the utility bill. Though this teaches Ellen self-reliance, this is the exact opposite of the model of family that the judge praises as the cornerstone of society.
Ellen receives appropriate nurturance in Julia’s household, where she is regarded as a child: taught skills like gardening, given treats like a trip to the movies, and given a party to celebrate her birthday. The exact opposite is again the case in her grandmother’s household, where Ellen is exploited again. She is made to work in the cotton fields without pay, and is left on her own in the evenings, including for meals. By the time she gets to Nadine’s house, Ellen elects to keep herself in her room and as out of the way as she can, so accustomed is she to hostility. However, as with the brief hope she harbored of her Aunt Betsy that she would want a girl in the house, Ellen is disappointed in hoping that Nadine might grow attached to her. Nadine’s attachment to her daughter Dora, which Ellen sees as overly fond and dangerous, is too complete to leave room for another child.
New mama provides the nurturance that is not only appropriate but also what Ellen has longed for. New mama provides food and clothing, takes Ellen shopping, teaches her how to cook, involves her in group activities, lets her have time on her own, and provides Ellen with small luxuries that mean much to her, like curtains for her windows and towels embroidered with Starletta’s initial.
A child’s instinctive need for nurturing, which Ellen tries to deny she needs, is revealed most innocently in baby Roger in her new home. Ellen reveals that new mama watches Roger during the day while Stella is at school, but the day Ellen brings Starletta home, she tries to introduce Starletta to Roger and notes: “He does not want to meet anybody new right now because he is busy loving up on Stella” (124), the seventh grader who is his mother. Though she doesn’t acknowledge Starletta’s own loving parents as a model, Ellen does admit to watching the families of Mavis and the other Black workers on her grandmother’s fields and deciding she wants a family like theirs of her own to some extent. The Black families provide the models of healthy nurturance in their affection for one another and care of their children that Ellen has not found in her own family. When she finds it in new mama’s house, though, Ellen not only declares that she will not leave until she is grown, but she imagines that her future opportunities are much brighter.
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